film Flashcards

1
Q

The Shot is defined as

A

“Building block of a film”

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2
Q

One or more shots will make a

A

scene

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3
Q

“In the can” means what in film terms?

A

Successfully completed

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4
Q

7 types of basic shot sizes:

A

extreme close up, close up, 2T, medium, cowboy, medium full shot, full shot,

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5
Q

Wide shot

A

Shows the characters in the environment.

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6
Q

Full Shot

A

Shows one- or two-characters head to toe and focuses the audience’s attention on the characters

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7
Q

Medium Shot

A

Shows the characters from the waist up.

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8
Q

Cowboy (aka, Medium Full) Shot

A

Is a little wider, usually mid – type up, in order to show the “holsters.”

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9
Q

Close Up (CU) Shot

A

Shows the characters head and shoulders

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10
Q

Medium Close Up (MCU) Shot

A

Is a little wider, from the chest up

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11
Q

Choker (aka Tight Closeup) Shot

A

Covers the actors face, from eyes to mouth, and can be unsettling to the viewer

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12
Q

Extreme Close Up Shot

A

Focuses on a single attribute of the subject, usually the eyes or mouth

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13
Q

A shot with one actor, or subject, is a

A

single shot

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14
Q
A
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15
Q

is this fun

A

no

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16
Q

A shot with two actors, or subjects, is a

A

two-shot.

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17
Q

A shot with three actors, or subjects, is a

A

three-shot

18
Q

Shot descriptions can be combined by using the terms for the composition of the shot as well as the number of subjects in a shot

A

Medium two-shot, Cowboy three-shot

19
Q

Establishing Shot:

A

Shows where everyone is at a certain point of the scene, usually the beginning or end

20
Q

Master Shot

A

Shows the entire scene as it plays out in real time; it is often a wide shot

21
Q

Fluid Master

A

Sometimes an entire scene is shot in one continues moving shot.

22
Q

Over-The-Shoulder (OTS) Shot

A

Shows the face of one character as he/she looks at the other, using the shoulder to connect them in the space

23
Q

French Over

A

Type of OTS shot from behind two actors facing the same direction

24
Q

Reversal or Matching Shot

A

Shows the other actor from a similar size and shot type

25
Q

Insert Shot

A

Focuses on a object in the scene that is relevant to the story

26
Q

Point of View Shot

A

Shows exactly what a character in a scene sees with their own eyes

27
Q

Low-Angle Shot

A

Where we place the camera below the actor and look up, to make them look larger and more intimidating

28
Q

High-Angle Shot

A

Where we place the camera above the actor and look down, we make the character seem smaller.

29
Q

Dutch-Angle Shot

A

Turns the camera diagonally to create a feeling of unbalance.

30
Q

Overhead (Bird’s Eye View)Shot:

A

Look down on the characters from above the top of their heads. If taken from a great height such as above the building tops, we may call it a bird’s eye view.

31
Q

Moving Shot:

A

Is any shot that moves the camera with the scene

32
Q

Steadicam

A

Is a counter-weighted rig that an operator carries

33
Q

Crane Shot

A

Is operated from a specialized crane to get a great height

34
Q

Zoom Shot

A

Uses a specialized LENS that is able to change its focal length mid-shooting so that a shot can become “tighter” or “looser” without moving the placement of the camera

35
Q

Vertigo Shot/Jaws Shot/Dolly Zoom Shot

A

Using a combination of a dolly and a zoom lens, Alfred Hitchcock popularized a stylized shot called the vertigo shot

36
Q

Pan

A

The camera turns right and left along the horizon from a single axis point

37
Q

Tilt

A

The camera moves up and down vertically from a single axis point

38
Q

Money Shot

A

a shot the that requires a tremendous amount of “production value” in monetary cost and/or work.

39
Q

Martini Shot

A

The final shot of the production day

40
Q

Abby Singer Shot:

A

Second to last shot of the day, named after a 1st AD who made a habit, as a matter of saving time, of calling “this and then one more”