Final Flashcards

1
Q

scaling questions as used in solution focused therapy groups

A

On a 1-10 scale, how would you rate your desire to change?

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2
Q

when the focus of a group should be deepened

A

Make sure members are ready and Make sure you have enough time

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3
Q

important points related to cutting off a member

A
  • Tell members you are going to be doing this
  • Timing—do it early
  • Use of Voice—should not be critical
  • Nonverbal Signals—eyes and hands
  • Cut and Stay With the Topic
  • take the topic back to the entire group
  • cut and move to another person on the same topic
  • Cut and Leave the Person and Topic
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4
Q

different types of groups that are suitable for children in schools in comparison to groups suitable for children in agencies.

A

schools:

  • Self-concept or self-esteem
  • Anger management
  • Getting along with siblings
  • Shyness
  • Friendship
  • Divorce
  • Living in a stepfamily
  • Living with a chemically dependent parent
  • New-to-the-school
  • Dealing with bullies
  • Dealing with name calling
  • Grief support (after some tragic event)
  • Study skills building
  • Building social skills
  • ADHD children
  • Improving academics

Agencies:

  • Severe behavior problems
  • Divorce
  • Alcoholic parents
  • Abused children (upper ages; need a very skilled leader)
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5
Q

Understand the ego states of a person as defined by transactional analysis and how they function.

A
  • set of related thoughts, feelings, and behaviors in which part of an individual’s personality is manifested at a given time
  • The Parent ego state: values, morals, core beliefs, and behaviors incorporated from significant authority figures, primarily one’s parents. (nurturing parent/ controlling parent)
  • The Adult ego state: objective and computer-like part of our personality that functions as a data processor; it computes possibilities and, like the other two ego states, makes decisions, and represents what we have learned and thought out for ourselves.
  • The Child ego state: original part of us and is most naturally who we are. (natural child/ adaptive child)
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6
Q

three cognitive behavioral approaches to group therapy

A
  • Focus is on members’ current problems
  • Aim is to change maladaptive behaviors to adaptive ones
  • The therapy is largely educational—teaching group members skills of self-management
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7
Q

limitations of cognitive behavioral therapy

A
  • May prevent members from meeting personal needs if too highly structured
  • Problematic if overly didactic
  • If rigidly applied, can focus exclusively on problems or symptoms rather than on the meaning of a behavior
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8
Q

history of REBT

A
  • Albert Ellis:Father of REBT/Grandfather of CBT
  • Ellis was known for his abrasive, humorous, and flamboyant style
  • Ellis believed we have a strong inclination to disturb ourselves
  • Ellis developed active and direct ways of working; he stressed taking action on insights gained in therapy
  • Premise of REBT: to bring about lasting emotional and behavioral change, members must change their thinking
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9
Q

A-B-C theory in relation to REBT

A

Activating event –> Belief –> Consequence (emotional and behavioral)

Disputing intervention –> Effect (an effective philosophy is developed) –> Feeling (new feeling)

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10
Q

basic human needs according to reality choice therapy.

A

Love and belonging

Power

Freedom

Fun

Survival (Physiological needs)

  • reality choice therapy sees all internally motivated behavior geared towards the meeting of one or more of our basic human needs.
  • We perceive the world in the context of our own needs
  • The focus is on internal control and the subjective world
  • We choose our own goals and are responsible for the kind of world we create
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11
Q

key concepts of solution focused brief therapy.

A
  • SFBT is grounded on a positive orientation—people are healthy and competent
  • The past is downplayed while the present and future are highlighted
  • Therapy is concerned with looking for what is working
  • Group leaders assist members in finding exceptions to their problems
  • There is a shift from “problem-orientation” to “solution-focus”
  • The emphasis of SFBT is on constructing solutions rather than problem solving
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12
Q

major aim of motivational interviewing

A
  • reduce ambivalence about change
  • increase intrinsic motivation.
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13
Q

essential group leader’s tasks no matter what theory is

A
  • Initiate and promote interaction via structure of group and modeling behaviors.
  • Orient members to the group process.
  • Capable of sensitive, active listening
  • Creating a safe and supportive climate to explore issues
  • Responsible for setting limits, informing of rights m responsibilities and protecting members
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14
Q

therapeutic essentials that influence how a group proceeds.

A
  • Making art in a group setting creates a sense of ritual that provides psychological safety and promotes interpersonal emotional risk taking.
  • Making art with others is a safe way to express pain, fear, and other difficult feelings.
  • Making art in the presence of others is an expression of hope.
  • Making art is a way to communicate that does not depend solely upon verbalization.
  • Making art in the presence of others reduces isolation and creates a sense of community.
  • Making art in a group setting provides ways to symbolize and express feelings regarding interpersonal relationships.
  • When members of a group make art they create shared experiences in the present.
  • Making art with others fosters a sense of personal and communal empowerment.
  • Making art in a group setting promotes positive regard for the other members of the group.
  • Making art with others is a gratifying and pleasurable experience.
  • Making art in a group setting is an act of self-transcendence.
  • Art making in a group setting often leads to expression of the ultimate concerns of existence.
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15
Q

Moon’s five steps used to actively listen and relate to group members and their artwork.

A
  • Looking to see what is literally there in the artwork— made, materials used, textures, lines, shapes, and colors
  • Looking closely in order to explore feelings the artwork evokes
  • Looking for a range of metaphoric and possible symbolic meanings
  • Listening closely to what group members say about their artworks and about their lives
  • Responding to group members’ artworks and stories
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16
Q

According to Moon, how hope is built in an art therapy group

A
  • group leader’s conviction that making art in the company of others is both healthy and healing
  • Faith in the art-making process is nurtured in the group milieu that regards creative self expression as a declaration of hope.
  • Dark and troubling aspects of life are welcomed into the studio or group room and are allowed to make their way toward transformative healing.
  • My work with people in art-based therapy groups has convinced me that clients’ pain, along with their artistic activity, are indispensable partners in the process of building hope. ~Bruce Moon
17
Q

what distinguishes the work of art based therapy groups from other modes of group therapy.

A
  • The linear language of logical conversation cannot convey the subtle nuances of artistic expression, nor even the most basic qualities of a creative enactment.
  • “The core of the therapeutic work that occurs in art-based group therapy has been done before clients say anything about their creative expression. Talking about the creative process and finished artworks is the icing on the cake”.
  • The crucial therapeutic work in the art-based therpy group sessions takes place among artist participants, media, processes, and images, in the presence of the group leader.
18
Q

creative empowerment work in an art therapy group according to Moon.

A
  • The principle that images speak louder than words.
  • The tenet that there are many ways to interact with images that does not rely solely on linear discourse.
  • The notion that expression of feelings is healthier than suppression.
  • The principle of cathexis-that original feelings related to events in a person’s life remain powerfully attached to artistic portrayal.
19
Q

Buber’s I-It relationship versus the I-Thou relationship

A

I-It: view objects and people through the lense of their function causing us to remain distant and apart to protect our vuneralbilities or get something from another

I-Thou: puting oneself completly into a relationship, being present with and understanding another person. each person responds by trying to improve the other person resulting in genuine, recripricol, and authentic sharing

20
Q

painful and complex emotions that Moon sees that clients bring to group.

A
  • Freedom
  • Aloneness
  • Guilt
  • Personal responsibility for one’s own life.
  • Inevitability of suffering and death.
  • Longing for purpose and meaning.

These can be ignored (denial) or acknowledged by living in a state of “mindfulness”