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Music Business > Final Exam > Flashcards

Final Exam Flashcards

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1
Q

The duration of the US copyright is death of the artist +70 years?

A

False (it’s the life of the author)

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2
Q

A holds calendar is a very important tool for promoters and talent buyers, it blocks out available days

A

True

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3
Q

What is the first step in the DIY checklist

A

write songs

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4
Q

The last step of the recording process to compete

A

Mastering

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5
Q

In music publishing, this is the license necessary to use music on TV

A

Synchronization license

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6
Q

In music publishing, this is the license that MBI and ASCAP give to businesses

A

Public Performance (comes from PROs)

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7
Q

The license needed to cover a musical artist’s songs

A

Mechanicals

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8
Q

A standard fee for hiring most standard music attorneys?

A

200/hr

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9
Q

The standard fee for booking agents

A

10% of artist’s concert gross income

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10
Q

Who is the largest publisher?

A

Sony

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11
Q

This person writes the song but may not perform it.

A

The song writer

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12
Q

Performs a song but may not have written it.

A

Artist

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13
Q

Team member responsible for legal advice and contract negotiations

A

Transactional attorney

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14
Q

Who is responsible for artist finances?

A

Business manager

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15
Q

This is written into a concert performers’ agreement to ensure artist will not perform a separate competing show

A

radius clause

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16
Q

The live performance agreement is 2ish pages while the rider is 30 pages or more about catering, etc…

A

True

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17
Q

To register you song for performance royalties you must be under ASCAP or BMI

A

False

18
Q

Among other things, the overall intent of MMA (Music Modernization Act) was to create a new mech for streaming services to easily license and pay higher royalties to songwriters and music publishers without the liability of music publishers

A

True

19
Q

Sample a pop song, expect to negotiate (1) wplit with the original publishers and pay a (2) licensing fee before the track is released

A

(1) copyright
(2) upfront

20
Q

The standard fee for artist managers is what percentage what income?

A

15% gross

21
Q

Songwriter income is not regulated by the government in video games and TV ads

A

Sync licensing (the only license that can be negotiated by songwriter)

22
Q

The songwriter royalty is partly regulated by the government when used in radio

A

Public performance

23
Q

Larger and popular acts can get a guaranteed dollar amount vs a percentage of a show, whichever is higher, Passman says it is…

A

Versus deal (one vs. one)

24
Q

This collects and pays digital sound recording royalties from non-interactive streaming

A

Sound exchange

25
Q

What kind of deal is the safest for a concert promoter?

A

Door deal

26
Q

The two main concert promoters in the US and Rocky Mountain region are…?

A

AEG and Live nations

27
Q

SiriusXM is an example of…

A

Non-interactive streaming

28
Q

If you are printing out actual physical copies of your album, you need this code provided by your…

A

UPC code (barcode)

29
Q

This is when a concert promoter adds 15% profit and charges it as an expense guaranteed deal

A

Promoter profit

30
Q

DIY checklist, what does Prof Rok recommend for making your own website

A

Square space

31
Q

Which is not a booking agent?

A

BMI (it’s a PRO)

32
Q

Denver venue that is neutral booked by both concert promoters?

A

Red Rocks

33
Q

Peter Mench says managers do a lot of this for their artists

A

Lending money

34
Q

According to Passman and Prof Rok, managers are supposed to…

A

Create demand and income and negotiate deals

35
Q

What form did Flobots forget to file with the copyright during their legal dispute with Logan Paul

A

PA Form

36
Q

How did Logan Paul infinge?

A

Created derivative work using the original composition

37
Q

What is the largest music record label?

A

UMG

38
Q

If under a major label, an all-in deal would be about 15-30% on physical and 15% on licensed streaming

A

True

39
Q

All artist agreements give this provision option to either allow artist to play their music or pay artist off

A

pay-to-play

40
Q

After writing, recording, and mixing, you must confirm this before releasing

A

Song splits and ARC code

41
Q
A

Music Business (1 decks)

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