Final Flashcards
Morality play
The dominant mode of plays during the 15th and 16th century. They read different
from usual plays and contain allegories of spiritual, ethical, or moral questions. The Dominant theme of
mortality plays was usually was the struggle of good and evil for the human soul (psychomachia),
Usually depicted in the life span of a representative figure like “mankind”. “Everyman” is one of the
best known Morality plays.
Allegory
it says one thing but means another. It reveals a hidden meaning, for example the everyman allegory is an allegory of spiritual standing that answers ethical or spiritual questions. It is a symbol representation of how we live our life on earth and displays our encounters through personifications. It compresses a human life and creates an allegory for it, while emphasizing what is important in life.
Personification
They are characters that are developed differently from what is normally seen,
instead they embody a single dramatic idea or concept. For example, Knowledge and Beauty in Everyman.
They help propel and push the play along and they help illustrate what the play is about.
For example, In everyman they illustrate how you should live life before death.
Blank Verse
A verse form of unrhymed iambic pentameter lines. It does not have stanzas, but instead Is broken up into uneven units determined by sense rather than form. It does not rhyme but it is very rhythmic. This was Christopher Marlows great technical accomplishment that his
Contemporary colleagues wanted to copy from him.
Iambic pentameter
Iambic pentameter is a rhythmic pattern that has an unstressed syllable followed by a stressed syllable and a line that has this pattern of stress 5 times. Christopher Marlow is the first to see the potential in this and popularize this form.
Iamb
The basic foot of English verse, two syllables following the rhythmic pattern of unstressed followed by stressed and producing a rising effect.
Iambic
Units in poetry that consist of two syllables, the first is unstressed and the second is stressed. Each da-DUM is a single iamb.
Pentameter
type of verse consisting of five metrical feet per line.
Feet
foot is a unit of meter in poetry that decides which syllables in a row are stressed.
Meter
refers to the overall rhythmic structure of a poem, created by the number of syllables in a line and the arrangement they are stressed in.
Rhyme
the repetition of identical vowel sounds in stressed syllables whose initial consonants differ. Rhyme often links the end of one line with another.
Rhythm
Denotes the pattern of sound within the feet of verse lines and the combination of those feet. A strong, regular, repeated pattern of movement or sound. Very important to our readings because it helps sets the tone and in plays like Tamburaline it is a large part of the appeal.
Romance
a genre based on tripartite structure of social integration, followed by disintegration, involving moral tests and often marvelous or supernatural events, that lead to the reintegration and usually end in a happy ending. Main form of European narrative between the 12th to 16th century. We see this take form in lanvals plot and storyline as he is left out, tested by Queen Gunieveres allegations, and then saved by his lover.
Scene
A subdivision of an act. A subdivision of a dramatic performance and/or text that usually occurs in one place. Our plays within Old English are divided into acts and scenes.
Stanza
grouping of two lines or more, usually at least four lines however. They are often joined by rhyme, often in sequence, where each group shares the same metrical pattern and rhyme scheme (when rhymed).
Syllable
the smallest unit of sound in a pronounced word.
Symbol
A figure of thought. Something that stands for something.