Final Flashcards

1
Q

Whe did the French New wave as a movement emerge? (what yr)

Who were the Principal Directors and

What films delineated the french new wave

A

1959// hiroshima, 400 blows and breathless// goddard, truffaut

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2
Q

What is Cashier De Cinema?

A

Magazine where directors would write– policy fixted toward the auter shifted

voice for French new wave, Influential French film magazine founded in ‘51. It re-invented the basic tenets of film criticism and theory. The magazine also was essential to the creation of the Nouvelle Vague, or New Wave, of French cinema, which centered on films directed by authors such as Godard and Truffaut

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3
Q

Who is Bazin?

A

realist, believed editing could destroy the effectiveness of a scene, he believed film was one of the only arts that could actually capture reality and formalist just put their own view into the scene when they edit

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4
Q

What is Camera Stylo

A

French critics using the camera to talk about the narrative during the French New Wave. Director’s moves away from formal literary style to create more personal stories. French critics, who become filmmakers, look at a lot of American films and think they could be very good in France.
a. Hawks, Ford, Welles, Hitchcock

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5
Q

ho is Atruc?

A

His role in the auteur theory is his notion of the caméra-stylo or “camera-pen” and the idea that a director should wield his camera like a writer uses his pen and that he need not be hindered by traditional storytelling.

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6
Q

What is la politiques des auters?

A

Some directors use camera the way author uses penq

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7
Q

What is relexivity?

A

calling asttention to the medium itselfq

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8
Q

What two bascic tenets comprised the “policy of the auters?

A

Authorship and style

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9
Q

Why is the new wave so important historically

A

changed direction of film and gave us auter

changed way we define filmn. its not studio its director

reinvigorated film language- editing reflexivity

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10
Q

What reflexivie elements are found in truffauts jules and jim

A

freeze frame, voice over, handheld archival footage, and super imposoitionm

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11
Q

Define third world cinema

A

reaction to 1st and second// cinema about thenpeople the proletariat// something that promotes change or disrupts status nquo

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12
Q

What unifying themes and styles can be found in this type of cinema [thirdworld] ?

A

use of folk music, handheld, shooting on location- themes- disrupt status uo and oppression

hygiene, illiteracy, unemployment/poverty, the idea of freedom

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13
Q

What countries have historicaly dominated thir world cinema?

A

SE Asia, India, Pacific Rim, Latin America, Caribbean, Africa

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14
Q

What are first and seconn wave cinemas

A

1st- hollywood- formula films

2nd- auter cinema- call attention to themes and social change

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15
Q

What is cinema Novo

A

60 70s in breazil– deals with moppression of government

Latin Third cinema in Brazil, formed in response to class and racial unrest. It emphasized equality and intellectualism. Influenced by the French New Wave

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16
Q

What is the MPEA

A

Motion Picture export association

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17
Q

Who was Sembene

Pontecorvo

Dos santos

Ray

A

-sembene- Senegalese film director, producer and writer “father of African film”

Pontecorvo- Director of The Battle of Algiers. Hearkens back to Rossellini. “Preface” to Inch’Allah Dimanche.

Dos Santas-Brazilian film director, influenced several other directors, with his first feature film Rio 40 released 1955 spurring the cinema novo movement - Vidas Secas (63)

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18
Q

What is the Motion Pcture Export Association and what is it’s function’

A

its basic mission of promoting Hollywood motion pictures, protecting intellectual property rights, and asserting the goals of the industry generally in foreign markets.

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19
Q

How does the MPEA affect Dometic cinemas world ide

A

oversees all hollywood product abroad

other countries put import tariffs on films from us - MPEA lobiies against things like that

adversly affects smaller markets

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20
Q

What changes did hollywood note demographically about american audiences of the 50s?

A

young audiences are what brought about change on screen

audience was younger educated and had money to spend

more political and liberal

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21
Q

{What changes did hollywood note demographically about american audiences of the 50s?}

How did that assesment affect output and content

A

movies became political and liberal

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22
Q

What are some influences of the direxctors of the hollyood renissances?

A

Japan, european filmmakers// they would satire classic hillywood movies

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23
Q

Who was Jack Vallenti

A

was a longtime president of the Motion Picture Association of America. During his 38-year tenure in the MPAA, he created the MPAA film rating system, and he was generally regarded as one of the most influential pro-copyright lobbyists in the world.

24
Q

Who were some of the representative young auters

A

a. Altman, Hollywood director in the 70’s, McCabe and Mrs. Miller was his #1 western, MASH
b. Penn, Hollywood director, Bonnie and Clyde
c. Nichols, Hollywood director, EGOT, the graduate
d. Hopper, Easy Rider
e. Ashby, Coming Home, Harold and Maude
f. Scorsese,
g. Coppola, Godfather
h. Alenn 1975

25
Q

How were traditional genre forms transformed during the rough decades of 64-77

A

raditional genre went from “mythological stories around the campfire” to watching a movie together -Satires began coming out (Dr. Strange Love) -Characters were more human, become less perfect

26
Q

What gave rise to dark or black comedy during that era

A

Absurdity to modern life, often about death (pulp fiction, weekend at Bernie’s) certainty of life-itself

vietnam, civil rights, cold war, everyone was a little cynical

27
Q

What sociaol/ cultural institutions were satired on Harold and Maude?

A

relationship, younger man older woman, freud, patriotism, militarism, death

28
Q

What was the first Blockbuster

A

Jaws

29
Q

How did hollywood begin to recover in the 70s

A

big budget films

30
Q

Know the importace of speilberg

lucas

industrial light and magic

A

Industrial Light & Magic is an American motion picture visual effects company that was founded in May 1975 by George Lucas

long on effects short on story

31
Q

Describe “Das neu Kino” as a movement?

A

German New wave

new German Cinema. Low-budgets, Marxist ideology, new wave influence, psychological and cultural dislocation of people. Rejected conventional narrative syntax. Fassbinder, Wenders, Herzog are the three most prominent directors.

32
Q

What stifled the revival of german cinema post ww2 in the early 50s

A

Thje war, nazism, american films in all german theatres/ They had to reinvent their cinema

Brown years - Nazi assoc. party, no knowledge of WWII/holocaust

33
Q

What was the oberhausen manifesto and what year was it issued

A

challenged gov to feature other films

wanted to get subsidies and reinvent cinema

formed by fassbinder

1962) manifesto of 26 young German filmmakers; observes that commercial cinema has collapsed and that short films have become more popular; declares freedom from the established industry; states that the old film is dead and that they believe they are new one

34
Q

What was the filmverlag der autoren?

A

1971 formation. A private company to distribute on a cooperative basis the films of its members. (Fassbinder, Herzog, Wenders) - helps finance and distribute films in Germany

35
Q

Know the primary directors

fassbinder

herzog

wenders and the years and titles of their first features as well as common themes

A

Fassbinder Ali: Fear eats the soul (74), love is colder than death (69); Wenders, Goalies anxiety at penalty kick (71); Herzog Aguirre the wrath of God (72), sign of life (68)
a. Love/hate relationships w/ American culture, culture displacement and loss of German identity, anti-capitalists sentiment - documentary look

36
Q

What ade it hard for films to find substatial american audiences during 70s

A

Nihilistic, art houses declining (show foreign/doc/midnight) genre study (generic first appeared)

37
Q

Define das neu kinos relationship with hollywood and american culture in general

A

The German new wave admired hollywood culture

38
Q

As a period piece how does aguire the wrath of god reflect more recent german history

A

Powered man looking for new riches/new empire, Hitler

39
Q

Which american folm director is fassbinder acknowledging in ali fear eats the soul?

A

douglas sirk

40
Q

The coming of the 80s and the new american indeendents

Know the several directors that emerged fduring this period

A

a. Burnett, killer of sheep
b. Sayles, “Return of Seaucast (80)
c. Jarmush, NYU film school “Stranger than Paradise”
d. Lee, “She’s gotta have it” (86)
e. Soderbergh, “sex/lies and video tape” (86)

41
Q

What changes was hollywood undergoing during the 80s

A

budgets started going up

dual release system - summer winter

vcr appeared

42
Q

What led to the rise and fall of many independent distributors during the early 80s and 90s?

A

money

43
Q

Who were the major indies

A

Miramax and Newline cinema

44
Q

What set indie films apart from the hollywood product

A

Lower budget, more stories less sfx

production stratagies

45
Q

What financing and production stratagies did they employ

A

-

46
Q

What as the importance of sundance

A

festival of independents

47
Q

What were some of the historical and plitical conditions surroundig the develpment of the film industry in china

A

they were in a civil war for years and when they came out they felt freer to make fils

48
Q

HBow do the chinese organize theie film history

A

Generations

5 generation came out of the film academy

49
Q

What impact did the cultural revoultion have on the cinese film industry?

A

filmmakers felt freer to make films, but used period pieces to critique government

50
Q

Who directed Ju dou?

A

Zhang Yimou and Yang Fengliang

51
Q

What stylistics are found in yimou/ fengliangs jo dou

A

dof, telephoto, color scheme, vouyerism

52
Q

What political commentary can be derived from this costume/ period piece

A

patriarchial strutcture

53
Q

What has recent american cnema been like

A

cgi csa

54
Q

What has cinemas ben like 2000’s and beyons

A

cgi csa

55
Q

What is the era of CGI and the CSA and the downside of megabudgets

A

CSA- casting society of america

CGI- Computer generated imaging

LONG ON EFFECTS SHORT ON SOTRY

Star system, gertting a star to appear in your movies

56
Q

What classic genres does Andersons The life Aquaic exploit?

A

melodrama, road film, dark comedy

57
Q

Why can his film be considered Post modernist and reflexive?

A

It calls attention to itself, and questions or tries to explain reality.