Final exam Flashcards

1
Q

Snare drum

A

Grip: use three point grip at fulcrum of stick
3 strokes: full, up, and down
Roll strokes: double triple, multiple; movement of forearm from elbow

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2
Q

Rudiments

A

Rolls, flam, flam accent, flamacue, drag or ruff, paradiddle (double and triple)

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3
Q

Snare drum anatomy

A

-shell
-heads (batter and resonant)
-snares
-snare throw-off
-lugs and tension rods

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4
Q

Snare drum tuning

A

batter head tuned to concert A
-resonant head: 5th above batter head
-snare tension: loose = rattly. too tight = unwanted resonance

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5
Q

Xylophone

A

rosewood or kelon bars

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6
Q

Glockenspiel

A

steel bars

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7
Q

Marimba

A

rosewood, kelon or padauk bars

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8
Q

Vibraphone

A

steel/aluminum bars, rotating fans in resonators

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9
Q

Chimes

A

chromed brass tubes

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10
Q

crotales

A

bronze alloy, like cymbols

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11
Q

Mallets

A

grip - two mallets or four mallets

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12
Q

Timpani anatomy

A

-plastic/calfskin head
-copper bowl
-frame and rim
-tensioning mechanism, pedal

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13
Q

Strokes for timpani

A

full stroke all the time
-rolls compromised of single stroke
-relaxed grip to get full sound
-tense grip 4 articulation
-Beat drum 2-5’ from rim

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14
Q

Tuning of timpani

A

release pedal and slide up to pitch quick
Get reference pitch from tuning lowest drum first, single scale degress.
-tune all pitches to lowest drum

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15
Q

Bass drum

A

-play vertically and use body to muffle
-beating spot slightly off center
-relaxed stroke for full sound

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16
Q

Cymbals

A

Mezzo forte: parallel, playing angle, tilt upper cymbol for flam angle, swing lower arm down then up, break wrists and follow through

17
Q

Cymbols method for pianissimo-mezzo piano

A

-bring symbols together silently
-small OUT-IN movement, accelerate towards one another
-no flam; edges contact at same time

18
Q

Tambourine

A

-hold losely at angle
-brace middle finger w/ thumb and pecking motion
-loud rolls: shake back and forth
-soft rolls: use rosin for finger friction
-loud/fast passages with knee-hand technique

19
Q

Triangle

A

-opening to left, play in opposite corner
-oblique stroke for overtones
-vertical/horizontal stroke for articulation
-two sides of triangle for rolls and fast passages