Final Exam Flashcards

(41 cards)

1
Q

The duration of the US copyright is death of the artist +70 years?

A

False (it’s the life of the author)

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2
Q

A holds calendar is a very important tool for promoters and talent buyers, it blocks out available days

A

True

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3
Q

What is the first step in the DIY checklist

A

write songs

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4
Q

The last step of the recording process to compete

A

Mastering

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5
Q

In music publishing, this is the license necessary to use music on TV

A

Synchronization license

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6
Q

In music publishing, this is the license that MBI and ASCAP give to businesses

A

Public Performance (comes from PROs)

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7
Q

The license needed to cover a musical artist’s songs

A

Mechanicals

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8
Q

A standard fee for hiring most standard music attorneys?

A

200/hr

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9
Q

The standard fee for booking agents

A

10% of artist’s concert gross income

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10
Q

Who is the largest publisher?

A

Sony

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11
Q

This person writes the song but may not perform it.

A

The song writer

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12
Q

Performs a song but may not have written it.

A

Artist

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13
Q

Team member responsible for legal advice and contract negotiations

A

Transactional attorney

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14
Q

Who is responsible for artist finances?

A

Business manager

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15
Q

This is written into a concert performers’ agreement to ensure artist will not perform a separate competing show

A

radius clause

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16
Q

The live performance agreement is 2ish pages while the rider is 30 pages or more about catering, etc…

A

True

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17
Q

To register you song for performance royalties you must be under ASCAP or BMI

18
Q

Among other things, the overall intent of MMA (Music Modernization Act) was to create a new mech for streaming services to easily license and pay higher royalties to songwriters and music publishers without the liability of music publishers

19
Q

Sample a pop song, expect to negotiate (1) wplit with the original publishers and pay a (2) licensing fee before the track is released

A

(1) copyright
(2) upfront

20
Q

The standard fee for artist managers is what percentage what income?

21
Q

Songwriter income is not regulated by the government in video games and TV ads

A

Sync licensing (the only license that can be negotiated by songwriter)

22
Q

The songwriter royalty is partly regulated by the government when used in radio

A

Public performance

23
Q

Larger and popular acts can get a guaranteed dollar amount vs a percentage of a show, whichever is higher, Passman says it is…

A

Versus deal (one vs. one)

24
Q

This collects and pays digital sound recording royalties from non-interactive streaming

A

Sound exchange

25
What kind of deal is the safest for a concert promoter?
Door deal
26
The two main concert promoters in the US and Rocky Mountain region are...?
AEG and Live nations
27
SiriusXM is an example of...
Non-interactive streaming
28
If you are printing out actual physical copies of your album, you need this code provided by your...
UPC code (barcode)
29
This is when a concert promoter adds 15% profit and charges it as an expense guaranteed deal
Promoter profit
30
DIY checklist, what does Prof Rok recommend for making your own website
Square space
31
Which is not a booking agent?
BMI (it's a PRO)
32
Denver venue that is neutral booked by both concert promoters?
Red Rocks
33
Peter Mench says managers do a lot of this for their artists
Lending money
34
According to Passman and Prof Rok, managers are supposed to...
Create demand and income and negotiate deals
35
What form did Flobots forget to file with the copyright during their legal dispute with Logan Paul
PA Form
36
How did Logan Paul infinge?
Created derivative work using the original composition
37
What is the largest music record label?
UMG
38
If under a major label, an all-in deal would be about 15-30% on physical and 15% on licensed streaming
True
39
All artist agreements give this provision option to either allow artist to play their music or pay artist off
pay-to-play
40
After writing, recording, and mixing, you must confirm this before releasing
Song splits and ARC code
41