Final Flashcards

1
Q

Whe did the French New wave as a movement emerge? (what yr)

Who were the Principal Directors and

What films delineated the french new wave

A

1959// hiroshima, 400 blows and breathless// goddard, truffaut

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2
Q

What is Cashier De Cinema?

A

Magazine where directors would write– policy fixted toward the auter shifted

voice for French new wave, Influential French film magazine founded in ‘51. It re-invented the basic tenets of film criticism and theory. The magazine also was essential to the creation of the Nouvelle Vague, or New Wave, of French cinema, which centered on films directed by authors such as Godard and Truffaut

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3
Q

Who is Bazin?

A

realist, believed editing could destroy the effectiveness of a scene, he believed film was one of the only arts that could actually capture reality and formalist just put their own view into the scene when they edit

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4
Q

What is Camera Stylo

A

French critics using the camera to talk about the narrative during the French New Wave. Director’s moves away from formal literary style to create more personal stories. French critics, who become filmmakers, look at a lot of American films and think they could be very good in France.
a. Hawks, Ford, Welles, Hitchcock

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5
Q

ho is Atruc?

A

His role in the auteur theory is his notion of the caméra-stylo or “camera-pen” and the idea that a director should wield his camera like a writer uses his pen and that he need not be hindered by traditional storytelling.

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6
Q

What is la politiques des auters?

A

Some directors use camera the way author uses penq

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7
Q

What is relexivity?

A

calling asttention to the medium itselfq

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8
Q

What two bascic tenets comprised the “policy of the auters?

A

Authorship and style

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9
Q

Why is the new wave so important historically

A

changed direction of film and gave us auter

changed way we define filmn. its not studio its director

reinvigorated film language- editing reflexivity

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10
Q

What reflexivie elements are found in truffauts jules and jim

A

freeze frame, voice over, handheld archival footage, and super imposoitionm

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11
Q

Define third world cinema

A

reaction to 1st and second// cinema about thenpeople the proletariat// something that promotes change or disrupts status nquo

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12
Q

What unifying themes and styles can be found in this type of cinema [thirdworld] ?

A

use of folk music, handheld, shooting on location- themes- disrupt status uo and oppression

hygiene, illiteracy, unemployment/poverty, the idea of freedom

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13
Q

What countries have historicaly dominated thir world cinema?

A

SE Asia, India, Pacific Rim, Latin America, Caribbean, Africa

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14
Q

What are first and seconn wave cinemas

A

1st- hollywood- formula films

2nd- auter cinema- call attention to themes and social change

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15
Q

What is cinema Novo

A

60 70s in breazil– deals with moppression of government

Latin Third cinema in Brazil, formed in response to class and racial unrest. It emphasized equality and intellectualism. Influenced by the French New Wave

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16
Q

What is the MPEA

A

Motion Picture export association

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17
Q

Who was Sembene

Pontecorvo

Dos santos

Ray

A

-sembene- Senegalese film director, producer and writer “father of African film”

Pontecorvo- Director of The Battle of Algiers. Hearkens back to Rossellini. “Preface” to Inch’Allah Dimanche.

Dos Santas-Brazilian film director, influenced several other directors, with his first feature film Rio 40 released 1955 spurring the cinema novo movement - Vidas Secas (63)

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18
Q

What is the Motion Pcture Export Association and what is it’s function’

A

its basic mission of promoting Hollywood motion pictures, protecting intellectual property rights, and asserting the goals of the industry generally in foreign markets.

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19
Q

How does the MPEA affect Dometic cinemas world ide

A

oversees all hollywood product abroad

other countries put import tariffs on films from us - MPEA lobiies against things like that

adversly affects smaller markets

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20
Q

What changes did hollywood note demographically about american audiences of the 50s?

A

young audiences are what brought about change on screen

audience was younger educated and had money to spend

more political and liberal

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21
Q

{What changes did hollywood note demographically about american audiences of the 50s?}

How did that assesment affect output and content

A

movies became political and liberal

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22
Q

What are some influences of the direxctors of the hollyood renissances?

A

Japan, european filmmakers// they would satire classic hillywood movies

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23
Q

Who was Jack Vallenti

A

was a longtime president of the Motion Picture Association of America. During his 38-year tenure in the MPAA, he created the MPAA film rating system, and he was generally regarded as one of the most influential pro-copyright lobbyists in the world.

24
Q

Who were some of the representative young auters

A

a. Altman, Hollywood director in the 70’s, McCabe and Mrs. Miller was his #1 western, MASH
b. Penn, Hollywood director, Bonnie and Clyde
c. Nichols, Hollywood director, EGOT, the graduate
d. Hopper, Easy Rider
e. Ashby, Coming Home, Harold and Maude
f. Scorsese,
g. Coppola, Godfather
h. Alenn 1975

25
How were traditional genre forms transformed during the rough decades of 64-77
raditional genre went from "mythological stories around the campfire" to watching a movie together -Satires began coming out (Dr. Strange Love) -Characters were more human, become less perfect
26
What gave rise to dark or black comedy during that era
Absurdity to modern life, often about death (pulp fiction, weekend at Bernie's) certainty of life-itself vietnam, civil rights, cold war, everyone was a little cynical
27
What sociaol/ cultural institutions were satired on Harold and Maude?
relationship, younger man older woman, freud, patriotism, militarism, death
28
What was the first Blockbuster
Jaws
29
How did hollywood begin to recover in the 70s
big budget films
30
Know the importace of speilberg lucas industrial light and magic
Industrial Light & Magic is an American motion picture visual effects company that was founded in May 1975 by George Lucas long on effects short on story
31
Describe "Das neu Kino" as a movement?
German New wave new German Cinema. Low-budgets, Marxist ideology, new wave influence, psychological and cultural dislocation of people. Rejected conventional narrative syntax. Fassbinder, Wenders, Herzog are the three most prominent directors.
32
What stifled the revival of german cinema post ww2 in the early 50s
Thje war, nazism, american films in all german theatres/ They had to reinvent their cinema Brown years - Nazi assoc. party, no knowledge of WWII/holocaust
33
What was the oberhausen manifesto and what year was it issued
challenged gov to feature other films wanted to get subsidies and reinvent cinema formed by fassbinder 1962) manifesto of 26 young German filmmakers; observes that commercial cinema has collapsed and that short films have become more popular; declares freedom from the established industry; states that the old film is dead and that they believe they are new one
34
What was the filmverlag der autoren?
1971 formation. A private company to distribute on a cooperative basis the films of its members. (Fassbinder, Herzog, Wenders) - helps finance and distribute films in Germany
35
Know the primary directors fassbinder herzog wenders and the years and titles of their first features as well as common themes
Fassbinder Ali: Fear eats the soul (74), love is colder than death (69); Wenders, Goalies anxiety at penalty kick (71); Herzog Aguirre the wrath of God (72), sign of life (68) a. Love/hate relationships w/ American culture, culture displacement and loss of German identity, anti-capitalists sentiment - documentary look
36
What ade it hard for films to find substatial american audiences during 70s
Nihilistic, art houses declining (show foreign/doc/midnight) genre study (generic first appeared)
37
Define das neu kinos relationship with hollywood and american culture in general
The German new wave admired hollywood culture
38
As a period piece how does aguire the wrath of god reflect more recent german history
Powered man looking for new riches/new empire, Hitler
39
Which american folm director is fassbinder acknowledging in ali fear eats the soul?
douglas sirk
40
The coming of the 80s and the new american indeendents Know the several directors that emerged fduring this period
a. Burnett, killer of sheep b. Sayles, "Return of Seaucast (80) c. Jarmush, NYU film school "Stranger than Paradise" d. Lee, "She's gotta have it" (86) e. Soderbergh, "sex/lies and video tape" (86)
41
What changes was hollywood undergoing during the 80s
budgets started going up dual release system - summer winter vcr appeared
42
What led to the rise and fall of many independent distributors during the early 80s and 90s?
money
43
Who were the major indies
Miramax and Newline cinema
44
What set indie films apart from the hollywood product
Lower budget, more stories less sfx production stratagies
45
What financing and production stratagies did they employ
-
46
What as the importance of sundance
festival of independents
47
What were some of the historical and plitical conditions surroundig the develpment of the film industry in china
they were in a civil war for years and when they came out they felt freer to make fils
48
HBow do the chinese organize theie film history
Generations 5 generation came out of the film academy
49
What impact did the cultural revoultion have on the cinese film industry?
filmmakers felt freer to make films, but used period pieces to critique government
50
Who directed Ju dou?
Zhang Yimou and Yang Fengliang
51
What stylistics are found in yimou/ fengliangs jo dou
dof, telephoto, color scheme, vouyerism
52
What political commentary can be derived from this costume/ period piece
patriarchial strutcture
53
What has recent american cnema been like
cgi csa
54
What has cinemas ben like 2000's and beyons
cgi csa
55
What is the era of CGI and the CSA and the downside of megabudgets
CSA- casting society of america CGI- Computer generated imaging LONG ON EFFECTS SHORT ON SOTRY Star system, gertting a star to appear in your movies
56
What classic genres does Andersons The life Aquaic exploit?
melodrama, road film, dark comedy
57
Why can his film be considered Post modernist and reflexive?
It calls attention to itself, and questions or tries to explain reality.