Final Exam Flashcards

Expulsion from Eden
Masaccio
1423-1426
Patron: Felice Brancacci
Subject: Life of Peter
Location: Santa Maria del Carmine
Function: Family Chapel/Funerary

Original Sin
Masolino
1423-1426
Patron: Felice Brancacci
Subject: Life of Peter
Location: Santa Maria del Carmine
Function: Family Chapel/Funerary

Tribute Money
Masaccio
1423-1426
Patron: Felice Brancacci
Subject: Life of Peter
Location: Santa Maria del Carmine
Function: Family Chapel/Funerary

Raising of Tabitha
Masolino
1423-1426
Patron: Felice Brancacci
Subject: Life of Peter
Location: Santa Maria del Carmine
Function: Family Chapel/Funerary

Baptism of the Neophytes
Masaccio
1423-1426
Patron: Felice Brancacci
Subject: Life of Peter
Location: Santa Maria del Carmine
Function: Family Chapel/Funerary

St. Peter Preaching
Masolino
1423-1426
Patron: Felice Brancacci
Subject: Life of Peter
Location: Santa Maria del Carmine
Function: Family Chapel/Funerary

The Holy Trinity
Masaccio
1427
Patron: unknown
Location: S.M. Novella
first ever renaissance style painting

Competition Panels
Ghiberti | Brunelleschi
1401
Patron: Opera del Baptistry
Subj: Sacrifice of Isaac
Style: International/Late Gothic
Prize: Comission for the East doors of the Baptistry
Ghiberti won - better technically and stylistically
David
Donatello
1408/1415
Patron: Opera del’ Duomo & Signoria

St. George
Donatello
1415
Patron: Sword and Armor Guild
Orig. Location: Orsanmichele

David
Donatello
1430 - 1450
Patron: unknown (Medici)
Orig. Location: Palazzo Medici Courtyard
first freestanding male nude since antiquity

Bacchus
Michelangelo
1496
Patron: Cardinal Raffaele Riario
meant for his ancient sculpture garden - rejected because to naturalistic

David
Andrea del Verrocchio
1465-1469
Patron: Piero di Medici
originally on a big platform with the head behind him

Gates of Paradise
Lorenzo Ghiberti
1425-1452
Patron: Opera del Baptistry
Subj: Old Testiment
Location: East Doors of the Baptistry

Pieta
Michelangelo
1550
Patron: Michelangelo
meant for his tomb
tried to destroy it himself
the Uffizi
Georgio Vazari
1560
Patron: Duke Cosimo I de Medici
Function: offices

Ognissanta Madonna
a.k.a Madonna & Child & Saints & Angles
Giotto
1310
style: Gothic
orig. Location: High Altar of Ognissanti

Annunciation
Simone Martini
1333
style: Gothic
Patron: Opera del Duomo de Siena
orig. Location: Altarpiece in Siena Cathedral

Adoration of the Magi
Gentile da Fabriano
1423
Patron: Palla Strozzi
style: International

Battle of San Romano
Paolo Uccello
1440
Patron: unknown
Style: Early Renaissance

Madonna, Child & Angel
Fra Lippo Lippi
1450
Patron: unknown
Style: Early Renaissance

Portraits of the Duke and Duchess of Urbino
Piero della Francesca
1474
Patron: Duke of Urbino

La Primavera
a.k.a The Allegory of Spring
Allessandro Botticelli
1470’s
Patron: Medici
first mythological painting since antiquity

Birth of Venus
Botticelli
1480’s
Patron: Medici

Annunciation
Leonard da Vinci
1474
Patron: unknown
Style: Early Renaissance
Sfumato & Atmospheric perspective

The Holy Family
a.k.a Doni Tondo
Michelangelo
1505
Patron: Angelo Doni
Style: High Renaissance

Convent of San Marco (Cloister)
Michelozzo
1436-1442
Patron: Cosimo the Elder
first ever renaissance style convent
observant branch of Dominican friars

Annunciation
Fra Angelico
1436-42
Patron: Cosimo the Elder
Location: Top of the stairs leading to the dormitory

Annunciation
Fra Angelico
1436-42
Patron: Cosimo the Elder
Location: Cell 3
Intercessor: St. Peter

Transfiguration
Fra Angelico
1436-42
Patron: Cosimo the Elder
Location: Cell 6
Intercessors: Virgin Mary & St. Dominic

The Corronation of the Virgin Mary
Fra Angelico
1436-42
Patron: Cosimo the Elder
Location: Cell 9
Intercessors: St. Thomas Aquinus, St. Benedict, St. Dominic, St. Peter Martyr, Mark

David
michelangelo
1501-1504
Patron: Opera del Duomo
Orig. intended for one of the back butresses of the Duomo
1503 the Signoria decides to put it in the Piazza
to Magnifico

Prisoner
a.k.a Slave
Michelangelo
1521-1523
Patron: Pope Julius II
never finished because his demand was too great

St. Peter’s Basilica
Bramante
1505 (died 1514)
Patron: Pope Julius II
Greek Cross Plan

St. Peter’s
Michelangelo
1546 (till death)
Patron: Pope Paul III
Greek Cross Plan w/ Portico

Pieta
Michelangelo
1498
Patron: French Cardinal
Orig. Location: Old St. Peter’s

Sistine Chapel Ceiling
Michelangelo
1508-1512
Patron: Pop Julius II
Main row depicts Genesis, the men on seats are old testiment prophets, the women are sybells, in the spandrels and lunettes are ancestors of Jesus

Universal Flood
Michelangelo
1508-1512
Patron: Pope Julius II
Location: Sistine Chapel Ceiling

Temptation and Expulsion from Eden
Michelangelo
1508-1512
Patron: Pope Julius II
Location: Sistine Chapel Ceiling
Creation of Man
Michelangelo
1508-1512
Patron: Pope Julius II
Location: Sistine Chapel Ceiling

New Sacristy
Michelangelo
1519-1534
Patrons: Pope Leo X & Pope Clement VII

Tomb of Lorenzo di Medici
Michelangelo
1519-1534
Patrons: Pope Leo X & Pope Clement VII

Tomb of Guiliano di Medici
Michelangelo
1519-1534
Patrons: Pope Leo X & Pope Clement VII

“Night”
Tomb of Lorenzo di Medici
Michelangelo
1519-1534
Patron: Pope Leo X & Pope Clement VII

“Day”
Tomb of Lorenzo di Medici
Michelangelo
1519-1534
Patron: Pope Leo X & Pope Clement VII

“Dawn”
Tomb of Guiliano di Medici
Michelangelo
1519-1534
Patron: Pope Leo X & Pope Clement VII

“Dusk”
Tomb of Guiliano di Medici
Michelangelo
1519-1534
Patron: Pope Leo X & Pope Clement VII

Madonna and Child
Michelangelo
1519-1534
Patron: Pope Leo X & Pope Clement VII

Madonna of the Impannata
Raphael
1515
Patron: Pop Leo X

Assumptio of Mary
Andrea del Sarto
1523
style: High Renaissance

Angelo Doni and Maddaleno Strozzi Doni
Raphael
1505
Patron: Angelo Doni

Madonna della Seggiola
Raphael 1513
Patron: unknown
Tondo

La Velata
Raphael
1517
Patron: unknown
portrait
Perspective
creation of a 3D space on a 2D plane
Memento Mori
symbols meant to remind us of our mortality
Quatrefoil
“four leaves”
decorative framework often used in Christian decoration
Nakedness vs. Nude
Temporary absece of Clothing
vs
specific absense on a perfect body
Pieta
“Pity”
Virgin Mary holding a dead Jesus
Palazzo della Signoria
vs.
Palazzo Vecchio
1572
Medici move to Pitti Palace
Chiaroscuro
“Light Dark”
use of contrast ot create the 3D
Leonardo da Vinci
Gothic Style
Elaborate frame
pointed arches
frame organizes painting
gold background
flad 2D goldplate halos
Predella
Lower section of an altarpiece or niche
Sfumato
“smoke”
smoky hazeyness to an image
Leonard da Vinci
Atmospheric Perspective
Treatment of the background with optical accuracy
Tondo
“round”
Circular/round painting
Cloister
Religious courtyard