Film Midterm Flashcards

1
Q

pre-cinema technology: magic lantern, zoopratiscope, kinetoscope, cinematographe

A

Magic lantern- one of the first machines that projected images
Zoopratiscope- projects moving images on a loop from a disk, drawings not photographs
Kinetoscope- recorded sound/moving images in individual booths to look in
Cinematographe- used 35 mm film and an intermittent mechanism modeled like sewing machine

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2
Q

The cinema of attractions
vs.
The cinema of narrative

A

cinema of attraction: driven by desire, power of image on screen, contact w/ audience, fairground like modes, understanding of space fascination with motion, action overlap (primitive mode)

cinema of narrative: driven by narrative, no contact w/ audience, multiple shots/camera angles, parallel editing, coherence of time/action (institutional mode)

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3
Q

The Brighton Conference

A

1978, renewed historiographical interest in early cinema

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4
Q

mise-en-scene

A

arrangement of setting or surroundings of an event of action

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5
Q

Etienne-Jules Marey

A

puts all pictures of motion together into one instead of splitting images

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6
Q

Eadward Muybridge

A

did many local motion photos (photos that portray motion from one place to another, zoopratiscope)

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7
Q

Thomas Edison

A

famous inventor/businessman who worked with Dickson to make kinetoscope

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8
Q

W.K.L Dickson

A

worked w/ Edison to make kinetoscope

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9
Q

The Lumiere brothers

A

earliest filmmakers, short silent films

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10
Q

Notions of primitivism in film would mean that film was or was not respected at the time?

A

was not, lack of film respect

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11
Q

Nickelodeon

A

main trend from 1905-1907 with the rapid multiplication of theaters, usually cost a nickel

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12
Q

Vertical integration
and an example
this led to what?

A

one firm controlling the production/distribution of a film
ex: Pathe, largest film production company in the world in early cinema years
this led to emergence of classical hollywood style

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13
Q

Edwin S. Porter

A

Edison film, primitive and institutional director

films: great train robbery

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14
Q

the silent serial, its qualities, and examples

A

film style that asks you to come back, plot pulls you in, exciting, narration style
ex: the kid, sherlock jr, fantomas

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15
Q

sight gag

A

audience is aware of what is happening while the characters in the movie are not

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16
Q

keystone studio

A

main comedy studio from 1912-1917, ended w/ scandal, known for the keystone cops, at time was an increase in comedies

17
Q

Harold Lloyd

A

one of the first great comic actors, less well known, did Safety Last (1923)

18
Q

Max Linder

A

comedian with new “look” (represented aristocratic culture: french, posh, upper class)

19
Q

Charlie Chaplin

A

British comedian, one of best of time, studios did not control him, had character The Tramp that became more complex over time hence why it was so successful, full creative control

20
Q

Buster Keaton

A

master of stunts in early silent comedy, more philosophical than Chaplin, different goals

21
Q

Classical hollywood style features

A

emphasis on editing (backbone), most efficient style, attentions and emotions controlled

22
Q

Star System

what happened with the cheat?

A

emerged 1914
audiences started wanting to know names of actors they saw, stars started making more money/recognition
The Cheat’s Sessue Hayakawa became sex symbol and created his own production company

23
Q

Consequences of the emergence of the studio system in Hollywood

A

things became regulated, less variety, system of success, less about creativity

24
Q

Oscar Micheaux

A

black director who did silent race melodramas and tried to spread race/life messages through film, rejected Griffith

25
Qualities of silent cinema
multiple "scenes" at the same time, many planes of action, lots of action at once
26
D.W. Griffith | personality, qualities, movies
narrative editing "father of editing", wants to elevate film into art form, great storyteller but lacks ideology and depth, many references to Dickens, parallel storytelling, images as a language, familiar, logical 1913: left short film studio to pursue individual projects, was not a complete success long term
27
German cinema after 1919
emergence of german expressionism, rise in cinema production, UFA, movies cheaply made, heavily exported
28
UFA
big production company in germany post-WWI, monopoly, controlled distribution and censorship: caused German Expressionism
29
montage
conveys an idea, more than editing, picture stories
30
German expressionism: style, themes, influence?
style: non-realistic, twisted, 2D, lack of depth, disjointed shapes, stylized themes: refusal of naturalism, dark, disturbing influences: griffith, kokoschka, schiele also known as Weimar Cinema
31
expressionism vs. impressionism
opposites, expressionism does NOT use camera to create shots/theme, using sets more than camera (Caligari) impressionism does use camera to create shots/theme, mechanical nature of cinema is what makes it art (Nosferatu)
32
Photogenie
any aspect of reality in a film, anything the camera adds to physical reality, movement is modern, art, photogenic
33
Qualities of russian film industry after WWI and Russian Revolution
influenced cinema, mise-en-scene more important than editing, long, boring, sad endings
34
Lev Kuleshov
older film professor at state school, came up with montage as the foundation of cinematography, compared expressionism w impressionism
35
Soviet montage features | 3 major names in movement
re-edited footage, made into something new, experimentation, different variety of shots, meaning created through editing ex: Eisenstein, Vlad, Kuleshov
36
What is montage of attractions
organization of cinematic material that constructs a real point of view in a real cinematic space, our understanding that something that influences us can be combined with other things to control the audiences emotions and lead them
37
``` Patents War (story time) and the rise of independents ```
nickleodeon boom caused intense industry competition, more established leaders, tried to exclude newcomers and become more powerful Edison Co claimed to own all basic patents, other companies suffered and went out of business Edison sued AM&B for not cooperating, ended in AM&B's favor, continued rivalry Finally settled and came together to make Motion Picture Patents Company ^oligarchy Other companies still excluded, some refused to pay MMPC fees = independent companies: unlicensed theaters provided a market for unlicensed producers/distributors