FINAL Flashcards
Commonly accepted dates for the Baroque period are
1600-1750
The roots of the Baroque are in what country?
Italy
The musical style of the Renaissance came to be referred to as _______ or ______.
Prima practica, stile antico
The newer style of the Baroque was referred to as _______ or ______.
Seconda practica, stile moderno
A continuous bass line that accompanied the melody; it’s symbols were called _____.
Basso continuo; figured bass
Composers began to write ________ in order to exploit the individual capabilities of voices/instruments.
Idiomatically
Two important musical genres that came into existence around 1600; which country was each?
Opera in Florence, Oratorio in Rome
A large amount of Baroque music emphasizes “competition” between two groups - solo vs group, voices vs instrument, small group vs large
Concertato
The primary genre of vocal chamber music was the _______.
Solo cantata
A descending four-note bass line often denoted sorrow and is known as a _______.
Lament bass
“Agitated style”
Concitato
Music intended for large spaces such as basilicas and employing four or more choirs singing together echoing one another is known as the _______.
Colossal Baroque
Who perfected the da capo aria?
Alessandro Scarlatti
What are the two types of sonatas that emerged?
da chiesa (church) and da camera (chamber)
What is the instrumentation of a Baroque trio sonata?
2 melody instruments + basso continuo
The tempo pattern of a sinfonia (Italian overture):
Fast/slow/fast
The tempo pattern of a French overture:
Slow/fast/slow
An instrumental piece for ensemble in which one or more soloists both complemented and competed with an orchestra:
Sonata
Who pioneered the development of the sonata?
Rossi and Corelli
A collection of pieces in dance rhythms is a
Suite
Who developed the standard dances?
Froberger
What are the standard dances?
Allemande, Courante, Sarabande, and Gigue
An organ piece that introduced the congregational hymn by playing it through its entirety prior to singing
Chorale prelude
The composer who took the Italian concerted style to Dresden, Germany
Schütz
The composer who wrote the first significant opera
Monteverdi
The first composer to specify instrumentation and to employ dynamic markings in a musical score
Gabrieli
The first significant oratorios were composed by
Carissimi
The priest who composed hundreds of string concertos
Vivaldi
The name for the simple vocal style that characterized the earliest Baroque solo songs
Monody
A type of singing that is flexible and mimics the rhythms of speech
Recitative
The term for divided choir
Cori spezzati
The standard for single movements in sonatas and dance suites
Binary form
The small group of soloists in a concerto grosso
Concertino
Notes performed somewhere between legato and staccato
Spiccato
Alternate tuning of a stringed instrument
Scordatura
The most important French musician at the time of Louis XIV
Lully
A multi-movement piece composed to commemorate a birthday or a similar occasion
Ode