Final Exam Flashcards

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1
Q

a term used to describe the arts generally during the period 1600–1750 and signifying excess and extravagance – Memorable descriptive words include – ‘Bizarre and Grotesque’

A

Baroque

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2
Q

a one-movement composition, free in form, originally for solo keyboard/Organ but later for instrumental ensemble as well – Served as an opening for Opera at the beginning of the Baroque era

A

Toccata

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3
Q

an introductory movement, usually for orchestra, that precedes an opera, oratorio, or dance suite (Toccata once served this function)

A

Overture

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4
Q

a general term connoting solo singing accompanied by a basso continuo in the early Baroque period

A

Monody

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5
Q

the text of an opera

A

Liberetto

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6
Q

a dramatic work in which the actors sing some or all of their parts; it usually makes use of elaborate stage sets and costumes

A

Opera

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7
Q

in musical notation, a numerical shorthand that tells the player which unwritten notes to fill in above the written bass note

A

Figured Bass

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8
Q

a theme in Baroque works that returns again and again; from Italian for “return” or “refrain”

A

Ritornello

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9
Q

form in a Baroque concerto grosso in which all or part of the main theme—the ritornello (Italian for “return” or “refrain”)—returns again and again, invariably played by the tutti, or full orchestra

A

Ritornello Form

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10
Q

musically heightened speech, often used in an opera, oratorio, or cantata to report dramatic action and advance the plot.

A

Recitative

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11
Q

a motive or phrase in the bass that is repeated again and again

A

Bass Ostinato or Ground Bass

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12
Q

musical form and compositional technique, based on the principle of strict imitation, in which an initial melody is imitated at a specified time interval by one or more parts, either at the unison (i.e., the same pitch) or at some other pitch

A

Canon

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13
Q

a composition in which 3 or 4 voices sing EXACTLY THE SAME MELODY at the unison or octave with each voice starting at different times

A

Round

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14
Q

in music, a compositional procedure characterized by the systematic imitation of a principal theme (called the subject) in simultaneously sounding melodic lines (counterpoint).

A

Fugue

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15
Q

the best violinist of the Baroque era was…

A

Antonio Stradivari

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16
Q

what was introduced during the baroque era?

A

Chromaticism

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17
Q

who were the scientists of the Baroque era?

A

Isaac Newton
Nicolaus Copernicus
Galileo

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18
Q

who was a writer during the Baroque era?

A

William Shakespeare

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19
Q

who was an artist during the Baroque era?

A

Rembrandt

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20
Q

Italian (Famous for Igniting Opera. Known as the Father of Opera)

A

Claudio Monteverdi

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21
Q

British (Famous for Opera and other Courtly Music)

A

Henry Purcell

22
Q

Italian (Virtuoso Violinist Famous for the Development of the Sonata Known as the Father of the Orchestra) Provided a Framework for the bass and the Melodic instruments to improvise over. All violinists can be traced back to him

A

Arcangelo Corelli

23
Q

Italian (famous for the development of the Concerto, is known for the 4 Seasons Violin Concertos), George Friedrich Handel, J.S. Bach – also worked in Hospice and an orphanage

A

Antonio Vivaldi

24
Q
A

J.S. Bach

25
Q
A

G.F. Handel

26
Q

how did the Sonata develop?

A
27
Q

how did the Sonata change from the beginning of the Baroque era to the end?

A
28
Q

what are some of the dances used in a Sonata and what are their countries of origin?

A
29
Q

two historical events during the Classical period?

A
30
Q

Romantic Themes?

A

Unattainable Love
Love
Spiritual Realms (occult)
Nature
National Folk Tales
Nationalism

31
Q

a bracing, progressive style that dominated classical music and the arts generally from the beginning to the end of the twentieth century

A

Modernism

32
Q

a dissonant sounding of several pitches, each only a half step away from the other, in a densely packed chord

A

Tone Cluster

33
Q

music without tonality; music without a key center; most often associated with the twentieth-century avant-garde style of Arnold Schoenberg

A

Atonal Music

34
Q

(German for “speech-voice”) a vocal technique in which a singer declaims, rather than sings, a text at only approximate pitch levels

A

Sprechstimme

35
Q

a method of composing music, devised by Arnold Schoenberg, that has each of the twelve notes of the chromatic scale sound in a fixed, regularly recurring order. *No single note can be repeated until all of the notes in the row are played.

A

Twelve-Tone Composition

36
Q

This composition was groundbreaking and caused a riot the first time it was played. It contained many devices that were not all utilized at the same time prior to this composition.

A

Stravinsky’s Rite of Spring

37
Q

Devices used in The Rite of Spring?

A

Polymeter
Polyrhythm
Polychord
Multiple Ostinatos
Irregular Accents

38
Q

two or more meters sounding simultaneously

A

Polymeter

39
Q

two or more rhythms sounding simultaneously

A

Polyrhythm

40
Q

the stacking of one triad or seventh chord on another so they sound simultaneously

A

Polychord

41
Q

Notice also that most of the instruments play the same motive over and over at the same pitch level. Such a repeating musical figure, as we have seen, is called an ostinato.

A

Multiple Ostinatos

42
Q

the signature of The Rite of Spring

A

Irregular Accents

43
Q

who was Samuel Barber?

A
  • 1910-1981
  • A musical prodigy that grew up in Pennsylvania
  • Suffered lifelong depression/was gay/was forced to be secretive
44
Q

a style that starts with the musical elements of Romantic music but reimagines them with an awareness of Modernist musical processes

A

Neo-Romanticism

45
Q

5 genres of American popular music?

A
46
Q

Ancient Period

A
  • BC 476
  • Rhythm/Melody
  • No harmony
  • Percussion/Flutes/Shofar Rams Horn
47
Q

Medieval Period

A
  • 476-1450
  • Guilds
    Hildegard Von Bingen
48
Q

Renaissance Period

A
  • 1450-1600
  • “Rebirth”
49
Q

Baroque Period

A
  • 1600-1750
  • “Bizarre-Grotesque”
  • Standardization of instruments
  • Vivaldi
  • Bach
  • Harpsichord
  • Sonata was developed
50
Q

Classical Period

A
  • 1750-1820
  • American Revolution
  • French Revolution
  • Declaration of Independence
  • *Symphony was standardized
  • Invention of the sewing machine
  • Invention of batteries
51
Q

Romantic Period

A
  • 1820-1900
  • Romance
  • Civil War took place
52
Q

Modernism/Postmodernism

A
  • 1980-present
  • World War I
  • Cubism (Picasso)
  • Expressionism (The Scream)