Film Devices Flashcards

1
Q

Costume design

A

Tilly’s couture dresses contrast with the drab, outdated clothing of the townspeople, symbolizing transformation and rebellion.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Props

A

The sewing machine becomes a symbol of Tilly’s power and skill.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Setting

A

The barren, dusty landscape reflects the town’s bleakness and narrow-mindedness.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Flashbacks (Editing)

A

Reveal Tilly’s past trauma and help the audience piece together the mystery of Stewart Pettyman’s death.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Quick cuts (editing)

A

Used in dramatic moments, such as Teddy’s death, to heighten tension.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Montages

A

Show the transformation of the town’s women as Tilly outfits them in glamorous dresses.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

Harsh lighting

A

Used in outdoor scenes to emphasize the unforgiving nature of Dungatar.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Soft lighting

A

Highlights moments of intimacy, such as Teddy and Tilly’s romantic scenes.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Contrast between light and shadow

A

Reinforces themes of duality, such as beauty and cruelty.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

Extreme long shot

A

Establishing shot

Contains a large amount of landscape. It is often used at the beginning of a scene or a film to establish the general location (setting).

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

Long shot

A

Contains landscape but gives the viewer a more specific idea of setting. A long shot may show the viewers the building where the action will take place.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Medium/Mid-Shot

A

Contains the characters or a character from the waist up. From this shot, viewers can see the characters’ faces more clearly as well as their interaction with other characters.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Full shot

A

Contains a complete view of the characters. From this shot, viewers can take in the costumes of characters and may also help to demonstrate the relationship between characters.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

Close-up

A

Contains just one character’s face. This enables viewers to understand the actor’s emotions and also allows them to feel empathy for the character.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

Extreme Close-Up

A

Contains one part of the character’s face or another object. This technique is quite common in horror films. This type of shot creates an intense mood and provides interaction between the viewer and the viewer. It helps to focus on a specific part of the subject and to communicate details too small to notice.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

Eye level shot

A

The camera is positioned as if it is a person observing the scene so that the actors’ heads are at eye level.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

High Angle shot/Elevated Angle

A

In a high angle (also called bird’s-eye view), the camera looks down at a character. This makes the observer feel more powerful than the character. The subject seems smaller/weaker or lower status.

13
Q

Low angle shot

A

Place the camera below the character. This exaggerates the importance of the subject, making the character appear larger than life, or big and powerful.

14
Q

Tilly Dunnage - Facial Expressions

A

Often composed, but subtle tension in her jaw or eyes reveals her suppressed pain and determination.

14
Q

Tilly Dunnage - Posture

A

Tilly stands tall and moves confidently, asserting her power over the town.

14
Q

Tilly Dunnage - Vocal Delivery

A

Her voice is calm but firm, showing restraint and control over her emotions.

15
Q

Molly Dunnage - Squinted Eyes

A

When confronting Mr. Almanac, Molly’s squinted gaze expresses sharp judgment of his mistreatment of his wife.

16
Q

Molly Dunnage - Slurred Speech & Erratic Movements

A

In early scenes, she mumbles and moves unsteadily, emphasizing her supposed madness.

17
Q

Molly Dunnage - Sharp, Mocking Tone

A

As she regains clarity, her sarcasm and wit shine through in her tone and expressions.

18
Teddy McSwiney - Relaxed Body Language
Shows his confidence and ease, especially around Tilly.
19
Teddy McSwiney - Charming Smile & Playful Eyes
Reflects his warmth and genuine affection for Tilly.
20
Sergeant Farrat - Effeminate Gestures & Delicate Handling of Fabric
His love for fashion is evident in the way he touches dresses with care.
21
Sergeant Farrat - Nervous Glances & Hesitations
Shows his internal conflict between upholding the law and embracing his true self.
22
Marigold Pettyman - Shaking Hands & Wide Eyes
Her nervous energy reflects the trauma of her abusive marriage.
23
Gertrude Pratt - Timid Posture & Soft Voice (Before Makeover)
Shows her initial insecurity and social awkwardness.
24
Gertrude Pratt - Confident Strut & Playful Smirk (After Makeover)
Demonstrates her transformation into a bold and assertive woman.
24
Evan Pettyman - Cold, Calculated Movements
His stiff body language reflects his authoritarian nature.
25
Evan Pettyman - Smug Expressions & Patronizing Tone
Shows his dominance over others, especially his wife.
25
Evan Pettyman - Panicked Body Language in His Death Scene
The contrast between his control and his final moments highlights his downfall.
26
Tilly’s House on the Hill
Positioned above the town, her house symbolizes her outsider status. It is rundown at first but changes as she regains control over her past.
27
Molly’s Chair
She often sits in her broken chair, reflecting her initial frailty and how she has been abandoned by the town.
28
Muted Earthy Tones in Dungatar
The town is visually dull, using browns and greys to reflect the stifling small-mindedness of its people.
29
Lighting in Molly’s House (Before vs. After Tilly’s Return)
Initially dim and shadowy, the lighting brightens as Molly reconnects with Tilly, reflecting her return to life.
30
Molly & Tilly’s House Cluttered with Memories
Their home is filled with old belongings, symbolizing the weight of the past.
30
The Townspeople in a Unified Group
Often shot in wide, symmetrical compositions, showing their mob mentality and collective cruelty.