Final Flashcards

1
Q
  1. William Shakespeare
A

Elizabethan Theatre

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2
Q

Henrik Ibsen

A

Realism

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3
Q

Emile Zola

A

Naturalism

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4
Q

Charles Darwin

A

Scientific Revolution

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5
Q

Sigmund Freud

A

Study of Psyhcology

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6
Q

Luigi Pirandello

A

Surrealism

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7
Q

Bertolt Brecht

A

Expressionism (Epic Theatre)

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8
Q

Eugene Ionesco

A

Absurdism

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9
Q

Martin Esslin

A

Theatre of the Absurd

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10
Q

Anton Chekov

A

Poetic Realism

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11
Q

The setting forth of information in the beginning of the play. Character, setting, background story, themes could be introduced.

A

Exposition

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12
Q

Percentage the director has over a production.

A

90%

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13
Q

Four Levels of Charecterization

A

1) Physical
2) Psychological
3) Societal
4) Moral/Ethical

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14
Q

_____ is found in multiple art forms.

A

Surrealism

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15
Q

Chief Diety of the Greek Theatre

A

Dionysus

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16
Q

Know that _____ is a more extreme version of realism

A

Naturalism

17
Q

Know that the ______ had an impact on the rise of Realism.

A

Industiral Revolution

18
Q

Know that they are ____ styles of drama during the 20th century.

A

Numerous

19
Q

A pipe that is controlled by the fly lines upon which scenery, lights, etc. are hung.

A

Batten

20
Q

Who is one of the oldest artist in the theatre besides the actor.

A

Playwright

21
Q

Who wrote Waiting for Godot

A

Samuel Beckett

22
Q

a movement in the artistic world was a reaction just after World War 1 that rejected the idea of art and aesthetics. The conventional ideas of form and logic were thrown out the window and replaced with a sense of chaos and irrationality.

A

Dadaism

23
Q

Intentionally increases the amount of aesthetic distance in the audience.

A

Alienation effect

24
Q

Know the actors body positions in a proscenium theatre.

A

a. Full Front- actor faces audience head on.
b. ¼ - actors body is turned about 45 degrees from full front.
c. ½ or profile- actor’s body is turned 90 degrees from full front.
d. ¾ - actor’s body is 45 degrees from full back.
e. Full back- actors back is to the audience.
f. Turn in- actor turns their body into the scene.
g. Turn Out- actor turns their body away from the scene.

25
Q

Know that ______ and his theories had an impact on the rise of realism.

A

Charles Darwin

26
Q

Who wrote Six Characters in Search of an Actor.

A

Luigi Pirandello

27
Q

Is the highest point of suspense of interest in a play. It usually involves the events that compromise the main conflicting coming to a head.

A

Climax

28
Q

Challenged what theater can be considered, they are performance artists that incorporate music, visual images, rhythms, and movement that express ideas in an innovative way.

A

Blue Man Group

29
Q

The willing suspension of disbelief.

A

Imaginary Puissance

30
Q

The major areas of design in the theatre

A

1) Scenic
2) Lighting
3) Costume
4) Sound

31
Q

The major visual elements of theatre

A

1) Line
2) Shape/Form
3) Color
4) Texture
5) Ornamentation

32
Q

Has proscenium arch towards the downstage portion of the stage that frames the playing space. The audience is seated all in the same basic area, looking all in the same direction.

A

Proscenium

33
Q

Has the stage-thrusting out into the audience area so that the audience starts to wrap around the stage putting the audience on three sides of the playing space. In this configuration the audience is looking in three directions.

A

Thrust

34
Q

The audience surrounds the stage space. It can either be on four sides of the stage space or it can completely surround the space depending on the shape of the stage space. Audience views from all directions “Theatre in the Round.”

A

Arena

35
Q

Is a space that has the possibility of moving with the audience and stage space around to vary what configuration is the best for the performance. “Black Box”.

A

Flexible (Black Box)

36
Q

This stage can be moved to be configured in many different ways, but the major difference is that this space was not originally meant to be a theatre space.

A

Environmental