Final Flashcards

1
Q

“The Open Boat”

A

By Stephan Crane

The Open Boat by Crane speaks to the endless perils of the human condition. The men in the boat are faced with one problem after the next in their efforts to reach the shore.

Story is told from the third person perspective which is effective in conveying the story’s theme of nature’s indifference to the plight of man, possessing no consciousness that we can understand. We are conscious of all the men’s thoughts, yet nature is random in it’s aid and harm during their journey at sea.

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2
Q

“A Deal in Wheat”

A

Frank Norris

“A Deal in Wheat” by Frank Norris showcases the naturalistic literature qualities through a concise and objective writing style. The writing style enhances the overriding theme in this short story, of economic struggle against almost irresistible forces. Showing how sadly limited we are and what little control we have (naturalist)

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3
Q

“The Law of Life”

A

Jack London

In his short story “The Law of Life,” Jack London presents us with his interpretation of the complex relationship between man and nature, that is : death or the law of life. The end of the old moose and the end of old Koskoosh share important similarities. Both are separated from their kind and killed by wolves. However man is separated from nature as he is aware of his end.

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4
Q

“The Other Two”

A

Edith Wharton

The short story by Edith Wharton tells of an uncommon relationship between Mr. Waythorn, his wife and her two ex-husbands. One of the many themes that can be found in this story is feminism vs masculinity in a story of social observation. We see the progressing strength of Alice and the possessive, self-serving behavior of Waythorn as it disappears.

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5
Q

“Richard Cory”

A

Edwin Arlington Robinson
E.A. Robinson

Richest man in town, everyone wants to be like him… he goes home and kills himself… He is the wrong kind of rich. He lacks what everyone else has: A capacity to hope

Style: Iambic pentameter. An odd syllable is being stressed “calm summer knight” breaks it
Ironic; its normal night except for the suicide.

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6
Q

“Miniver Cheevy”

A

Edwin Arlington Robinson
E.A. Robinson

Miniver Cheevy is a poem written in rhymed quatrains which depicts a man who is stuck in the past because he is miserable in the present. Implicitly the poem alludes to the notion that we try to maintain a positive image in order to cope however all he does is continue to drink.

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7
Q

“Mr. Flood’s Party”

A

Edwin Arlington Robinson
E.A. Robinson

Implicitly this poem alludes to what time and change can do to somebody. Eben Flood is enduring the difficult circumstances of existence. Under the mock sentimentality, theres a sense that this guy is heroic for he continues to fight the sadness of being alone. There is beauty in the struggle.

The ebin flood of the tides
Means the passage of time

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8
Q

“How Annandale Went Out”

A

Edwin Arlington Robinson
E.A. Robinson

Stylistically, this poem is a sonnet; the 8 line segment establishes a problem or question and 6 line segment resolves the problem. The poem’s voice is not the poet but of someone overlooking an ill person on their death bed. Implicitly the poem comments on the nature of life and death. The speaker is struggling to decide if the person should die a long and painful death or end his life but know that he died peacefully and painlessly.

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9
Q

“Home Burial”

A

Robert Frost

Written informally, doesnt rhyme. Not quite free-verse but loose-iambic.

Both man and woman are suffering from the loss of a child, both have very different ways of coping with it. She misunderstands him, views him as insensitive.

The story reflects themes of Realists literature, as the poem stresses the importance of breaking free of the prison of self

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10
Q

“Mending Wall”

A

Robert Frost

Written in Blank Verse with some iambs

The narrator and the poem and his neighbor are at odds over the wall the separates their property. The narrator is ready for the wall to come down however the neighbor is not. The neighbor is viewed harshly as if his thinking is medieval.

Metaphorically, both neighbors are working to build something that will never be completed, as the boulders keep falling

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11
Q

“Design”

A

Robert Frost

Frost depicts the interaction of white flower, moth and spider. He concludes that if it were “design” that brought these three together, it must be some pretty dark design. In other words, it’s not a comforting thought to think that God went out of his way just to make sure this moth got eaten. But the “if” in the last line poses the question if there is a design behind anything at all.

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12
Q

“After Apple-Picking”

A

Robert Frost

Irregular rhyme scheme, but you don’t really notice it, because he’s using enjambment. Similar to how the subject doesn’t know whether he will sleep normally or if it will be the long sleep.

He is paralleling the farmers apple picking and the last day of harvest to
the sleep of the world in winter.
Aging; You work very hard, and accomplish every apple, everything. When you are young you have so many possibilities, and then as time goes on–he sees that he can’t do it all perfectly.

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13
Q

“For Once, Then, Something”

A

Robert Frost

Narcissistic Man looking into a well.

The speaker takes the ancient greek philosopher, Democritus’ saying literally as the subject is looking at the bottom of a well for the truth.

You look for the truth, and the truth that you find is something that you project,

Something beyond my perspective was there, and he has to keep searching. “For once then, there was something”

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14
Q

“Stopping by Woods on a Snowy Evening”

A

Robert Frost

Explicitly, the poem is simple for a man considers staying within nature to watch the snow, but decides not to.

Each line is iambic, with four stressed syllables

Wouldn’t it just be nice to go off into the darkness and silence and not have to deal with anything. Of endless relaxation. A thought that lasts a moment for many of us.

The speaker realizes implicitly that he has to be with human beings. The horse does not see the same beauty of nature. Humans have to be with humans to share this. Nature is not where humans belong.

Repeating the last line is a matter of technique

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15
Q

“The Road Not Taken”

A

Robert Frost

Frost often wrote in a way to show us how to deal with the dark side of life

Frost is suggesting- life gives us choices, and our decisions makes life better or worse or for both for us, we just acknowledge where we’re at.
The sigh is not at contentment or regret, its just at the large weight of the decisions me make.

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16
Q

“Birches”

A

Robert Frost

Written in loose iambics

The act of swinging on birches is presented as a way to escape the hard rationality or “Truth” of the adult world, if only for a moment. As the boy climbs up the tree, he is climbing toward “heaven” and a place where his imagination can be free. We must escape from reality every once and awhile, but we always come back to it.

You have to be as tough as life

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17
Q

“The Love Song of J. Alfred Prufrock”

A

T.S. Eliot

The Love Song of J. Alfred Prufrock serves as a prototype for the modern, self-doubting, anti-heroic, limited character. Eliot writes as if the reader was within
Prufrock’s head. As we’re in his mind, there are rapid changes of moods and styles that reflect it. Prufrock is a troubled mind who doesn’t feel up to standard, as how narcotically debates approaching a female at a social event, however implicitly fears intimacy.

There is a MOTIF OF STERILITY AND OF THE SEA within the poem.
The sea, a mode of escape, a manifestation of a death-wish ; a very troubled mind that doesn’t feel up to standard

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18
Q

“Anecdote of the Jar”

A

Wallace Stevens

Anecdote of the Jar is a short poem that presents the question of superiority between art and nature. Is nature superior to human creations or does human creatively surpass it in some? This implicit connection is made mainly by the fact that the jar is man-made and nature’s interaction with the jar it’s left upon the hill.

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19
Q

“A High-Toned Old Christian Woman”

A

Wallace Stevens

In this poem Steven makes a point that religion and poetry are fictive constructs of the mind. For some, supreme fiction erases our “bawdiness,” however the narrator choose to visualize heaven as a nightclub, not a cathedral.
He is not declaring what is true, there’s no heaven. But mine’s more fun.

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20
Q

“The Emperor of Ice Cream”

A

Wallace Stevens

In “The Emperor of Ice Cream,” Wallace Stevens presents the death of a women and the attending of a wake. The poem’s implicit meaning is up for interpretation. For perceptions of the world differ from person to person. Stevens therefore implicitly comments that life is dull if we dont impose our fictions onto it. Dull or dreary as a dead prostitute.

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21
Q

“Sunday Morning”

A

Wallace Stevens

Wallace Stevens presents contrasting arguments between the narrator and his woman subject within the poem “Sunday Morning.” While the woman searches for beauty is that lasts forever, the poet counters with the notion that “death is the mother of beauty,” that the fact of death exists enhances beauty. By the end of the poem, the woman determines that a devotion to earthly pleasures will provide her with bliss. This reflects a theme of Steven’s work that the best we can do is to create useful fictions for the world to be enjoyed.

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22
Q

“In Another Country”

A

Ernest Hemingway

Hemingway uses a very paratactic writing style within “In Another Country” listing descriptions, all with equal weight. These paratactic descriptions have a way of masking the insecurities and pressures characters face in the story. This idea goes along with a central theme of Hemingway’s writing: “grace under pressure.”

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23
Q

“Hills Like White Elephants”

A

Ernest Hemingway

A short story where a man and women drink and talk prior to boarding a train at the station. There is a lot of tension in their conversation yet the exact reason why remains ominous. The women’s operation remains ominous as a result of Hemingway’s paratactic writing style that promotes us to infer for ourselves what is happening. This causes the readers inferences to focus on how people deal with the pressure of an unwanted pregnancy, as grace under pressure is a central theme to most of his writing.

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24
Q

“A Rose for Emily”

A

William Faulkner

A grotesque story of a woman who poisoned a man because he is not going to marry her. She kills him and keeps the body. The woman, Emily, isn’t an allegory to the south, but she is a product of her society; The old south. A society that didn’t yield to anything and would not give up.

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25
Q

“Winter Dreams”

A

F. Scott Fitzgerald

“Winter Dreams” tells the romance story of Dexter and Judy. Judy is very beautiful in the eyes of Dexter and all his sense of beauty in the world is tied to her. As her beauty is said to have faded, so has dexter’s capacity to dream. A central theme within Fitzgerald’s story is that change is constant and inevitable as Dexter holds on to the past when he and Judy could be together. Fitzgerald had a tendency to admire romantic dreamers in his work despite knowing that life often doesn’t allow them to come true.

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26
Q

“A and P”

A

John Updike

A and P chronicles the coming of age story of Sammy as he leaves his job at the Atlantic and Pacific Tea Company. The three girls that enter the store represent rebellion against conformity, as they are shoeless and go against the tide of the store. In Sammy’s efforts to impress the girls, he quits and chooses beauty over labels and order.

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27
Q

“Cathedral”

A

Raymond Carver

The short story, “Cathedral” by Raymond Carver showcases a story of growth within the narrator upon his introduction to Robert, a blind man. Despite the narrator’s ability to see, he is limited by his privileged life as he unable to attain a deeper understanding that Robert can reach.

28
Q

“Sonny’s Blues”

A

James Baldwin

Baldwin writes in a very poetic and lyrical style that is capable of conveying beauty in even the ugliest of descriptions. This writing style aids a central theme of the short story of limitation through privilege, as the narrator is privileged in his successful avoidance to the evils of Harlem, yet is limited in his relationship with others as a result.

Sonny’s blues of struggles are eventually what leads to the narrator’s beautiful growth.

29
Q

“The Zoo Story”

A

Edward Albee

The Zoo Story chronicles the rather odd interaction between Peter and Jerry on a Central Park bench, NY. While the story comes across as a bit random, one possible theme present is limitation through privilege as seen through the transformative effect Jerry has upon Peter. Jerry is significantly less fortunate (family, class) yet he forces Peter to become assertive.

30
Q

“Shiloh”

A

Bobbie Ann Mason

“Shiloh” by Bobbie Ann Mason is a short story that is stylistically told in the constant present as Leroy cannot escape his past. Leroy fails the grow while his wife, Norma is able to move on from a life that she can no longer have.

31
Q

“Whenever cory went downtown, we people on the pavement looked at him”

“He was always human when he talked”

A

“Richard Cory” by Robinson

Written in iambic pentameter (rhythm) (is broken at the end)

Seems as if he is descending to meet him the plebs
Alteration of ‘people’ and ‘pavement’
People stop and admire him with the pause of the end of

The man is dignified and put together

32
Q

“….. loved the days of old
When swords were bright and steeds were prancing;
The vision of a warrior bold
Would set him dancing.”

A

“Miniver Cheevy” Robinson

33
Q

The bird is on the wing, the poet says,
And you and I have said it here before.
Drink to the bird.” He raised up to the light

A

Mr Flood’s Party

Bird Signifies the passing of time

34
Q

Alone, as if enduring to the end
A valiant armor of scarred hopes outworn,
He stood there in the middle of the road
Like Roland’s ghost winding a silent horn.

A

Mr Flood’s Party

Roland’s silent horn refers to an old battle between the moors and the ____ where no soldiers came to the aid of the captain

35
Q

For soon amid the silver loneliness
Of night he lifted up his voice and sang,
Secure, with only two moons listening,
Until the whole harmonious landscape rang—

A

Mr Flood’s Party

Eben is enduring the struggles of life. Even though he is drinking, he is not giving in to the sadness of being alone. There is beauty in the struggle

36
Q

The nearest friends can go
With anyone to death, comes so far short
They might as well not try to go at all.

A

Home Burial by Robert Frost

37
Q

“Three foggy mornings and one rainy day

Will rot the best birch fence a man can build.”

A

Home Burial by Robert Frost

“You build a fence, it rots,” “You have a child, it dies”
Hes talking about hopes that dont come into fulfillment
She sees this as insensitivity
She links him with “friends”

38
Q

What had that flower to do with being white,
The wayside blue and innocent heal-all?
What brought the kindred spider to that height,

A

Design By Robert Frost

Why this spider? Is there a design? Does god have a plan? God went out of his way to make sure all three met to witness this killing. Like a witch observing a stew or broth

39
Q

Once, when trying with chin against a well-curb,
I discerned, as I thought, beyond the picture,
Through the picture, a something white, uncertain,
Something more of the depths—and then I lost it.

A

“For Once, Then, Something” by Robert Frost

40
Q

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

A

“Stopping by Woods on a Snowy Evening” by Robert Frost

41
Q

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,

A

“The Road Not Taken” by Robert Frost

The sigh is not at contentment or regret, its just at the large weight of the decisions me make.

42
Q
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,
A

“The Road Not Taken” by Robert Frost

43
Q

I should prefer to have some boy bend them
As he went out and in to fetch the cows—
Some boy too far from town to learn baseball,
Whose only play was what he found himself,
Summer or winter, and could play alone.

A

Birches by Robert Frost

Baseball is a game played with others. However this poem concerns to the task of facing reality alone, and that those who are birch swingers are tough enough to handle reality.

44
Q

And sawdust restaurants with oyster-shells:
Streets that follow like a tedious argument
Of insidious intent

A

“The Love Song of J. Alfred Prufrock” by T.S. Eliot

Oyster shells suggests a shabby restaurant

A MOTIF OF STERILITY AND OF THE SEA within the poem.
The sea, a mode of escape, a manifestation of a death-wish ; a very troubled mind that doesn’t feel up to standard

45
Q

And indeed there will be time
For the yellow smoke that slides along the street,
Rubbing its back upon the window-panes;
There will be time, there will be time
To prepare a face to meet the faces that you meet;

A

“The Love Song of J. Alfred Prufrock” by T.S. Eliot

We don’t present ourselves to other people, we present masks.
He feels time is running out, and there will be change

46
Q

Time for you and time for me,
And time yet for a hundred indecisions,
And for a hundred visions and revisions,
Before the taking of a toast and tea.

A

“The Love Song of J. Alfred Prufrock” by T.S. Eliot

He is working up his nerve for a woman there. He is very timid and self doubting. Afraid of being turned down.

The “time” spoken of refers to time in order to make his decision to court her.

47
Q

And I have known the eyes already, known them all—
The eyes that fix you in a formulated phrase,
And when I am formulated, sprawling on a pin,
When I am pinned and wriggling on the wall,
Then how should I begin

A

“The Love Song of J. Alfred Prufrock” by T.S. Eliot

When other people’s eyes are looking at me, they are categorizing him as a bug of sort. This man is clearly insecure.

48
Q

And I have known the arms already, known them all—
Arms that are braceleted and white and bare
(But in the lamplight, downed with light brown hair!)
Is it perfume from a dress
That makes me so digress?

A

“The Love Song of J. Alfred Prufrock” by T.S. Eliot

He likes women, but he likes them as physical statues. That physicality of the hair on her arms seems to bother him for he has a fear of physical intimacy.

49
Q

“To start a scene or too, advise the prince, an easy tool. Politic, meticulous, but a little slow. Sometimes a little ridiculous.”

A

“The Love Song of J. Alfred Prufrock” by T.S. Eliot

He is describing ophelia’s father from Hamlet. Who stabbed someone through a curtain.
He is say that he is like him.

50
Q

I have seen them riding seaward on the waves
Combing the white hair of the waves blown back
When the wind blows the water white and black.
We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown
Till human voices wake us, and we drown.

A

“The Love Song of J. Alfred Prufrock” by T.S. Eliot

51
Q

The muscular one, and bid him whip
In kitchen cups concupiscent curds.
Let the wenches dawdle in such dress
As they are used to wear, and let the boys

A

“The Emperor of Ice Cream” by Wallace Stevens

In “The Emperor of Ice Cream,” Wallace Stevens presents the death of a women and the attending of a wake. The poem’s implicit meaning is up for interpretation. For perceptions of the world differ from person to person. Stevens therefore implicitly comments that life is dull if we dont impose our fictions onto it. Dull or dreary as a dead prostitute.

52
Q

She says, “But in contentment I still feel
The need of some imperishable bliss.”
Death is the mother of beauty; hence from her,
Alone, shall come fulfilment to our dreams
And our desires.

A

“Sunday Morning” by Wallace Stevens

Knowing that we are going to die, allows us to treasure life.
thus death is the mother of beauty

53
Q

She says, “I am content when wakened birds,
Before they fly, test the reality
Of misty fields, by their sweet questionings;
But when the birds are gone, and their warm fields
Return no more, where, then, is paradise?”

A

“Sunday Morning” by Wallace Stevens

When birds are singing, they are testing the fields of reality, questioning their own heaven

54
Q

The day is like wide water, without sound,
Stilled for the passing of her dreaming feet
Over the seas, to silent Palestine,
Dominion of the blood and sepulchre.

A

“Sunday Morning” by Wallace Stevens

As she thinks about what religion asks of us on a sunday, she imagines herself passing over the water “Dominion of the blood and sepulchre. “
Why have blood in a tomb when you can have coffee and oranges?
Why give up her life to all that is death?

55
Q

“My knee did not bend and the leg dropped straight from the knee to the ankle without a calf, and the machine was to bend the knee and make it move as riding a tricycle.”

A

“In Another Country” by Ernest Hemingway

The word tricycle suggests that the authorities are treating them like children, or lesser
These rehab machines symbolize the government officials or the authorities

56
Q

“Those hills remind me of white elephants”

A

The elephant is the growing baby within her
And for the guys concerned, she is a white elephant to him because she is pregnant.

“The skin of the hill” suggests that the hill is something more than it seems

57
Q

But now the long sleep that outlasts love, that conquers even the grimace of love, had cuckolded him.

A

“A Rose for Emily” by William Faulkner

The word “cuckolded” is to “make (another man) a cuckold by having a sexual relationship with his wife.

58
Q

“We did not say she was crazy then. We believed she had to do that. We remembered all the young men her father had driven away, and we knew that with nothing left, she would have to cling to that which had robbed her, as people will.”

A

“A Rose for Emily” by William Faulkner

59
Q

“So she vanquished them, horse and foot, just as she had vanquished their fathers thirty years before about the smell.”

A

“A Rose for Emily” by William Faulkner

She is stubborn

A grotesque story of a woman who poisoned a man because he is not going to marry her. She kills him and keeps the body. The woman, Emily, isn’t an allegory to the south, but she is a product of her society; The old south. A society that didn’t yield to anything and would not give up.

60
Q

“As the thought of Haskett receded, Waythorn felt himself yielding again to the joy of possessorship. They were his, those white hands with their flitting motions, his the light haze of hair, the lips and eyes”

A

“The Other Two” by Edith Wharton

He feels as if he possess her.
He is talking about all the thing that make her attractive

61
Q

“And he took the third cup with a laugh”

A

Mr. Waythorn’s laugh is a result of his possessive attitude towards alice. As the story progresses, Waythorn comes to terms with the complexities of this quadratic relationship as it shines a more positive light on Alice. She becomes a commodity, and possessing Alice makes him feel dominant over the other two. Its a commentary on Masculinity just as much as feminism in Alice’s ladder climbing thru relationships.

62
Q

“None of them knew the color of the sky”

A

“The Open Boat” By Crane

The very first line in the short story establishes an immediate bleakness, a world void of the emotional value of color. Separated from nature. They also are not called by their own name, but rather “the cook, the captain, etc.”

63
Q

“Long ago,” he said, “long ago, there was something in me, but now that thing is gone. Now that thing is gone, that thing is gone. I cannot cry. I cannot care. That thing will come back no more.”

A

“Winter Dreams” by F. Scott Fitzgerald

64
Q

“Later in the afternoon the sun went down with a riotous swirl of gold and varying blues and scarlets, and left the dry, rustling night of Western summer. Dexter watched from the veranda of the Golf Club, watched the even overlap of the waters in the little wind, silver molasses under the harvest-moon.”

A

“Winter Dreams” by F. Scott Fitzgerald

65
Q

“There was a fish jumping and a star shining and the lights around the lake were gleaming.”

A

“Winter Dreams” by F. Scott Fitzgerald

He frames the meeting of Judy with the line:

Perhaps it’s because it’s a moment frozen in time, and nothing will ever change the beauty of that moment for him.

66
Q

E.A. Robinson

A

Miniver Cheevy
Richard Cory
How Annandale Went Out
Mr. Flood’s Party

67
Q

“would love her until the day he was too old for loving”

A

When Dexter cries at the end, he realizes that he is now too old for loving, as his ideas of Judy have been crushed by another account that she was nothing special or wonderful.

Feeling that she was always there, forever young, kept him from realizing that he was older and changing and that life hadn’t given him what he wanted.