Final Flashcards

1
Q

Some instruments serve primarily…

A

One function. Others serve more than one

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2
Q

Each member fits into a specific place in the…

A

Frequency/ Pitch Spectrum

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3
Q

Bass Guitar:

A
  • Lower frequency
  • Harmonic Foundation
  • Links Rhythm with harmony and melody
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4
Q

Drummer

A
  • Full Spectrum Bandwidth
  • Keeps Pulse
  • Protects Beat
  • Drives song forward
  • Establishes the feel
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5
Q

Keyboardist:

A
  • Full spectrum frequency bandwidth

- plays chords and fills in melodic parts on occasion

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6
Q

In the context of a worship band, keyboardist often must stay in the…

A

Middle frequency bandwidth to avoid playing over other musicians

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7
Q

Many keys players see themselves as…

A

Only piano players

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8
Q

Piano is one of the sounds we use, but to think of yourself as a “piano” player will…

A

Inhibit your thinking with regards to the rest of the sound spectrum available to keys players

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9
Q

Other keyboard sounds:

A
  • synths
  • leads
  • pads
  • moving pads
  • Rhodes
  • electric pianos
  • organs
  • harmonium
  • strings
  • brass
  • effects
  • delays
  • overdrives
  • filters
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10
Q

Electric Guitar:

A
  • near full spectrum frequency bandwidth
  • “Maverick” of the group
  • percussive, melodic, harmonic
  • rhythm-foundational chord structure
  • Lead-melodic
  • percussive-rhythmic texture
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11
Q

Acoustic Guitar:

A
  • Middle to upper frequency bandwidth
  • percussive, melodic or harmonic
  • often follows a drummers kick, snare, and hi-hat
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12
Q

Percussionist:

A
  • rhythmic elements
  • often complementing the drummer
  • adds extra elements of texture and complexity to the sound
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13
Q

Sound engineer:

A

-takes the raw sound of each band member and further enhances the relationship in the frequency spectrum

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14
Q

You must be constantly working with your sound engineer in order to…

A

Ensure your equipment, tone, and proper role is been efficiently brought out for the song

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15
Q

A good sound engineer is your only link to…

A

How your tone translates to the congregation

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16
Q

The band is only as good as…

A

Their sound operator

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17
Q

Two most important aspects to a great sounding musician

A
  1. play in tune

2. play in time

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18
Q

Play in tune-

A

Own a tuner

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19
Q

The closer to being perfectly in tune you are…

A

The better you and your worship band will sound.

Especially live horns and strings.

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20
Q

Play in time-own metronome.

A
  • Play to the pulse of the song.

- be consciousof attacks and release and turnarounds

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21
Q

Practice time trick:

A

Try to practice 20 minutes instead of 2 hours. After 20 minutes you usually feel propelled to practice much longer anyway

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22
Q

Repetitiveness:

A

Is the key to learning half of what’s out there. Add to your practice routine the word “repeat”

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23
Q

Adopt the overlearn concept

A

To get stuff down to where you can play it without thinking about it, you must over learn it

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24
Q

Sharpen your memory and…

A

Have greater success on stage and in the studio

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25
Q

Concentrate and listen to the click of the metronome and consciously try to line up your…

A

Hands, fingers, or feet to that click

26
Q

It is possible to seem on with the metronome but…

A

Actually be off

27
Q

When playing in his service, your goal is to…

A

Sounds great at all times

28
Q

You must play within your…

A

Present limitations

29
Q

When you can play or sing that wrist or fill perfectly every time…

A

Then apply it to church service

30
Q

Study and listen to

A

Studio musicians

31
Q

Listen to all styles of music to

A

Boost your creativity on your instrument and make you more aware of how to approach the stalls when you confront them in your worship band

32
Q

Every musician Tinson actually gravitate to

A

Other musicians and attempt to emulate their style

33
Q

Technique

A

-The tone of their voice
-The runs they sing
-The fills they play
The sounds they use

34
Q

Nuance

A

The final level that is essential in achieving the same feel as the original artist

35
Q

Memorize the…

A

Structure, chord progressions , grooves, rhythm, feels and licks

36
Q

What is the element of the song?

A

The situation which you are most effective

37
Q

Every style or genre of music has a different…

A

Energy and passion

38
Q

Come early to rehearsal to

A

Set up your gear

39
Q

Come prepared and know

A

Your material before rehearsal

40
Q

Have a clear idea of what you want to achieve with…

A

The time you have and can hear you keep this with your team

41
Q

Think carefully about the way you structured your rehearsals and set them up in a way…

A

That allows you in the team to be the most effective

42
Q

Praying together as a team for each other or people’s needs…

A

Builds trust in unity with the team

43
Q

Who do you refer to you for final say musically?

A

The bandleader

44
Q

When the band stops…

A

Don’t use that time to practice

45
Q

What is critical to a good band rehearsal?

A

Good monitoring

46
Q

Being creative allows your team to…

A

Express their talents and also develop them at the same time

47
Q

Try to get creative with a song that you have been singing for a while in church so you can…

A

Keep it fresh without alienating the congregation

48
Q

It is always best to you first learn the

A

Set arrangement of the song

49
Q

Attacking release:

A

The way you approach a phrase that you are either playing or singing

50
Q

Attack is easier because it’s

A

The beginning of the phrase

51
Q

Release is…

A

How you end a phrase

52
Q

The purpose of a turnaround is…

A

To transition from one section of the song to another

53
Q

Dynamics are the key to

A

Making your worship band sound great

54
Q

Dynamics

A

Playing quietly or with less intensity in certain places in a song and louder and with more intensity in other places

55
Q

If a band plays a song dynamically

A

The song breathes volume wise

56
Q

Rehearse dynamics of the song until they are…

A

Second nature

57
Q

Don’t confuse volume level with

A

Intensity

58
Q

Thanks to listen for when playing with others:

A
  • how loudly they are playing?
  • what are their dynamics?
  • how do they start and end each phrase?
  • where are they accenting?
  • how are they playing the accents?
  • are they playing ahead or behind the beat?
  • do they speed up when they play softer or louder?
59
Q

Groove:

A

The pulse of the song and how the instruments dynamically breathe with it

60
Q

The groove is created by…

A

Tension against even time

61
Q

The two keys to achieving a personal sound as an individual and as a group are:

A

Passion and focus

62
Q

In a band, there are 3 basic musical functions:

A
  • melodic
  • harmonic
  • rhythmic