Final Flashcards

1
Q

What are the two aspects of King Lear’s double plot structure?

A
  1. Lear and his daughter’s
  2. Gloucester and his sons
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2
Q

What are the two different readings off King Lear?

A
  1. Redemptionist - Lear suffers personal pilgrimage and ends redeemed
  2. Apocalyptic - Views the world as hopeless, meaningless, and dark
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3
Q

What role does sight/blindness play in King Lear?

A

Lear and Gloucester are physically sighted but emotionally blind at the beginning

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4
Q

What is King Lear’s central theme?

A

Social justice and radical critique of political power

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5
Q

“Give me the map there. Know that we have divided
In three our kingdom: and ‘tis our fast intent
To shake all cares and business from our age;
Conferring them on younger strengths, while we
Unburthen’d crawl toward death…
Which of you shall we say doth love us most?
That we our largest bounty may extend”

A
  • King Lear
    -Lear
    -He is using a love test to decide which of his daughters gets more land when its divided
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6
Q

“Sir, I love you more than words can wield the matter;
Dearer than eye-sight, space, and liberty;
Beyond what can be valued, rich or rare;
No less than life, with grace, health, beauty, honour;
As much as child e’er loved, or father found”

A

-King Lear
-Goneril
-She’s being a massive suck up to her father in response to his love test

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7
Q

“Unhappy that I am, I cannot heave
My heart into my mouth: I love your majesty
According to my bond; nor more nor less.”

A

-King Lear
-Cordelia
-Cordelia refuses to bend to his will. She loves him as her father, no more no less

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8
Q

Who are Edgar and Edmund?

A

Gloucester’s sons. Edmund is the bastard/master manipulator son with “skillz with a z,” and Edgar is legitimate (but better)

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9
Q

“Thou, nature, art my goddess; to thy law
My services are bound. Wherefore should I
Stand in the plague of custom, and permit
The curiosity of nations to deprive me…
Why brand they us
With base? with baseness? bastardy? base, base?…
Legitimate Edgar, I must have your land:
Our father’s love is to the bastard Edmund
As to the legitimate: fine word,–legitimate!
Well, my legitimate, if this letter speed”

A

-King Lear
-Edmund
-He is expressing that nature looks highly upon him as shown by his gifts and talents, but custom casts him out. He is reclaiming the title of bastard

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10
Q

“These late eclipses in the sun and moon portend
no good to us: though the wisdom of nature can
reason it thus and thus, yet nature finds itself
scourged by the sequent effects: love cools,
friendship falls off, brothers divide: in
cities, mutinies; in countries, discord; in
palaces, treason; and the bond cracked ‘twixt son
and father. This villain of mine comes under the
prediction; there’s son against father: the king
falls from bias of nature; there’s father against
child. “

A

-King Lear
-Gloucester
-The world and familial relationships are being destroyed left and right and he blames the sun, moon, and stars because he doesn’t have a shred of accountability in his body.

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11
Q

“Why, after I have cut the egg i’ the middle, and eat
up the meat, the two crowns of the egg. When thou
clovest thy crown i’ the middle, and gavest away
both parts, thou borest thy ass on thy back o’er
the dirt”

A

-King Lear
-Fool
-Compares Lear’s dividing of his kingdom to cutting up and egg and eating the parts seperately.

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12
Q

“Suspend thy purpose, if thou didst intend
To make this creature fruitful!
Into her womb convey sterility!
Dry up in her the organs of increase;
And from her derogate body never spring
A babe to honour her! If she must teem,
Create her child of spleen; that it may live,
And be a thwart disnatured torment to her”

A

-KIng Lear
-Lear
-He is so hurt and surprised by Goneril sending him away that he hopes she has children just as thankless as he thinks she is being to him.

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13
Q

How do Kent and Oswald compare in King Lear?

A

While Kent is ever faithful to Lear, Oswald is Gloucester’s faithless servant

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14
Q

“If only to go warm were gorgeous,
Why, nature needs not what thou gorgeous wear’st,
Which scarcely keeps thee warm. But, for true need,–
You heavens, give me that patience, patience I need!
You see me here, you gods, a poor old man,
As full of grief as age; wretched in both!
If it be you that stir these daughters’ hearts
Against their father, fool me not so much
To bear it tamely”

A

-King Lear
-Lear
-He is saying that most people have both needs and wants and he feels deserving of more than the bare minimum. He then goes on to claim rage and revenge against Regan after she refuses to help him. There is a dichotomy of rage and vulnerability

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15
Q

What does clothing symbolize in King Lear?

A

At the beginning, it symbolizes royal power and authority. As Lear strips it, he gains humanity

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16
Q

“Vaunt-couriers to oak-cleaving thunderbolts,
Singe my white head! And thou, all-shaking thunder,
Smite flat the thick rotundity o’ the world!
Crack nature’s moulds, an germens spill at once,
That make ingrateful man!”

A

-King Lear
-Lear
-He is calling on the storm to give justice by punishing his daughters

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17
Q

“Rumble thy bellyful! Spit, fire! spout, rain!
Nor rain, wind, thunder, fire, are my daughters:
I tax not you, you elements, with unkindness;
I never gave you kingdom, call’d you children,
You owe me no subscription: then let fall
Your horrible pleasure: here I stand, your slave,
A poor, infirm, weak, and despised old man”

A

-King Lear
-Lear
-He is calling on the storm to give justice by punishing his daughters for both kicking him out

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18
Q

Thou perjured, and thou simular man of virtue
That art incestuous: caitiff, to pieces shake,
That under covert and convenient seeming
Hast practised on man’s life: close pent-up guilts,
Rive your concealing continents, and cry
These dreadful summoners grace. I am a man
More sinn’d against than sinning.

A

-King Lear
-Lear
-He is calling on the storm to give justice by punishing his daughters for both kicking him out and he’s throwing a fucking pity party

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19
Q

“I’ll speak a prophecy ere I go:
When priests are more in word than matter;
When brewers mar their malt with water;
When nobles are their tailors’ tutors;
No heretics burn’d, but wenches’ suitors;
When every case in law is right;
No squire in debt, nor no poor knight;
When slanders do not live in tongues;
Nor cutpurses come not to throngs;
When usurers tell their gold i’ the field;
And bawds and whores do churches build”

A

-Kinge Lear
-Fool
-Speaking a prophecy of a chaotic world, before anyone has died

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20
Q

“In, boy; go first. You houseless poverty,–
Nay, get thee in. I’ll pray, and then I’ll sleep.
Fool goes in

Poor naked wretches, whereso’er you are,
That bide the pelting of this pitiless storm,
How shall your houseless heads and unfed sides,
Your loop’d and window’d raggedness, defend you
From seasons such as these? O, I have ta’en
Too little care of this! Take physic, pomp”

A

-King Lear
-Lear
-In the storm, Lear is beginning to have sympathy for others and show remorse by putting the Fool above himself.

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21
Q

“Wisdom and goodness to the vile seem vile:
Filths savour but themselves. What have you done?
Tigers, not daughters, what have you perform’d?
A father, and a gracious aged man,
Whose reverence even the head-lugg’d bear would lick,
Most barbarous, most degenerate! have you madded.
Could my good brother suffer you to do it?”

A

-King Lear
-Albany (Goneril’s husband)
-He is casting Goneril and Regan as monster’s for what they’ve done to their helpless father. Forshadows Albany’s moral transformation at the end

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22
Q

“Let copulation thrive; for Gloucester’s bastard son
Was kinder to his father than my daughters
Got ‘tween the lawful sheets.
To ‘t, luxury, pell-mell! for I lack soldiers.
Behold yond simpering dame…

Down from the waist they are Centaurs,
Though women all above:
But to the girdle do the gods inherit,
Beneath is all the fiends’;
There’s hell, there’s darkness, there’s the
sulphurous pit,
Burning, scalding, stench, consumption; fie,
fie, fie! pah, pah!”

A

-King Lear
-Lear
-He claims that adultury isn’t that bad because Edmund is far better than his daughters. He demonizes women because he’s a big fat mysogynist.

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23
Q

“Spring with my tears! be aidant and remediate
In the good man’s distress! Seek, seek for him;
Lest his ungovern’d rage dissolve the life
That wants the means to lead it…

My mourning and important tears hath pitied.
No blown ambition doth our arms incite,
But love, dear love, and our aged father’s right:
Soon may I hear and see him!”

A

-King Lear
-Cordellia
-Shows how much Cordellia actually cares for her father

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24
Q

“And the creature run from the cur? There thou
mightst behold the great image of authority: a
dog’s obeyed in office.
Thou rascal beadle, hold thy bloody hand!
Why dost thou lash that whore? Strip thine own back;
Thou hotly lust’st to use her in that kind
For which thou whipp’st her. The usurer hangs the cozener.
Through tatter’d clothes small vices do appear;
Robes and furr’d gowns hide all. Plate sin with gold,
And the strong lance of justice hurtless breaks:
Arm it in rags, a pigmy’s straw does pierce it.”

A

-King Lear
-Lear
-He is highlighted the corruption of political power because people in power can hide their injustices and make the truth what they wish

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25
Q

What is Peripeteia?

A

A reversal of fortune

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26
Q

What is Anagnorisis?

A

A moment of recognition or change from ignorance to knowledge.

27
Q

What is Hamartia?

A

A fatal flaw. For Lear it is pride

28
Q

“No, no, no, no! Come, let’s away to prison:
We two alone will sing like birds i’ the cage:
When thou dost ask me blessing, I’ll kneel down,
And ask of thee forgiveness: so we’ll live,
And pray, and sing, and tell old tales, and laugh
At gilded butterflies, and hear poor rogues
Talk of court news”

A

-King Lear
-Lear
-At the end, he is dreaming of going to prison with Cordelia. He still veiws her as an extension of himself and doesn’t realize she’ll live much longer in prison

29
Q

What are the 5 elements of romance plays?

A
  1. adventure story with elements of love and desire
  2. Happy ending
  3. Desperate and perilous middle part
  4. main character endures a series of trials that generally leads to success or reward
  5. characters typically recover what they lost or attempted to destroy
30
Q

Name three themes of winter’s tale

A
  1. Separation and parting
  2. Friendship as rivalry and competition
  3. Time and mortality
31
Q

“We were as twinn’d lambs that did frisk i’ the sun, and bleat the one at
the other: what we changed was innocence for innocence; we knew not
the doctrine of ill-doing”

A

-Winter’s Tale
-Polixenes
-Polixenes and Leontes were friends in innocence becaue temptation didn’t yet exist. Scapegoating women cause he’s a bitch

32
Q

“Too hot, too hot!
To mingle friendship far is mingling bloods. I have tremor cordis on
me: my heart dances; But not for joy; not joy. I’ fecks! What, hast
smutch’d thy nose? They say it is a copy out of mine”

A

-Winter’s Tale
-Leontes
-Leontes is jealous, substituting fantasies for reality

33
Q

“No, in good earnest. Looking on the lines of my boy’s face, methoughts
I did recoil twenty-three years, and saw myself unbreech’d. How like,
methought, I then was to this kernel,
this squash, this gentleman. Mine honest friend, will you take eggs for
money?”

A

-Winter’s Tale
-Leontes
-Leontes is recognizing Max as his son and his youthful innocence which is based in Leontes nostalgia

34
Q

“Is whispering nothing? Is leaning cheek to cheek? Is meeting noses?
Kissing with inside lip? Stopping the career of laughing with a sigh?
Skulking in corners? Is this nothing? Why, then the world and all that’s
in’t is nothing; the covering sky is nothing; Bohemia nothing; my wife
is nothing; nor nothing have these nothings, if this be nothing”

A

-Winter’s Tale
-Leontes
-He’s going absolutely batshit crazy over an alleged affair that he made up (men, smh)

35
Q

” There may be in the cup
A spider steep’d, and one may drink, depart,
And yet partake no venom, for his knowledge
Is not infected; but if one present
Th’ abhorr’d ingredient to his eye, make known
How he hath drunk, he cracks his gorge, his sides,
With violent hefts. I have drunk, and seen the spider.
Camillo was his help in this, his pander.
There is a plot against my life, my crown”

A

-Winter’s Tale
-Leontes
-Like a spider in cup, something is only a problem if it isn’t known about, but now Leontes ‘knows’ about the plot against him. More metaphorical use of posin and language of disease

36
Q

“To say, “she is a goodly lady,” and
The justice of your hearts will thereto add
“’Tis pity she’s not honest, honourable”:
Praise her but for this her without-door form,
Which on my faith deserves high speech, and straight
The shrug, the hum or ha, these petty brands
That calumny doth use”

A

-Winter’s Tale
-Leontes
-He’s publicly accusing Hermione of adultery and saying she finds herself honorable, but he does not

37
Q

“There’s some ill planet reigns:
I must be patient till the heavens look
With an aspect more favourable. Good my lords,
I am not prone to weeping, as our sex
Commonly are; the want of which vain dew
Perchance shall dry your pities. But I have
That honourable grief lodg’d here which burns
Worse than tears drown: beseech you all, my lords”

A

-Winter’s Tale
-Hermione
-She will wait patiently for her good karma from the God’s and won’t weep at being acused and cast out

38
Q

“To me can life be no commodity.
The crown and comfort of my life, your favour,
I do give lost, for I do feel it gone,
But know not how it went. My second joy,
And first-fruits of my body, from his presence
I am barr’d, like one infectious. My third comfort,
Starr’d most unluckily, is from my breast,
(The innocent milk in its most innocent mouth)
Hal’d out to murder; myself on every post
Proclaim’d a strumpet; with immodest hatred
The child-bed privilege denied, which ’longs
To women of all fashion; lastly, hurried
Here to this place, i’ th’ open air, before
I have got strength of limit”

A

-Winter’s Tale
-Hermione
-She has lost some of her will to live, but is accepting the justice of the God’s in place of the injustice of man

39
Q

“Now, my liege,
Tell me what blessings I have here alive,
That I should fear to die. Therefore proceed.
But yet hear this: mistake me not: no life,
I prize it not a straw, but for mine honour,
Which I would free, if I shall be condemn’d
Upon surmises, all proofs sleeping else
But what your jealousies awake, I tell you
’Tis rigour, and not law. Your honours all,
I do refer me to the oracle:
Apollo be my judge!”

A

-Winter’s Tale
-Hermione
-She has lost some of her will to live, but is accepting the justice of the God’s in place of the injustice of man

40
Q

“Apollo, pardon
My great profaneness ’gainst thine oracle!
I’ll reconcile me to Polixenes,
New woo my queen, recall the good Camillo,
Whom I proclaim a man of truth, of mercy;
For, being transported by my jealousies
To bloody thoughts and to revenge, I chose
Camillo for the minister to poison
My friend Polixenes: which had been done,
But that the good mind of Camillo tardied
My swift command, though I with death and with
Reward did threaten and encourage him,
Not doing it and being done.”

A

-Winter’s Tale
-Leontes
- He is emotionally backpeddling, but trying to bypass repentance and its process as he realizes the true loss of his daughter, his only heir now

41
Q

When does Winter’s tale shift from a tragedy to a comedy?

A

After Perdita is left to die in Bohemeia as a baby and Antigonus is eaten by a bear hehe

42
Q

What role does time (the character) play in Winter’s tale?

A

It transitions the play from theatrical showing to telling and emphasizes the competeing forms of knowledge

43
Q

What are the two competing settings in Winter’s Tale?

A

The pastorial world of Bohemia and the court of Sicilia. Bohemia could be a mirro, escape from, or imagining of Sicilia

44
Q

“Not yet on summer’s death nor on the birth
Of trembling winter, the fairest flowers o’ th’ season
Are our carnations and streak’d gillyvors,
Which some call nature’s bastards: of that kind
Our rustic garden’s barren; and I care not
To get slips of them…

For I have heard it said
There is an art which, in their piedness, shares
With great creating nature”

A

-Winter’s Tale
-Perdita
-She values art above nature, or as something that adds to nature

45
Q

“Yet nature is made better by no mean
But nature makes that mean. So, over that art
Which you say adds to nature, is an art
That nature makes. You see, sweet maid, we marry
A gentler scion to the wildest stock,
And make conceive a bark of baser kind
By bud of nobler race. This is an art
Which does mend nature, change it rather, but
The art itself is nature”

A

-Winter’s Tale
-Polixenes
-He is countering Perdita’s point and saying that art is nature and nature makes art

46
Q

What are two of the themes in the tempest?

A
  1. Remembrance and memory
  2. Inversion of power
47
Q

“This island’s mine by Sycorax, my mother,
Which thou tak’st from me. When thou cam’st first,
Thou strok’st me and made much of me, wouldst
give me”

A

-The Tempest
-Caliban
-Caliban explains his claim over the island.
-Portrays a colonist-colonized narrative

48
Q

“Cursed be I that did so! All the charms
Of Sycorax, toads, beetles, bats, light on you,
For I am all the subjects that you have,
Which first was mine own king; and here you sty me
In this hard rock, whiles you do keep from me
The rest o’ th’ island”

A

-The Tempest
-Caliban
-Caliban explains his claim over the island.
-Portrays a colonist-colonized narrative and language as a form of power

49
Q

“And his more braver daughter could control thee,
If now ’twere fit to do ’t. At the first sight
They have changed eyes.—Delicate Ariel,
I’ll set thee free for this”

A

-The Tempest
-Prospero
-He wants Ferdinand and Miranda to fall in love, but no too quickly because his political power relies on their love lasting.

50
Q

“I’ th’ commonwealth I would by contraries
Execute all things, for no kind of traffic
Would I admit; no name of magistrate;
Letters should not be known; riches, poverty,
And use of service, none; contract, succession,
Bourn, bound of land, tilth, vineyard, none;
No use of metal, corn, or wine, or oil;
No occupation; all men idle, all,
And women too, but innocent and pure;
No sovereignty—”

A

-The Tempest
-Gonzalo
-He’s describing to Sebastian and Antonio and utopia-like society, but it is either politically naive or pure mockery.

51
Q

“All things in common nature should produce
Without sweat or endeavor; treason, felony,
Sword, pike, knife, gun, or need of any engine
Would I not have; but nature should bring forth
Of its own kind all foison, all abundance,
To feed my innocent people”

A

-The Tempest
-Gonzalo
-He’s describing to Sebastian and Antonio and utopia-like society, but it is either politically naive or pure mockery.

52
Q

“At mine unworthiness, that dare not offer
What I desire to give, and much less take
What I shall die to want. But this is trifling,
And all the more it seeks to hide itself,
The bigger bulk it shows. Hence, bashful cunning,
And prompt me, plain and holy innocence.
I am your wife if you will marry me.
If not, I’ll die your maid. To be your fellow
You may deny me, but I’ll be your servant
Whether you will or no.”

A

-The Tempest
-Miranda
-Mirdanda is taking agency over her relationship

53
Q

“I’ th’ afternoon to sleep. There thou mayst brain him,
Having first seized his books, or with a log
Batter his skull, or paunch him with a stake,
Or cut his weasand with thy knife. Remember
First to possess his books, for without them
He’s but a sot, as I am, nor hath not
One spirit to command. They all do hate him
As rootedly as I. Burn but his books.”

A

-The Tempest
-Caliban
-He’s plotting to kill Prospero. Yet again plays into the narrative that language is power since he plans to burn the books

54
Q

“Be not afeard. The isle is full of noises,
Sounds and sweet airs that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometimes voices
That, if I then had waked after long sleep,
Will make me sleep again; and then, in dreaming,
The clouds methought would open, and show riches
Ready to drop upon me, that when I waked
I cried to dream again.”

A

-The Tempest
-Caliban
-Displays how much Caliban truly loves the island

55
Q

When does The Tempest pivot from a revenge drama to forgiveness and romance?

A

Ariel, on behalf of Prospero, sets up Alonso, Sebastian, and Antonio to look like fools and be humiliated like how Prospero felt humiliated.

56
Q

What is a mask and anti-mask?

A

A mask is a scene of music, costume scenery (multimedia) that affirms the power of the King (Prospero) and usually involves mythological creatures (Ariel)

An anti-mask embodies forces of disorder and chaos that temporarily dominate the stage before being chased off

57
Q

What is the mask and anti-mask in the tempest?

A

Mask - Ferdinand and Miranda’s wedding
Anti-mask - Stephano, Trinculo, and Caliban

58
Q

“As I foretold you, were all spirits and
Are melted into air, into thin air;
And like the baseless fabric of this vision,
The cloud-capped towers, the gorgeous palaces,
The solemn temples, the great globe itself,
Yea, all which it inherit, shall dissolve,
And, like this insubstantial pageant faded,
Leave not a rack behind.”

A

-The Tempest
-Prospero
-He is commenting on the nature of theater and how it, like his magic, is fantastical and powerful, yet temporary

59
Q

“You elves of hills, brooks, standing lakes, and groves,
And you that on the sands with printless foot
Do chase the ebbing Neptune, and do fly him
When he comes back; you demi-puppets that
By moonshine do the green sour ringlets make,
Whereof the ewe not bites; and you whose pastime
Is to make midnight mushrumps, that rejoice
To hear the solemn curfew”

A

-The Tempest
-Prospero
-He is reflecting on his magic and how he will leave it behind, but he is unsure how to be without it

60
Q

“With his own bolt; the strong-based promontory
Have I made shake, and by the spurs plucked up
The pine and cedar; graves at my command
Have waked their sleepers, oped, and let ’em forth
By my so potent art. But this rough magic
I here abjure, and when I have required
Some heavenly music, which even now I do”

A

The Tempest
-Prospero
-He is reflecting on his magic and how he will leave it behind, but he is unsure how to be without it

61
Q

“How many goodly creatures are there here!
How beauteous mankind is! O, brave new world
That has such people in ’t!”

A

-The Tempest
-Miranda
-Showcases her excitement, but also naive optimism about the world that she has seen little of

62
Q

“For he’s a bastard one, had plotted with them
To take my life. Two of these fellows you
Must know and own. This thing of darkness I
Acknowledge mine.”

A

-The Tempest
-Prospero
-He is saying he will deal with Caliban, but in that way, he is not recognizing Caliban’s autonomy

63
Q

“Since I came to this isle. And in the morn
I’ll bring you to your ship, and so to Naples,
Where I have hope to see the nuptial
Of these our dear-belovèd solemnized,
And thence retire me to my Milan, where
Every third thought shall be my grave.”

A

-The Tempest
-Prospero
-Contemplating mortality since he believes the excitement of his life has come and gone