Final Flashcards

1
Q

What are the 10 principles of BCDE

A
  1. Present meaningful curriculum (Meaningfull because you can aplpy it to life, other situations)
  2. Provide an enriched environment (See, say, hear, do)
  3. Provide meaningful feedback (I see statement)
  4. Provide opportunities for emotional engagement (End of the day reflection)
  5. Allow for social interaction
  6. Present developmentally appropriate curriculum
  7. Allow students to take charge of their learning
  8. Provide both novel and repetitious experiences (Synaptic connections in the brain are created through novelty. These new connections are then hardwired through repetition. Too much novelty leads to confusion and frustration; too much repetition leads to boredom)
  9. Offer a curriculum that is holistic and sequential (you help the child get from point A to B) (Students learn better through studying whole ideas in context than through studying isolated parts. Alternate practicing skills with improvisation and dance making, rather than skills in one lesson and creating dances in another.)
  10. Provide information about proper nutrition or health (this may not apply to all lessons)
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2
Q

What are the 8 fundamental mouvement paterns (FMP)

A
  • Breath
  • Tactile
  • Core-distal
  • Head-tail
  • Upper-lower
  • Body side
  • Cross lateral
  • Vestibular
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3
Q

What are 5 locomotor movements? What is a locomotor movement?

A
  • locomotor move it takes you from one place to another.
  • Basic locomotor movements are essential for developing strength and coordination to do more complex movements.
  • run, skip, gallop, waltz, leap, jump, roll
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4
Q

What are 5 non-locomotor mouvements and what is it?

A
  • energy action words
  • Non-locomotor movements: is movement that moves around the axis of the body instead of the body moving through space.
  • bend, twist, stretch, swing, kick, punch
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5
Q

What are combined locomotor movements?

A
  • Waltz Run: 3 runs in 3/4 time- “down up up”- can be introduced to children who can skip
  • Ex: skip = step (walk) +hop
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6
Q

What are the dance concepts and elements (LMA)? (elements of at least 2)

A
  • Body: parts, shapes, relationships, balance
  • Effort: Press, wring, float
  • Time: speed (slow, medium, fast), rhythm (pulse, pattern)
  • Space: place, size, level, direction, focus, pathway
  • Form: ABA, suite (ABC), recurring themes (ABAB), narrative (story), broken form (random)
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7
Q

What is a growth mindset? Benefits and downfalls

A

-Belief that most abilities can be developed through dedication and hard work—brains and talent are just the starting point.
• Growth Mindset is Brain-Compatible
o We can increase our neural growth by the actions we take.
o Strategies, Asking Questions, Practicing

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8
Q

What is a fixed mindset? Benefits and downfalls

A

-Belief that traits like intelligence, talent and creativity are fixed and unchangeable.
• Fixed traits alone impact success and there is no way to change this.

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9
Q

How can you cue the brain?

A

-“I See” Cueing Strategy:
Provides dancers with specific, identifiable feedback on their effort. Identify key elements that impact and improve a specific skill. Dancers focus their efforts and refinement in meaningful ways.
Serve as meaningful/ brain-compatible praise. Meaningful praise must be specific and genuine.
Observe THEN Comment
Comments should be specific to the process, effort, or creative strategies used.

“Can You/ Try” Cueing Strategy:
• Creates an environment that embraces challenge and risk taking.
• Students are:
• less resistant to change,
• take greater risks,
• identify creativity as a useful process for problem solving,
• more persistent when facing challenges

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10
Q

What is the impact of feedback?

A

-People’s theories about their own intelligence had a significant impact on their motivation, effort, and approach to challenges.
• More likely to embrace challenges and persist despite failure.
• Cognitive, affective, and behavioral features are linked to one’s beliefs about the malleability of their intelligence.

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11
Q

How can you ensure proper classroom management?

A
  • Having a routine
  • ensure active and equal participation (everyone has a ball)
  • designate specific area in your room for like downtime
  • teacher being socially and emotionally available and keeping in mind body language and get down to their level.
  • say what you want to see
  • ignore the negative, praise the positive
  • be flexible
  • be confident
  • be firm
  • rest and relaxation (get water)
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12
Q

What are the cognitive outcomes of a conceptual dance approach? example

A

-Increased vocabulary and knowledge through an understanding of the concepts and principles of dance.
• Development of problem solving skills through movement.
• Improved listening skills and ability to follow directions.
• Increased observation skills and improved application and evaluation skills.

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13
Q

What are the social-affective outcomes of a conceptual dance approach? example

A

-Increased ability to express feelings through movement.
• Ability to express feelings verbally about self, others, and dance.
• Increased self-esteem and body image.
• Development of socialization, trust, collaboration and cooperative skills by working with others.
• Appreciation of peers and other cultures

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14
Q

What are the physical outcomes of a conceptual dance approach? example

A

-Increased general health and wellness through physical activity. • Development of greater dance skills and movement vocabulary.
• Increased body awareness, control, balance, flexibility, coordination, strength, endurance, and agility.
• Reduction of stress and/or anxiety.

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15
Q

What is creative dance, what can it allow for?

A
  • Creative dance provides positive opportunities for children to become creators, performers and spectators.
  • Employ movement as a means of encouraging self expression and self-awareness in children through the revelation of the kinesthetic sense.
  • It is a meaningful combination of technique and expression. It is NOT a series of steps or routines.
  • The language of creative dance is MOVEMENT.
  • The instrument of creative dance is the BODY.
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16
Q

Concept- based movement education model is based on Laban Movement Analysis (LMA), what are the 4 categories?

A
  • Body
  • Force
  • Time
  • Space

-they are the building blocks for any kind of dance

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17
Q

What does creative dance teach?

A
-Awareness of others
• Self-Control
• Heightened Perception
• Relationship to other art forms
• Builds self-image and self-direction
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18
Q

What are Sensorimotor Skills

A

-The Brain receives sensory information through the body and environment through the sensory systems.
• Specific movements produce specific results.
• Brain makes connections between sensory input and motor output.

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19
Q

name and describe 2 reflexes that inform 2 of the fundamental movement patterns.

A

-Stepping Reflex: Also referred to as the “walking” or “dancing” reflex, this reflex appears at birth and should be fully integrated by 3-4 month. Babies display this reflex when they are held in an upright position, with feet touching a surface, such as the floor or a caregiver’s lap. When a baby’s foot makes contact with the surface it appears to step, one foot and then the other. This reflex sets the groundwork for walking later in life.

  • Palmar and Grasp reflexes: The Palmer reflex is present at birth and allows infants to grasp an object with hands or toes and bring it to their mouth. This reflex should be integrated between 2- 3 months. The Grasp reflex allows infants to hold an object tightly for survival and should integrate between 11-12 months. Babies display this reflex when an object is placed in their hand or their hand is stroked. Babies’ fingers will curl around the object in a strong grip. These reflexes support body awareness, sensory integration, fine motor and speed development, and bonding.
  • tactile FMP
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20
Q

Concept- based movement education model is based on Laban Movement Analysis (LMA), what are the 4 categories?

A
  • Body
  • Force (energy, weight, flow)
  • Time
  • Space

-they are the building blocks for any kind of dance

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21
Q

What is a formative assessment?

A

Based on doing, assesses multiple types of learning: analysis, Application of knowledge, synthesis of knowledge and self evaluation. Ex: projects, performances, videos, conversations.

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22
Q

What is a summative assessment?

A

Based on knowing, acceses is one type of learning, Examples fact based tests provincial achievement tests.

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23
Q

Why is it important to use triangulation in our assessments?

A

Triangulation is a process by which a teacher collects evidence about student learning; this evidence is collected from three different sources.
These sources are conversations, observations, and products (Products refer to the tangible materials, such as tests, tasks or projects, used to assess student learning).

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24
Q

What is proprioception:

A

=Sense how close my hand is to the wall, what is the angle my leg is bent at.
-Sense where the body is in space and in relation to themselves. Muscle to brain.

25
Q

A brain-compatible lesson also needs to include the three Rs:

A
  • Relationships
  • Repetition (and ritual)
  • Reflection
26
Q

Definition of tempo:

A

The rate of speed in a musical work.

-Allegro (Fast) and Largo (Slow)

27
Q

Definition of dynamics:

A

Varying degrees of loud and soft.

28
Q

Definition of pitch:

A

The highness or lowness of a tone, as determined by the number of vibrations in the sound.
-High, Middle and Low

29
Q

Definition of articulation:

A

The degree to which notes are separated or connected.

-Staccato (Sharp) and Legato (Smooth)

30
Q

Definition of rhythm :

A

refers to measures and groupings of time.

-Beat, Pattern, Note Value, Time Signature

31
Q

Definition of beat:

A

The consistent underlying pulse, much like the heart beat. They may change speeds but are always even and measured

32
Q

Definition of note value:

A

The relative duration (number of beats) of a note.

Quarter Note = Ta = 1 beat Half Note = Two-oo= 2 beats Eighth note = Ti= 1⁄2 beat

33
Q

Definition of pattern:

A

The grouping of various pulses of different speeds that are uneven. e.g. Slow fast-fast, slow fast-fast or Ta ti-ti/Ta ti-ti

34
Q

Definition of time signature:

A

-How many beats (pulses) are contained in each measure (phrase), and which note value is equivalent to a beat.
2/4= 2 beats per phrase, Quarter note (Ta) gets the beat 3/4 =3 beats per phrase, Quarter note (Ta) gets the beat 6/8 =6 beats per phrase, Eighth note (Ti) get the beat
2/2 = 2 beats per phrase, Half note (Two-oo) gets the beat 4/4= 4 beats per phrase, Quarter note (Ta) gets the beat

35
Q

Definition of pulse:

A

is the underlying “groove” or beat of a song. AGG describes it as the “heartbeat.” Heart beats can vary in speed (first date, public speaking, just waking etc.,) We generally think of pulse as fairly steady. The pulse corresponds with the counting/numbers in your movement phrase.

36
Q

Definition of accent:

A

is an emphasis on one part of a rhythmic phrase. We create accent using
extra volume.
-We use accents to mark the start of each section of a dance phrase. A simple movement phrase such as: “walk for 8 counts and then make a shape for eight counts” would have an accent on the start of each of the movement sections-on the “one” to help dancers recognize the dance phrase.

37
Q

What is a binary movement

A

walks, runs, step-hops, we usually do them in multiples of two ie. 8 walks, 2 step- hops). Think “bi cycle” has two wheels “bi nary”.
-basic pulse, 1,2-3,4-5,6-7,8
4-4

38
Q

What is a ternary movement

A

skips, gallops, slides, waltz and sways
-double the pulse, 1 and a 2 and a 3 and a 4
3-4

39
Q

how do you count in dancers?

A

If a movement phrase begins with binary movements: we use “one, two, ready, walk”, or “one, two, ready, shape” for example.
If the phrase begins with ternary movement, it’s best to say the movement out loud,
ie. “skip and skip and here we go”, or “gallop and gallop and here we go”.

40
Q

What are some assessment tools in dance?

A
Anecdotal Notes
videos
Voice Recording
Structured Discussions
journals
portfolios
Checklists
rubrics
Rating Scales
41
Q

What is movement observation and how to you see it in students and teachers.

A
  • student observasion: looking for unsusul behavhiour (socially-aggressive leader and physically -like a twitch), tell you about anxiety, if there are problems at home, social challenges, physical stuff might be hard. If it keeps happeneing you might need to dig a little deeper
  • teacher observation: keeping in mind body language, tone, movement, levels-getting down to your kids level
42
Q

The National Education Association identified four essential learning and innovation skills for 21st century classrooms as the 4 C’s

A

Creativity
• Collaboration
• Communication
• Critical Thinking

43
Q

Conceptual education allows learners to:

A

Create greater connections in their learning,
• Apply concepts and conceptual knowledge across various subjects,
• Think critically about new information and situations,
• Communicate understanding and metacognition, and collaborate more effectively
with others.

44
Q

What is the 5 part lesson plan and what does it include

A
  • Warming up (teacher directed) REMEMBERING
  • Exploring the concept (student centred) UNDERSTANDING
  • Developing skills (Teacher directed) APPLYING
  • Creating (student centred) ANALYSING-CREATING
  • Cooling down (teacher directed and student centred) EVALUATING
45
Q

What are the benefits of brain dance

A

-Neurological Re-Patterning: re-mapping the brain to develop better proprioception, balance,
attention, memory, eye-tracking, behavior, sensory integration, and motor skills.
-Body Connectivity and Alignment: awareness of the visceral & muscular systems that support the body may help children and adults move with more ease, efficiency, and coordination.
-Increased blood and oxygen flow to the respiratory system and brain leads to improved focus and attention and is helpful in relieving stress and tension.
-Broad Assessment: becoming aware of children and adults with sensory and motor issues, which may manifest in social, emotional, physical, or cognitive delays or difficulties.

46
Q

What is Automaticity?

A

it is the process of automating repetitive functions so they no longer require conscious thought. Automaticity is the result of learning, repetition, and practice. After an activity is sufficiently practiced, it is possible to focus the mind on other activities or thoughts, while undertaking an automatized activity. For example, holding a conversation while going for a walk with a friend. In this example, walking is the automated process, allowing the brain to focus on the conversation.

47
Q

What is exploring contrast

A

high and low

  • big and small
  • forward and backwards
  • curved and straight
  • fast and slow
  • Single focus multi focus
  • metre and non-meter
  • Sharp and smooth
48
Q

Why is the warm up important

A
  • prevent injury
  • introduces the concepts for the class
  • sets the tone, welcoming environmnet
  • increase blood flow to the brain
  • provide teacher with a braod assesment
  • teacher directed, 2-5 minutes, can be a braindance
  • can be used at anytime of the day.
49
Q

Why is exploring the concept important

A
  • teacher directed
  • gives context for the mouvement to come, should use music
  • activity-using antonyms, guided improv
  • can use props
  • should be done with a mltisensory approch: see it, hear it, do it
  • uses our conceptual framework of LMA concepts-elements
  • if concept is simple, very little intro required, if more complex more time needed to listen
  • use of props
  • alternate between individual and groupwork
50
Q

What are the 4 course objectives

A
  • conceptual frameworks for teaching mouvement: LMA concepts-elements
  • Classroom management strategies- routine, rituals, space organization, transistions.
  • What is creative mouvment: blend technique with conceptual learning
  • Creative mouvement does not have to be a stand alone activity, you can blend into other subjects
51
Q

What is improve and why is it beneficial

A
  • no presure, some people get insecure though
  • no performance
  • No correct product
  • Exlopre
  • process tasks and instructions
  • Can be individual or in groups
  • Improv can lead to generalizing choreography
  • lots of freedom, they can all be succesful
  • it is akin to brainstorming
  • it makes expression ok
  • It opens new avenues of thought, emotion,
52
Q

Why is cooling down important

A
  • 5-10 mins depending on your lesson
  • Wsnt to create something they look forward to
  • you verbaly of kinesteticly review our lesson jey concepts
  • encouraging comments should be offered and adressed to the whole group
  • personal complements are more for competitivve environments
53
Q

What is the ‘I See’ and ‘Can you’ strategy

A

“I See” Cueing Strategy:
Provides dancers with specific, identifiable feedback on their effort. Identify key elements that impact and improve a specific skill. Dancers focus their efforts and refinement in meaningful ways.
Serve as meaningful/ brain-compatible praise. Meaningful praise must be specific and genuine.
Observe THEN Comment
Comments should be specific to the process, effort, or creative strategies used.

“Can You/ Try” Cueing Strategy:
• Creates an environment that embraces challenge and risk taking.
• Students are:
• less resistant to change,
• take greater risks,
• identify creativity as a useful process for problem solving,
• more persistent when facing challenges

54
Q

What are the different types of assessment in dance:

A

Conversations
observations
products (test)

55
Q

What the different assessment tools

A
Anecdotal notes
videos
voice recordings
structured discussions
journals
portfolios
checklists
rubrics
rating scales
56
Q

What is movement observations for teachers and students

A

movement observation:
-student observasion: looking for unsusul behavhiour (socially-aggressive leader and physically -like a twitch), tell you about anxiety, if there are problems at home, social challenges, physical stuff might be hard. If it keeps happeneing you might need to dig a little deeper

-teacher observation: keeping in mind body language, tone, movement, levels-getting down to your kids level

57
Q

what are Kinesthetic arts:

A

those that move (dance, theater, music)

58
Q

What is the neurological system

A

brain body connection, neuromuscular pathways. activity requires the CNS to activate neuromuscular pathways that extend all the way to the periphery of the body (vs. Less peripheral when seated.)

59
Q

Why is developing skills important

A

Introduce a skill or combination one day, then practice it on subsequent days to help the brain remember. This process locks in the skill or combination more successfully than trying to perfect it in one class or rehearsal. Varying ways of practicing skills creates the challenge and novelty needed to engage the brain’s attention for successful learning. Some ways to practice basic skills include the following:

  • Through the dance concepts
  • In many different formations
  • With a partner, trio, or quartet
  • To different accompaniment—music, drum beats, counts, body percussion, or words
  • With a prop
  • Within the context of a simple combination of familiar skills