Final Flashcards
hollywood renaissance
1964-1976
how did the new america cinema began
regular movies goers stayed at home watching tv
european cinema converted to american producers
underground cinema began growing popularity
film industry pushed its discovery of elitism of new film audience to its limits
genre pictures for special audiences
families films
blaxploitations (african american cast)
sexploitations
cult film
New “Art House” Films
protagonist are social misfits deviates or outlaws
villains are legal, respectable defender of society, cruel
protagonist are compassionate , funny, charming
unhappy or open ending
antiheroes lives validated even if died
violently
cinematic tricks to intensify mood
peter bogdanovich
NYC film buff
works at MOMA film dept
uses the 3 day karloff owed corman from “the terror” for “targets” a big critical hit
Directs three extremely well-made “retro”
genre movies that become audience favorites
dissipates in the 1980s under bloated budgets and poor choices of material
william Friedkin
Action/shock master who brought in big box-office bucks without resorting to fantasy
Friedkin is a “realist” who knows how to put on a good show.
robert altman
made 15 films in the 1970
robert altman
best known for his ensemble cast pictures
works improvisational with actors
towards end of career had difficulty getting pictures made.
robert altman
lost several assignment when he told studio heads he intended to make an altman film rather than a studio film. His movie the Player is a satire of the hollywood system.
stanley kubrick
new yorker
“look” photographer
reclusive self-exiled to london in 1962
unprecedented contract with WB gave him total control
martin Scorsese
film student at NYU
film Buff and Film preservationist
realistic yet operatic style- very italian
violence and male camaraderie prevail
from the “raw” style of “mean streets” to the slick period polish of “the aviator”
Francis (Ford) Coppola
UCLA film student
film buff
makes exploitation films for roger corman
writes important films of the “60”s (Patton)
a shaky start at WB is forgotten after the success of the “The Godfather” films
(The godfather, napoleon, dracula)
George Lucas and Steven Spielberg
The golden Boys and their boys
The summers of “75’s” ( Jaws) and 77’s (star wars) change the course of film history
The apotheosis of the popular film
american films become the global cultural text
woody allen
most like chaplin as observer of contemporary american social scene
known for playing neurotic characters trying to fit in
writes and directs all his movies many times starring as well
mike nichols
greatest satirist of period
noted for working with actors teamed with Elaine May for comedy duo first features )(Who’s afraid of virginia wolf? , the graduate)
most famous film directed