Final

Question 1

Answer 1

Frans Hals (1580–1666), Banquet of the Officers of the St. George Civic Company, 1616.

Oil on canvas, Frans Halsmuseum, Haarlem

Question 2

Answer 2

Gerrit Dou (1613‒1675), The Quack, 1652.

Oil on panel, Museum Boijmans Van Beuningen, Rotterdam

Question 3

Answer 3

Jan Steen (1626–1679), Self-Portrait as a Lutenist, ca. 1660.

Oil on canvas, Museo Thyssen-Bornemisza, Madrid

Question 4

Answer 4

Jan Steen (1626–1679), As the Old Sing, So the Young Pipe, ca. 1663.

Oil on panel, Royal Picture Gallery Mauritshuis, The Hague

a celebration of the baptism of the baby at center as an occasion to demonstrate the effects of errant adult behavior on impressionable youngsters

Question 5

Answer 5

Gerard Terborch (1617–1681), Gallant Conversation (“The Parental Admonition”), 1654–1655.

Oil on canvas, Staatliche Museen, Berlin

Question 6

Answer 6

Thomas de Keyser (ca. 1596/7–1667), Constantijn Huygens and His Clerk, 1627.

Oil on canvas, National Gallery, London

Question 7

Answer 7

Rembrandt (1606–1669), The Artist in His Studio, ca. 1626‒1628.

Oil on panel, Museum of Fine Arts, Boston

Question 8

Answer 8

Rembrandt (1606–1669), The Anatomy Lesson of Dr. Tulp, 1632.

Oil on canvas, Mauristhuis, The Hague

Question 9

Answer 9

Rembrandt (1606–1669), The Night Watch or The Militia Company of Captain Frans Banning Cocq, 1642.

Oil on canvas, Rijksmuseum, Amsterdam

Question 10

Answer 10

Rembrandt (1606–1669), Jan Six, ca. 1654.

Oil on canvas, Six Collection, Amsterdam

Question 11

Answer 11

Rembrandt (1606–1669), Self-Portrait, ca. 1663–1665.

Oil on canvas, Kenwood House, London

Question 12

Answer 12

Rembrandt (1606–1669), Lucretia, 1666.

Oil on canvas, Institute of Arts, Minneapolis

Question 13

Answer 13

Johannes Vermeer (1632–1675), The Milkmaid, ca. 1658.

Oil on canvas Rijksmuseum, Amsterdam

Question 14

Answer 14

Johannes Vermeer (1632–1675), The Art of Painting, ca. 1666.

Oil on canvas, Kunsthistorisches Museum, Vienna

Question 15

Answer 15

Johannes Vermeer (1632–1675), View of Delft (1632–1675), ca. 1660.

Oil on canvas, Mauritshuis, The Hague

Question 16

Answer 16

Jacob Isaacksz van Ruisdael (or Ruysdael) (ca. 1629–1682), Bentheim Castle, 1653.

Oil on canvas, National Gallery of Ireland, Dublin

Question 17

Answer 17

Jacob Isaackzn van Ruisdael (ca. 1629–1682), The Jewish Cemetery, ca. 1655.

Oil on canvas, Institute of Arts, Detroit

Question 18

Answer 18

Inigo Jones (1573–1652), The Banqueting House, Whitehall, London, begun 1619

Question 19

Answer 19

Peter Paul Rubens (1577–1640), The Apotheosis of James I, 1630–1634.

Banqueting House, Whitehall, London

Question 20

Answer 20

Christopher Wren (1632–1723), St. Paul’s Cathedral, London, construction began in 1675, completed 1711

Question 21

Patronage

Answer 21

direct influence in how works were produced, collaborations with royal patrons,

religious theme matter– Catholics until the 17th C, then the Reformation and Protestantism

Question 22

Rise of the Middle Class

Answer 22

changing social and political aspects. the predominant styles of painting changed to reflect their tastes and knowledge, rouw and net/grand styles

Question 23

Genre painting

Answer 23

end of 17th sees explosion in landscape, still lives, quotidien scenes, moral content

Question 24

Specialization

Answer 24

artists that specialize in one specific thing like church interiors, cows, etc.