Film studies part 1 Flashcards
Diaspora
The dispersion or scattering of a people from their original homeland, often referring to the migration of a specific ethnic or cultural group.
Surrealism
An artistic and literary movement that emerged in the early 20th century, characterized by the exploration of the unconscious mind, dream imagery, and unconventional juxtapositions.
Black Christmas: A Canadian horror film directed by Bob Clark, often considered one of the early examples of the slasher genre
Impact Aesthetic
A style or approach to filmmaking that emphasizes the visceral or emotional impact of images and sounds on the audience.
Second Cinema
A term coined by Argentine filmmaker Fernando Solanas and Octavio Getino to describe revolutionary or politically engaged cinema, often associated with Third World countries.
Leslie Cheung
A Hong Kong actor and singer known for his versatile performances in both dramatic and musical roles.
Universal Studios
A major American film studio known for producing a wide range of films, including popular franchises and theme park attractions.
Giallo
An Italian genre of thriller or horror films, often characterized by mystery, psychological suspense, and stylish cinematography.
Direct Cinema
A documentary filmmaking style emphasizing observation and candid portrayal of events without significant intervention or narration.
Rhetorical Form
A structure or style of communication aimed at persuading or influencing an audience through the use of language and argumentation.
The River (1938
A documentary film directed by Pare Lorentz, focusing on the Mississippi River and its impact on the American heartland.
City Symphony
A film genre or style that presents a poetic portrayal of urban life, often through a montage of images and sounds.
Michael Moore
An American documentary filmmaker known for his provocative and politically charged films, such as “Bowling for Columbine” and “Fahrenheit 9/11”.
Ballet Mécanique
A short experimental film directed by Fernand Léger and Dudley Murphy, known for its avant-garde editing techniques and use of industrial imagery.
Stan Brakhage
An influential American experimental filmmaker known for his abstract and visually intense films, often exploring themes of perception and consciousness.
Abstract Form
A non-representational or non-objective style of art or filmmaking that focuses on form, color, and texture rather than depicting recognizable objects or scenes.
