Final 14-23 Flashcards

1
Q

In early film music, a “Leitmotif” is a

A

short, distinctive, recurring melody assigned to a main character of a film

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2
Q

What decade is now often referred to by scholars as the “Golden Age” of silent film music?

A

1920s

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3
Q

“Organic Narrational Status” is defined as the silent film musicians’ desire to

A

create the illusion that the music was emanating naturally from the film itself.

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4
Q

Before becoming an important part of film music sound, percussion instruments (including the “drum set”) played a prominent role in which two of these older American theatrical genres?

A

Extravaganza and Vaudeville

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5
Q

Approximately what percentage of the seventeen major American silent film composers were immigrants to the United states?

A

50% (8/17)

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6
Q

Which American-born film composer, the son of Czech immigrants, returned to the “Old Country” as a teenager to study with famed composer Antonin Dvorak?

A

John Stepan Zamecnik

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7
Q

Which French-born American silent film composer continued his high-profile music career after the end of the silent era by becoming Resident Composer of Radio City Music Hall?

A

Maurice Baron

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8
Q

The 1920s cinema manager’s efforts to hide their orchestras and organists from audience view to focus attention solely on the screen was called…

A

Obscuration

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9
Q

The development of the “drum set” in the mid-19th century resulted from the invention of this mechanical device:

A

The bass drum foot pedal

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10
Q

Throughout the 1920 action-adventure film The Mark of Zorro, the masked hero, Senor Zorro, battles three evil villains. Correctly name all three of these characters, including their rank or title, and briefly describe their relationship to each other.

A

Senor Zorro battles three men: Sgt. Gonzolaes, Capt. Ramon, and Gov. Alvarado. Don Diego refers to Gonzales as a friend, and while he does battle him as Zorro, they team up in the end. Capt. Ramon is pursuing Lolita, making him a real enemy, and Gov Alvarado is corrupt and wants Zorro dead.

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11
Q

What is an “Original Score?”

A

A new, original composition specially created to accompany a specific film. This score becomes an inseparable part of the artistic totality (impact) of the film.

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12
Q

A “Musical Setting” can be defined as

A

the compilation of already existing music (i.e. published) from a local cinema’s sheet music collection into a running sequence to accompany a specific film, as guided by a cue sheet supplied by the filmmaker or other official source

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13
Q

What are the 5 key techniques of “organic” film music?

A

Musical decoding, Musical anticipation, Musical transitions, Leitmotifs, and Themes

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14
Q

“Our Hospitality” starring Buster Keaton uses what organic film music technique?

A

Leitmotif

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15
Q

What is one positive and one negative to using an original score?

A

Positive: Can almost perfectly emotive match, greater artistic shading

Negative: Long creation time, difficult to play, more expensive

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16
Q

What movie palaces did Samuel L. Rothapfel (Roxy) create?

A

Strand, Rialto, Rivoli, Capitol, Roxy, and Radio City Music Hall

17
Q

Which movie palace businessman built the Chinese Theatre (where the Hollywood Walk of Fame is located)?

A

Sid Grauman (in 1926)

18
Q

What was Thomas Edison’s initial experiment with image and sound?

A

Kinetophone

19
Q

Why did the attempts to match images with sound from the 1890s-1920s fail?

A

The sound would not stay in synch with the images, the devices were difficult to operate, and the sound wasn’t loud enough

20
Q

Why did artists want sound and images to be combined?

A

Filmmakers wanted control over the quality and choice of music to create a whole film.

21
Q

In the 1920s, adding sound to images allowed exhibitors to

A

cut down on film and music costs

22
Q

What invention led to the advancement of sound and film?

A

Radio (broadcasting)

23
Q

The first film to include sound and dialogue was

A

The Jazz Singer

24
Q

Why did many Hollywood movie stars’ careers end because of “talking pictures”?

A

They did not have the voice for the screen

25
Q

What is the standard framerate for all cameras and projections?

A

24 f.p.s