Figures of Speech (Rhetoric) Flashcards

1
Q

Define the figure:

Alliteration

A

Using words that start with the same letter in a sentence.

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2
Q

Define the figure:

Polyptoton

A

Repeated use of one word as different parts of speech or in different grammatical forms.

Varied Case Usage

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3
Q

Define the figure:

Antithesis

A

Start with a simple statement, then add an unexpected inversion.

The basis formula of antithesis is “X is Y, and not X is not Y.”

Opposites for Contrast

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4
Q

Define the figure:

Merism

A

Where you don’t say what you’re talking about, and instead name all of its parts.

The Whole Divided into Parts

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5
Q

Define the figure:

Blazon

A

Making a list of the beloved’s body parts and attaching similes to them (a form of extended merism).

The Dismemberment of the Beloved

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6
Q

Define the figure:

Synaesthesia

A

A rhetorical device in which sense is described as another.

One Sense Describes Another

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7
Q

Define the figure:

Aposiopesis

A

Trailing off. In English, it means use of ellipses or an em dash.

Sudden Silence (Ellipses/Em dash)

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8
Q

Define the figure:

Hyperbaton

A

Putting words in an odd order.

Unexpected Word Order

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9
Q

Define the figure:

Anadiplosis

A

Taking the last word of a clause and making it the first word in the next clause.

Reduplicated Word

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10
Q

Define the figure:

Periodic Sentence

A

A big sentence that is not complete grammatically before the final clause or phrase.

Long, Suspenseful Sentence

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11
Q

Define the figure:

Hypotaxis

A

Writing with unnaturally long sentences, generally with an excess of subordinate clauses.

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12
Q

Define the figure:

Parataxis

A

Writing with short simple sentences.

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13
Q

Define the figure:

Diacope

A

A verbal sandwich: a word or phrase is repeated after a brief interruption.

Verbal Sandwich (ABA Unit, alt.: AABA unit)

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14
Q

Define the figure:

Rhetorical Question

A

A question that requires no answer, usually where the answer is too obvious to be stated.

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15
Q

Define the figure:

Erotesis

A

Type of rhetorical question.

A question that’s not really a question at all.

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16
Q

Define the figure:

Epiplexis

A

Type of rhetorical question.

A lament or insult asked as a question.

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17
Q

Define the figure:

Anacoenosis

A

Type of rhetorical question.

The sort of question where a particular audience will respond in a particular expected way, a leading question.

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18
Q

Define the figure:

Hypophora

A

Type of rhetorical question.

A rhetorical question that is immediately answered aloud, usually by the person who asked it.

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19
Q

Define the figure:

Catechism

A

Type of rhetorical question.

A series of questions and answers about religion that you need to memorize.

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20
Q

Define the figure:

Subjectio

A

Type of rhetorical question.

A series of questions asked by someone who already knows the answer, in a manner which asserts the asker’s authority and belittles the listener’s.

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21
Q

Define the figure:

Aporia

A

Type of rhetorical question.

A rhetorical question in which the questioner genuinely doesn’t know the answer.

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22
Q

Define the figure:

Unanswerable rhetorical question

A

Type of rhetorical question.

The sort where there is no answer, the sort where the questioner does not know the answer, does not expect anyone to know the answer, and does not expect to be informed.

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23
Q

Define the figure:

Procatalepsis

A

Type of rhetorical question

The arguer foresees a possible objection to his/her argument, asks a question posing the objection, and immediately answers it.

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24
Q

Define the figure:

Hendiadys

A

Take an adjective and a noun, and change the adjective into another noun.

Two for One

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25
Q

Define the figure:

Epistrophe

A

Ending sentences, phrases, or paragraphs with the same word or phrase.

End Refrain

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26
Q

Define the figure:

Tricolon

A

We see a pair and see a pattern. But add another word and get a tricolon.

Three in a Row (Rule of 3s)

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27
Q

Define the figure:

Epizeuxis

A

Repeating a word immediately in exactly the same sense.

Triplet (The No No No or Yes Yes Yes)

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28
Q

Define the figure:

Syllepsis

A

When one word is used in two (or more) incongruous ways.

Taking Together

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29
Q

Define the figure:

Isocolon

A

Two clauses or sentences that are grammatically parallel, two sentences that are structurally the same.

Parallelism

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30
Q

Define the figure:

Enallage

A

A deliberate grammar mistake.

Intentional Grammar Mistake

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31
Q

Define the figure:

Zeugma

A

A series of clauses which use the same verb.

Yoking Together

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32
Q

Define the figure:

Paradox

A

A seemingly absurd or self-contradictory statement or proposition.

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33
Q

Define the figure:

Veridical paradox

A

A phrase or statement that appears impossible, but is actually quite simple; i.e., a simple thought described in a surprising, paradoxical way.

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34
Q

Define the figure:

Pun paradox

A

Word play paradox.

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35
Q

Define the figure:

True paradox

A

A paradox that describes something impossible (except in language).

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36
Q

Define the figure:

Chiasmus

A

Where the words of the first half are mirrored in the second half.

Verbal Symmetry (ABBA)

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37
Q

Define the figure:

Assonance

A

Repeating a vowel sound.

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38
Q

Define the figure:

The Fourteenth Rule

A

Using numbers can make just about anything sound ancient, significant, and mysterious.

Numbers are Mysterious

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39
Q

Define the figure:

Catachresis

A

When a sentence is so startingly wrong that it’s right.

Strange Usage, Jazz Grammar

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40
Q

Define the figure:

Litotes

A

Affirming something by denying its opposite. It’s a form of understatement-by-negative.

Ironic Understatement

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41
Q

Define the figure:

Synecdoche

A

The extreme form of metonymy, where you become one of your body parts. You are your feet, your lips, or your liver.

A Part Represents the Whole

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42
Q

Define the figure:

Historical synecdoche

A

A subset of synecdoches, where one part of the story stands for the whole things, not because it’s a symbol of it, but because it’s part of it.

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43
Q

Define the figure:

Metonymy

A

When two things are connected because they are really physically connected.

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44
Q

Define the figure:

Transferred epithets

A

When an adjective is applied to the wrong noun.

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45
Q

Define the figure:

Pleonasm

A

The use of unneeded words that are superfluous and unnecessary in a sentence that doesn’t require them.

Verbiage

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46
Q

Define the figure:

Tiny pleonasm

A

Unnecessary/ungrammatical extra words seeping in, making a subtle pleonasm.

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47
Q

Define the figure:

Lazy pleonasm

A

The fake sort of language that advertisers use, making language more redundant and content free than it otherwise would be.

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48
Q

Define the figure:

Literary pleonasm

A

Lovely pleonasm (excess verbiage) used for emphasis and amplification.

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49
Q

Define the figure:

Epanalepsis

A

When you end where you began a sentence (repetition of a word or phrase at the beginning and end of a sentence or clause to emphasize circularity).

Circularity

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50
Q

Define the figure:

Personification

A

The representation of an abstract quality in human form.

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51
Q

Define the figure:

Hyperbole

A

Exaggeration.

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52
Q

Define the figure:

Adynaton

A

An impossibility, which means “this is the case,” i.e., this is how it is.

The Never Ever Ever Statement

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53
Q

Define the figure:

Prolepsis

A

Using the pronoun before saying what it refers to.

The Pronoun Goes First

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54
Q

Define the figure:

Congeries

A

Latin for heap, and in rhetoric it applies to any piling of adjectives or nouns in a list.

Lengthy List

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55
Q

Define the figure:

Scesis Onomaton

A

Sentences without a main verb.

Verbless Sentence

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56
Q

Define the figure:

Anaphora

A

Starting every sentence with the same words.

Repeated Beginnings

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57
Q

Identify the figure from the definition:

Using words that start with the same letter in a sentence.

A

Alliteration

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58
Q

Identify the figure from the definition:

Repeated use of one word as different parts of speech or in different grammatical forms.

Varied Case Usage

A

Polyptoton

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59
Q

Identify the figure from the definition:

Start with a simple statement, then add an unexpected inversion.

The basis formula is “X is Y, and not X is not Y.”

Opposites for Contrast

A

Antithesis

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60
Q

Identify the figure from the definition:

Where you don’t say what you’re talking about, and instead name all of its parts.

The Whole Divided into Parts

A

Merism

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61
Q

Identify the figure from the definition:

Making a list of the beloved’s body parts and attaching similes to them (a form of extended merism).

The Dismemberment of the Beloved

A

Blazon

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62
Q

Identify the figure from the definition:

A rhetorical device in which sense is described as another.

One Sense Describes Another

A

Synaesthesia

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63
Q

Identify the figure from the definition:

Trailing off. In English, it means use of ellipses or an em dash.

Sudden Silence (Ellipses/Em dash)

A

Aposiopesis

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64
Q

Identify the figure from the definition:

Putting words in an odd order.

Unexpected Word Order

A

Hyperbaton

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65
Q

Identify the figure from the definition:

Taking the last word of a clause and making it the first word in the next clause.

Reduplicated Word

A

Anadiplosis

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66
Q

Identify the figure from the definition:

A big sentence that is not complete grammatically before the final clause or phrase.

Long, Suspenseful Sentence

A

Periodic Sentence

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67
Q

Identify the figure from the definition:

Writing with unnaturally long sentences, generally with an excess of subordinate clauses.

A

Hypotaxis

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68
Q

Identify the figure from the definition:

Writing with short simple sentences.

A

Parataxis

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69
Q

Identify the figure from the definition:

A verbal sandwich: a word or phrase is repeated after a brief interruption.

Verbal Sandwich (ABA Unit, alt.: AABA unit)

A

Diacope

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70
Q

Identify the figure from the definition:

A question that requires no answer, usually where the answer is too obvious to be stated.

A

Rhetorical Question

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71
Q

Identify the figure from the definition:

Type of rhetorical question.

A question that’s not really a question at all.

A

Erotesis

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72
Q

Identify the figure from the definition:

Type of rhetorical question.

A lament or insult asked as a question.

A

Epiplexis

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73
Q

Identify the figure from the definition:

Type of rhetorical question.

The sort of question where a particular audience will respond in a particular expected way, a leading question.

A

Anacoenosis

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74
Q

Identify the figure from the definition:

Type of rhetorical question.

A rhetorical question that is immediately answered aloud, usually by the person who asked it.

A

Hypophora

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75
Q

Identify the figure from the definition:

Type of rhetorical question.

A series of questions and answers about religion that you need to memorize.

A

Catechism

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76
Q

Identify the figure from the definition:

Type of rhetorical question.

A series of questions asked by someone who already knows the answer, in a manner which asserts the asker’s authority and belittles the listener’s.

A

Subjectio

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77
Q

Identify the figure from the definition:

Type of rhetorical question.

A rhetorical question in which the questioner genuinely doesn’t know the answer.

A

Aporia

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78
Q

Identify the figure from the definition:

Type of rhetorical question.

The sort where there is no answer, the sort where the questioner does not know the answer, does not expect anyone to know the answer, and does not expect to be informed.

A

Unanswerable rhetorical question

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79
Q

Identify the figure from the definition:

Type of rhetorical question

The arguer foresees a possible objection to his/her argument, asks a question posing the objection, and immediately answers it.

A

Procatalepsis

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80
Q

Identify the figure from the definition:

Take an adjective and a noun, and change the adjective into another noun.

Two for One

A

Hendiadys

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81
Q

Identify the figure from the definition:

Ending sentences, phrases, or paragraphs with the same word or phrase.

End Refrain

A

Epistrophe

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82
Q

Identify the figure from the definition:

We see a pair and see a pattern. But add another word and get this figure.

Three in a Row (Rule of 3s)

A

Tricolon

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83
Q

Identify the figure from the definition:

Repeating a word immediately in exactly the same sense.

A

Epizeuxis

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84
Q

Identify the figure from the definition:

When one word is used in two (or more) incongruous ways.

Taking Together

A

Syllepsis

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85
Q

Identify the figure from the definition:

Two clauses or sentences that are grammatically parallel, two sentences that are structurally the same.

Parallelism

A

Isocolon

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86
Q

Identify the figure from the definition:

A deliberate grammar mistake.

Intentional Grammar Mistake

A

Enallage

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87
Q

Identify the figure from the definition:

A series of clauses which use the same verb.

Yoking Together

A

Zeugma

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88
Q

Identify the figure from the definition:

A seemingly absurd or self-contradictory statement or proposition.

A

Paradox

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89
Q

Identify the figure from the definition:

A phrase or statement that appears impossible, but is actually quite simple; i.e., a simple thought described in a surprising, paradoxical way.

A

Veridical paradox

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90
Q

Identify the figure from the definition:

Word play paradox.

A

Pun paradox

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91
Q

Identify the figure from the definition:

A paradox that describes something impossible (except in language).

A

True paradox

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92
Q

Identify the figure from the definition:

Where the words of the first half are mirrored in the second half.

Verbal Symmetry (ABBA)

A

Chiasmus

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93
Q

Identify the figure from the definition:

Repeating a vowel sound.

A

Assonance

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94
Q

Identify the figure from the definition:

Using numbers can make just about anything sound ancient, significant, and mysterious.

Numbers are Mysterious

A

The Fourteenth Rule

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95
Q

Identify the figure from the definition:

When a sentence is so startingly wrong that it’s right.

Strange Usage, Jazz Grammar

A

Catachresis

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96
Q

Identify the figure from the definition:

Affirming something by denying its opposite. It’s a form of understatement-by-negative.

Ironic Understatement

A

Litotes

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97
Q

Identify the figure from the definition:

The extreme form of metonymy, where you become one of your body parts. You are your feet, your lips, or your liver.

A Part Represents the Whole

A

Synecdoche

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98
Q

Identify the figure from the definition:

A subset of synecdoches, where one part of the story stands for the whole things, not because it’s a symbol of it, but because it’s part of it.

A

Historical synecdoche

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99
Q

Identify the figure from the definition:

When two things are connected because they are really physically connected.

A

Metonymy

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100
Q

Identify the figure from the definition:

When an adjective is applied to the wrong noun.

A

Transferred epithets

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101
Q

Identify the figure from the definition:

The use of unneeded words that are superfluous and unnecessary in a sentence that doesn’t require them.

Verbiage

A

Pleonasm

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102
Q

Identify the figure from the definition:

Unnecessary/ungrammatical extra words seeping in, making a subtle pleonasm.

A

Tiny pleonasm

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103
Q

Identify the figure from the definition:

The fake sort of language that advertisers use, making language more redundant and content free than it otherwise would be.

A

Lazy pleonasm

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104
Q

Identify the figure from the definition:

Lovely pleonasm (excess verbiage) used for emphasis and amplification.

A

Literary pleonasm

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105
Q

Identify the figure from the definition:

When you end where you began a sentence (repetition of a word or phrase at the beginning and end of a sentence or clause to emphasize circularity).

Circularity

A

Epanalepsis

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106
Q

Identify the figure from the definition:

The representation of an abstract quality in human form.

A

Personification

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107
Q

Identify the figure from the definition:

Exaggeration.

A

Hyperbole

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108
Q

Identify the figure from the definition:

An impossibility, which means “this is the case,” i.e., this is how it is.

The Never Ever Ever Statement

A

Adynaton

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109
Q

Identify the figure from the definition:

Using the pronoun before saying what it refers to.

The Pronoun Goes First

A

Prolepsis

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110
Q

Identify the figure from the definition:

Latin for heap, and in rhetoric it applies to any piling of adjectives or nouns in a list.

Lengthy List

A

Congeries

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111
Q

Identify the figure from the definition:

Sentences without a main verb.

Verbless Sentence

A

Scesis Onomaton

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112
Q

Identify the figure from the definition:

Starting every sentence with the same words.

Repeated Beginnings

A

Anaphora

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113
Q

Identify the figure from the example:

“The barge she sat in, like a burnished throne,
Burned on the water. The poop was beaten gold,
Purple the sails, and so perfumèd that
The winds were lovesick with them. The oars were silver,
Which to the tune of flutes kept stroke, and made
The water which they beat to follow faster,
As amorous of their strokes.”

A

Alliteration

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114
Q

Identify the figure from the example:

“Curiosity killed the cat.”

A

Alliteration

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115
Q

Identify the figure from the example:

“A miss is as good as a mile.”

A

Alliteration

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116
Q

Identify the figure from the example:

“Don’t throw the baby out with the bathwater.”

A

Alliteration

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117
Q

Identify the figure from the example:

“She’s right as rain.”

A

Alliteration

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118
Q

Identify the figure from the example:

“It takes two to tango.”

A

Alliteration

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119
Q

Identify the figure from the example:

“Cool as a cucumber.”

A

Alliteration

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120
Q

Identify the figure from the example:

“Dead as a doornail.”

A

Alliteration

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121
Q

Identify the figure from the example:

The Pickwick Papers

A

Alliteration

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122
Q

Identify the figure from the example:

A Christmas Carol

A

Alliteration

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123
Q

Identify the figure from the example:

Sense and Sensibility

A

Alliteration

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124
Q

Identify the figure from the example:

Pride and Prejudice

A

Alliteration

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125
Q

Identify the figure from the example:

Where’s Waldo?

A

Alliteration

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126
Q

Identify the figure from the example:

“He knows which side of his bread is buttered.”

A

Alliteration

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127
Q

Identify the figure from the example:

“Ban the bomb.”

A

Alliteration

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128
Q

Identify the figure from the example:

“Burn your bra.”

A

Alliteration

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129
Q

Identify the figure from the example:

“Power to the people.”

A

Alliteration

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130
Q

Identify the figure from the example:

“It’s enough to get your goat.”

A

Alliteration

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131
Q

Identify the figure from the example:

“Please Please Me”

A

Polyptoton

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132
Q

Identify the figure from the example:

“Nothing you can do that can’t be done
Nothing you can sing that can’t be sung”

A

Polyptoton

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133
Q

Identify the figure from the example:

“Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove.”

A

Polyptoton

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134
Q

Identify the figure from the example:

“Is this the dagger that I see before me,
The handle towards my hand?”

A

Polyptoton

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135
Q

Identify the figure from the example:

“Grace me no grace, nor uncle me no uncle:
I am no traitor’s uncle; and that word “grace”
In an ungracious mouth is but profane.”

A

Polyptoton

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136
Q

Identify the figure from the example:

“But me no buts.”

A

Polyptoton

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137
Q

Identify the figure from the example:

“Give us this day our daily bread and forgive us our trespasses as we forgive those who trespass against us.”

A

Polyptoton

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138
Q

Identify the figure from the example:

“I have been a stranger in a strange land.”

A

Polyptoton

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139
Q

Identify the figure from the example:

“Piper, pipe that song again.”

A

Polyptoton

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140
Q

Identify the figure from the example:

“This one step for a man, one giant leap for mankind.”

A

Polyptoton, Antithesis

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141
Q

Identify the figure from the example:

“The well-bred contradict other people. The wise contradict themselves.”

A

Antithesis

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142
Q

Identify the figure from the example:

“If a man knows he’s a gentleman, he knows quite enough. If he is not a gentleman, whatever he knows is bad for him.”

A

Antithesis

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143
Q

Identify the figure from the example:

“Wicked women bother one. Good women bore one.”

A

Antithesis

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144
Q

Identify the figure from the example:

“Women represent the triumph of matter over mind; men represent the triumph of mind over morals.”

A

Antithesis

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145
Q

Identify the figure from the example:

“United we stand, divided we fall.”

A

Antithesis

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146
Q

Identify the figure from the example:

“Those who do, can; those who can’t, teach.”

A

Antithesis

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147
Q

Identify the figure from the example:

“Immature poets imitate; mature poets steal.”

A

Antithesis

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148
Q

Identify the figure from the example:

“To every thing there is a season, and a time to every purpose under the heaven:
A time to be born, and a time to die; a time to plant, and a time to pluck up that which is planted;
A time to kill, and a time to heal; a time to break down, and a time to build up;
A time to weep, and a time to laugh; a time to mourn, and a time to dance;
A time to cast away stones, and a time to gather stones together; a time to embrace, and a time to refrain from embracing;
A time to get, and a time to lose; a time to keep, and a time to cast away;
A time to rend, and a time to sew; a time to keep silence, and a time to speak;
A time to love, and a time to hate; a time of war, and a time of peace.”

A

Antithesis, Anaphora

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149
Q

Identify the figure from the example:

“It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way…”

A

Antithesis, Anaphora

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150
Q

Identify the figure from the example:

“Ladies and gentlemen”

A

Merism

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151
Q

Identify the figure from the example:

“Night and day”

A

Merism

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152
Q

Identify the figure from the example:

“Cannon to right of them, / Cannon to left of them, Cannon to the front of them”

A

Merism

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153
Q

Identify the figure from the example:

“I, ______, take you, ______, to be my wedded wife/husband, and I do promise and covenant, before God and these witnesses, to be your loving and faithful husband/wife, in plenty and want, in joy and in sorrow, in sickness and in health, as long as we both shall live.”

A

Merism

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154
Q

Identify the figure from the example:

“Loud colors”

A

Synaesthesia

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155
Q

Identify the figure from the example:

“Bright melodies”

A

Synaesthesia

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156
Q

Identify the figure from the example:

“Dark rumblings”

A

Synaesthesia

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157
Q

Identify the figure from the example:

“Silky voice”

A

Synaesthesia

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158
Q

Identify the figure from the example:

“Harmonious colors”

A

Synaesthesia

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159
Q

Identify the figure from the example:

“A gravelly voice”

A

Synaesthesia

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160
Q

Identify the figure from the example:

“Warm colors of a painting”

A

Synaesthesia

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161
Q

Identify the figure from the example:

“She smelled the way the Taj Mahal looks by moonlight.”

A

Synaesthesia

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162
Q

Identify the figure from the example:

“Music that stinks to the ear”

A

Synaesthesia

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163
Q

Identify the figure from the example:

“It smelled like victory.”

A

Synaesthesia

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164
Q

Identify the figure from the example:

“No, Percy, thou art dust
And food for…”

A

Aposiopesis

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165
Q

Identify the figure from the example:

“No, you unnatural hags,
I will have such revenges on you both,
That all the world shall… I will do such things…”

A

Aposiopesis

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166
Q

Identify the figure from the example:

“Clean your room or else.”

A

Aposiopesis

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167
Q

Identify the figure from the example:

“Have fire in this garret before night or—”

A

Aposiopesis

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168
Q

Identify the figure from the example:

“Speaking of the Devil…”

A

Aposiopesis

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169
Q

Identify the figure from the example:

“When in Rome…”

A

Aposiopesis

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170
Q

Identify the figure from the example:

“Out of the mouth of babes…”

A

Aposiopesis

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171
Q

Identify the figure from the example:

“Stone walls do not a prison make,
Nor iron bars a cage…”

A

Hyperbaton

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172
Q

Identify the figure from the example:

“Uneasy lies the head that wears the crown.”

A

Hyperbaton

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173
Q

Identify the figure from the example:

“We glory in tribulations also, knowing that tribulation worketh patience, and patience, experience, and experience, hope, and hope maketh man not ashamed.”

A

Anadiplosis

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174
Q

Identify the figure from the example:

“The love of wicked men converts to fear;
That fear to hate, and hate turns one or both
To worthy danger and deserved death”

A

Anadiplosis

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175
Q

Identify the figure from the example:

“For Lycidas is dead, dead ere his prime”

A

Anadiplosis

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176
Q

Identify the figure from the example:

“But O the heavy change now thou art gone,
Now thou art gone and never must return.”

A

Anadiplosis

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177
Q

Identify the figure from the example:

“The general who became a slave. The slave who became a gladiator. The gladiator who defied an emperor.”

A

Anadiplosis

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178
Q

Identify the figure from the example:

“If the soup had been as warm as the wine, and the wine as old as the fish, and the fish as young as the maid, and the maid as willing as the hostess, it would have been a very good meal.”

A

Anadiplosis, Periodic Sentence

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179
Q

Identify the figure from the example:

“This royal throne of kings, this sceptred isle,
This earth of majesty, this seat of Mars,
This other Eden, demi-paradise,
This fortress built by Nature for herself
Against infection and the hand of war,
This happy breed of men, this little world,
This precious stone set in a silver sea
Which serves it in the office of a wall
Or as a moat defensive to a house,
Against the envy of less happier lands,
This blessed plot, this earth, this realm, this England,
This nurse, this teeming womb of royal kings,
Feared by their breed and famous for their birth,
Renownèd for their deeds as far from home
For Christian service and true chivalry
As is the sepulchre in stubborn Jewry
Of the world’s ransom, blessèd Mary’s son.
This land of such dear souls, this dear, dear land,
Dear for her reputation through the world,
Is now leased out – I die pronouncing it –
Like to a tenement or pelting farm.”

A

Periodic Sentence, Congeries

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180
Q

Identify the figure from the example:

“Every breath you take,
Every move you make,
Every bond you break,
Every step you take,
I’ll be watching you.”
A

Periodic Sentence

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181
Q

Identify the figure from the example:

“Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her.”

A

Hypotaxis

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182
Q

Identify the figure from the example:

“Bond. James Bond.”

A

Diacope

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183
Q

Identify the figure from the example:

“Burn, baby, burn”

A

Diacope

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184
Q

Identify the figure from the example:

“Fly, my pretties, fly!”

A

Diacope

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185
Q

Identify the figure from the example:

“Events, my dear boy, events.”

A

Diacope

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186
Q

Identify the figure from the example:

“Crisis? What crisis?”

A

Diacope

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187
Q

Identify the figure from the example:

“You will, Oscar. You will.”

A

Diacope

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188
Q

Identify the figure from the example:

“From sea to shining sea”

A

Diacope

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189
Q

Identify the figure from the example:

“Sunday bloody Sunday”

A

Diacope

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190
Q

Identify the figure from the example:

“O Captain! My captain!”

A

Diacope

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191
Q

Identify the figure from the example:

“Human, all too human”

A

Diacope

192
Q

Identify the figure from the example:

“From harmony, from heavenly harmony…”

A

Diacope

193
Q

Identify the figure from the example:

“Beauty, real beauty ends where intellectual expression begins…”

A

Diacope

194
Q

Identify the figure from the example:

“Ignorance, Madam. Pure ignorance.”

A

Diacope

195
Q

Identify the figure from the example:

“A horse! A horse! My kingdom for a horse!”

A

Diacope

196
Q

Identify the figure from the example:

“Romeo, Romeo, wherefore art thou Romeo?”

A

Diacope

197
Q

Identify the figure from the example:

“Dead, dead, long dead,
And my heart is a handful of dust.”

A

Diacope

198
Q

Identify the figure from the example:

“Free at last. Free at last. Thank God almighty we are free at last.”

A

Diacope

199
Q

Identify the figure from the example:

“Love me. Love me. Say that you love me.”

A

Diacope

200
Q

Identify the figure from the example:

“To be or not to be.”

A

Diacope

201
Q

Identify the figure from the example:

“Shall I compare thee to a summer’s day?”

A

Erotesis (rhetorical question)

202
Q

Identify the figure from the example:

“And did those feet in ancient time
Walk upon England’s mountain green?”

A

Erotesis (rhetorical question), Synecdoche

203
Q

Identify the figure from the example:

“How cute is that koala?”

A

Erotesis (rhetorical question)

204
Q

Identify the figure from the example:

“What’s the point?”

A

Epiplexis (rhetorical question)

205
Q

Identify the figure from the example:

“Why go on?”

A

Epiplexis (rhetorical question)

206
Q

Identify the figure from the example:

“How could you?”

A

Epiplexis (rhetorical question)

207
Q

Identify the figure from the example:

“What’s a girl gotta do to get a piece of toast around here?”

A

Epiplexis (rhetorical question)

208
Q

Identify the figure from the example:

“What makes your heart so hard?”

A

Epiplexis (rhetorical question)

209
Q

Identify the figure from the example:

“Why died I not in the womb? Why did I not give up the ghost when I came out of the belly?”

A

Epiplexis (rhetorical question)

210
Q

Identify the figure from the example:

“Why, God, why?”

A

Epiplexis (rhetorical question), Diacope

211
Q

Identify the figure from the example:

“Did you have a brain tumor for breakfast?”

A

Epiplexis (rhetorical question)

212
Q

Identify the figure from the example:

“Who do you trust to run the economy?”

A

Anacoenosis (rhetorical question)

213
Q

Identify the figure from the example:

“Would you buy a used car from this man?”

A

Anacoenosis (rhetorical question)

214
Q

Identify the figure from the example:

“How do I love thee? Let me count the ways.”

A

Hypophora (rhetorical question)

215
Q

Identify the figure from the example:

“You ask, what is our policy? I will say: It is to wage war, by sea, land and air, with all our might and with all the strength that God can give us; to wage war against a monstrous tyranny, never surpassed in the dark and lamentable catalogue of human crime. That is our policy. You ask, what is our aim? I can answer in one word: Victory. Victory at all costs—Victory in spite of all terror—Victory, however long and hard the road may be, for without victory there is no survival.”

A

Hypophora (rhetorical question)

[also: Anaphora, Tricolon]

216
Q

Identify the figure from the example:

Jules: Describe what Marsellus Wallace looks like!
Brett: What?
Jules: Say ‘what’ again. Say ‘what’ again, I dare you, I double dare you motherfucker, say what one more Goddamn time!
Brett: H-H-He’s black…
Jules: Go on!
Brett: He’s bald…!
Jules: Does he look like a bitch?
Brett: What?
Jules: [shoots Brett in the shoulder] DOES HE… LOOK… LIKE A BITCH?
Brett: No!
Jules: Then why you tryin’ to fuck him like a bitch, Brett?
Brett: I didn’t…!
Jules: Yes, you did. Yes, you did, Brett! You tried to fuck him.
Brett: [gasping] No, no…
Jules: But Marcellus Wallace don’t like to be fucked by anybody except Mrs. Wallace.

A

Subjectio (rhetorical question)

217
Q

Identify the figure from the example:

“To be or not to be?”

A

Aporia (rhetorical question)

218
Q

Identify the figure from the example:

“Will you still love me tomorrow?”

A

Aporia (rhetorical question)

219
Q

Identify the figure from the example:

“Who’s that girl running around with you?”

A

Aporia (rhetorical question)

220
Q

Identify the figure from the example:

“How many years can a mountain exist
Before it is washed to the sea?
How many years can some people exist
Before they're allowed to be free?
How many times can a man turn his head
And pretend that he just doesn't see?”
A

Unanswerable rhetorical question

221
Q

Identify the figure from the example:

“Nice and hot”

A

Hendiadys

222
Q

Identify the figure from the example:

“Go and see”

A

Hendiadys

223
Q

Identify the figure from the example:

“Work out your salvation with fear and trembling”

A

Hendiadys

224
Q

Identify the figure from the example:

“For thine is the kingdom, and the power, and the glory”

A

Hendiadys

225
Q

Identify the figure from the example:

“Angels and ministers of grace defend us”

A

Hendiadys

226
Q

Identify the figure from the example:

“Sulphurous and tormenting flames”

A

Hendiadys

227
Q

Identify the figure from the example:

“The morn and liquid dew of youth”

A

Hendiadys

228
Q

Identify the figure from the example:

“The grace and blush of modesty”

A

Hendiadys

229
Q

Identify the figure from the example:

“The dead vast and middle of the night”

A

Hendiadys

230
Q

Identify the figure from the example:

“I have told you what I have seen and heard; but faintly, nothing like the image and horror of it”

A

Hendiadys

231
Q

Identify the figure from the example:

“Told by an idiot, full of sound and fury”

A

Hendiadys

232
Q

Identify the figure from the example:

“You saw her bathing on the roof.
Her beauty and the moonlight overthrew you.”

A

Hendiadys

233
Q

Identify the figure from the example:

“Government of the people, by the people, for the people, shall not perish from the earth”

A

Epistrophe

234
Q

Identify the figure from the example:

“A fine woman! A fair woman! A sweet woman!”

A

Epistrophe

235
Q

Identify the figure from the example:

“I’ll have my bond! Speak not against my bond!
I have sworn an oath that I will have my bond.”

A

Epistrophe

236
Q

Identify the figure from the example:

“Badges? We ain’t got no badges. We don’t need no badges! I don’t have to show you any stinkin’ badges!”

A

Epistrophe

237
Q

Identify the figure from the example:

“Yes we can.”

A

Epistrophe

238
Q

Identify the figure from the example:

“I’ll be all around in the dark. I’ll be everywhere. Wherever you can look—wherever there’s a fight so hungry people can eat, I’ll be there. Wherever there’s a cop beatin’ up a guy, I’ll be there. I’ll be in the way guys yell when they’re mad. I’ll be in the way kids laugh when they’re hungry and they know supper’s ready, and when the people are eatin’ the stuff they raise and livin’ in the houses they build, I’ll be there, too.”

A

Epistrophe

239
Q

Identify the figure from the example:

“Show men dutiful?
Why, so didst thou: seem they grave and learned?
Why, so didst thou: come they of a noble family?
Why, so didst thou: seem they religious?
Why, so didst thou.”

A

Epistrophe

240
Q

Identify the figure from the example:

“If you hold anything back, I’ll kill you. If you bend the truth, or I think you’re bending the truth, I’ll kill you. If you forget anything, I’ll kill you. In fact, you’re going to have to work very hard to stay alive, Nick. Now, do you understand everything I’ve said? Because if you don’t, I’ll kill you.”

A

Epistrophe

241
Q

Identify the figure from the example:

“A day may come when the courage of Men fails, when we forsake our friends and break all bonds of fellowship, but it is not this day. An hour of wolves and shattered shields when the Age of Men comes crashing down, but it is not this day! This day we fight!”

A

Epistrophe

242
Q

Identify the figure from the example:

“When I was a child, I spake as a child, I understood as a child, I thought as a child: but when I became a man, I put away childish things. For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known. And now abideth faith, hope, charity, these three; but the greatest of these is charity.”

A

Epistrophe

[also: Tricolon]

243
Q

Identify the figure from the example:

“Eat, drink, and be merry”

A

Tricolon

244
Q

Identify the figure from the example:

“Father, Son, and Holy Spirit”

A

Tricolon

245
Q

Identify the figure from the example:

“The Good, the Bad, and the Ugly”

A

Tricolon

246
Q

Identify the figure from the example:

“Truth, justice, and the American way”

A

Tricolon

247
Q

Identify the figure from the example:

“Lies, damned lies, and statistics”

A

Tricolon, Diacope

248
Q

Identify the figure from the example:

“Wine, women, and song”

A

Tricolon

249
Q

Identify the figure from the example:

“Ready, steady, go.”

A

Tricolon

250
Q

Identify the figure from the example:

“It’s a bird! It’s a plane! It’s Superman!”

A

Tricolon

251
Q

Identify the figure from the example:

“Life, liberty, and the pursuit of happiness”

A

Tricolon

252
Q

Identify the figure from the example:

“Friends, Romans, countrymen”

A

Tricolon

253
Q

Identify the figure from the example:

“Mad, bad, and dangerous to know”

A

Tricolon

254
Q

Identify the figure from the example:

“We few, we happy few, we band of brothers”

A

Tricolon, Diacope

255
Q

Identify the figure from the example:

“Of graves, of worms and epitaphs”

A

Tricolon

256
Q

Identify the figure from the example:

“Liberté, égalité, fraternité”

A

Tricolon

257
Q

Identify the figure from the example:

“Government of the people, by the people, for the people”

A

Tricolon

258
Q

Identify the figure from the example:

“Blood, sweat, and tears”

A

Tricolon

259
Q

Identify the figure from the example:

“Location. Location. Location.”

A

Epizeuxis

260
Q

Identify the figure from the example:

“Action. Action. Action.”

A

Epizeuxis

261
Q

Identify the figure from the example:

“Simple. Simple. Simple.”

A

Epizeuxis

262
Q

Identify the figure from the example:

“Education. Education. Education.”

A

Epizeuxis

263
Q

Identify the figure from the example:

“Weak! Weak! Weak!”

A

Epizeuxis

264
Q

Identify the figure from the example:

“No. No. No.”

A

Epizeuxis

265
Q

Identify the figure from the example:

“Oh, horror, horror, horror”

A

Epizeuxis

266
Q

Identify the figure from the example:

“Howl! Howl! Howl! Howl!”

A

Epizeuxis

267
Q

Identify the figure from the example:

“And my poor fool is hanged.—No, no, no life?
Why should a dog, a horse, a rat have life,
And thou no breath at all? Oh, thou’lt come no more,
Never, never, never, never, never.—
Pray you, undo this button. Thank you, sir.
Do you see this? Look on her. Look, her lips.
Look there, look there. O, O, O, O.”

A

Epizeuxis

268
Q

Identify the figure from the example:

“Monks! Monks! Monks!”

A

Epizeuxis

269
Q

Identify the figure from the example:

“Tomorrow and tomorrow and tomorrow
Creeps into this petty place.”

A

Epizeuxis

270
Q

Identify the figure from the example:

“Break, break, break,
On thy cold grey stones, O Sea!”

A

Epizeuxis

271
Q

Identify the figure from the example:

“Words, words, words”

A

Epizeuxis

272
Q

Identify the figure from the example:

“Another damned thick book! Always scribble, scribble, scribble! Eh, Mr. Gibson?”

A

Epizeuxis

273
Q

Identify the figure from the example:

“The horror! The horror!”

A

Epizeuxis

274
Q

Identify the figure from the example:

“Tiger, tiger, burning bright”

A

Epizeuxis

275
Q

Identify the figure from the example:

“Rage, rage against the dying of the light”

A

Epizeuxis

276
Q

Identify the figure from the example:

“Gone, gone again”

A

Epizeuxis

277
Q

Identify the figure from the example:

“My God, My God, why hast thou forsaken me?”

A

Epizeuxis

278
Q

Identify the figure from the example:

“A shocking affair occurred last night. Sir Edward Hopeless, as guest in Lady Panmore’s ball, complained of feeling ill, took a highball, his hat, his coat, his departure, no notice of his friends, a taxi, a pistol from his pocket, and finally his life. Nice chap. Regrets and all that.”

A

Syllepsis

279
Q

Identify the figure from the example:

“I’ve barely enough room to lay my hat and a few friends.”

A

Syllepsis

280
Q

Identify the figure from the example:

“Rend your heart, and not your garments”

A

Syllepsis

281
Q

Identify the figure from the example:

“Lose her heart or honor at a ball”

A

Syllepsis

282
Q

Identify the figure from the example:

“Stain her honor or a new brocade”

A

Syllepsis

283
Q

Identify the figure from the example:

“Here Thou, great Anna! whom three Realms obey,
Dost sometimes Counsel take—and sometimes Tea.”

A

Syllepsis

284
Q

Identify the figure from the example:

“Mr. Pickwick took his hat and his leave.”

A

Syllepsis

285
Q

Identify the figure from the example:

“He fell into a barrow, and fell asleep.”

A

Syllepsis

286
Q

Identify the figure from the example:

“Miss Bolo rose from the table considerably agitated, and went straight home, in a flood of tears and a sedan chair.”

A

Syllepsis

287
Q

Identify the figure from the example:

“Make love not war”

A

Syllepsis

288
Q

Identify the figure from the example:

“Covered themselves in dust and glory”

A

Syllepsis

289
Q

Identify the figure from the example:

“A robin redbreast in a cage
Puts all of Heaven in a rage”

A

Syllepsis

290
Q

Identify the figure from the example:

“Mirrors on the ceiling,
The pink champagne on ice”

A

Syllepsis, Isocolon

291
Q

Identify the figure from the example:

“Float like a butterfly, sting like a bee”

A

Isocolon

292
Q

Identify the figure from the example:

“Where I’m going, you can’t follow. What I’ve got to do, you can’t be any part of.”

A

Isocolon

293
Q

Identify the figure from the example:

“As Caesar loved me, I weep for him. As he was fortunate, I rejoice at it. As he was valiant, I honor him. But, as he was ambitious, I slew him. There is tears for his love, joy for his fortune, honor for his valor, and death for his ambition.”

A

Isocolon

294
Q

Identify the figure from the example:

“Let every nation know, whether it wishes us well or ill, that we shall pay any price, bear any burden, meet any hardship, support any friend, oppose any foe to assure the survival and the success of liberty.”

A

Isocolon

295
Q

Identify the figure from the example:

“Marry in haste, repent in leisure.”

A

Isocolon

296
Q

Identify the figure from the example:

“Thy kingdom come, thy will be done.”

A

Isocolon

297
Q

Identify the figure from the example:

“In defeat, unbeatable; in victory, unbearable.”

A

Isocolon

298
Q

Identify the figure from the example:

“Ashes to ashes, dust to dust.”

A

Isocolon

299
Q

Identify the figure from the example:

“You pays your money and takes your choice.”

A

Enallage

300
Q

Identify the figure from the example:

“…the manager’s boy put his insolent black head in the doorway, and said in a tone of scathing contempt—’Mistah Kurtz—he dead.’”

A

Enallage

301
Q

Identify the figure from the example:

“We was robbed.”

A

Enallage

302
Q

Identify the figure from the example:

“Let us go then, you and I”

A

Enallage

303
Q

Identify the figure from the example:

“Love me tender”

A

Enallage

304
Q

Identify the figure from the example:

“Do not go gentle into that good night”

A

Enallage

305
Q

Identify the figure from the example:

“Hope springs eternal in the human breast”

A

Enallage

306
Q

Identify the figure from the example:

“For contemplation he and valour formed,
For softness she and sweet attractive grace;
He for God only, she for God in him.”

A

Zeugma

307
Q

Identify the figure from the example:

“He works his work; I mine.”

A

Zeugma

308
Q

Identify the figure from the example:

“The good end happily and the bad unhappily. That is what fiction means.”

A

Zeugma

309
Q

Identify the figure from the example:

“Can the Ethiopian change his skin, or the leopard his spots?”

A

Zeugma

310
Q

Identify the figure from the example:

“In this world there are only two tragedies. One is not getting what one wants, and the other is getting it.”

A

Veridical paradox

311
Q

Identify the figure from the example:

“There is only one thing worse than being talked about, and that is not being talked about.”

A

Veridical paradox

312
Q

Identify the figure from the example:

“All men become like their mothers. That is their tragedy. No man does, and that is his.”

A

Veridical paradox

313
Q

Identify the figure from the example:

“We live in an age where unnecessary things are only necessities.”

A

Veridical paradox

314
Q

Identify the figure from the example:

“I must be cruel only to be kind.”

A

Veridical paradox

315
Q

Identify the figure from the example:

“Don’t It Make My Brown Eyes Blue”

A

Pun-paradox

316
Q

Identify the figure from the example:

“Labour isn’t working.”

A

Pun-paradox

317
Q

Identify the figure from the example:

“Back to the Future”

A

Pun-paradox

318
Q

Identify the figure from the example:

“People talking without speaking
People hearing without listening
People writing songs that voices never share
And no one dared
Disturb the sound of silence”
A

True paradox

319
Q

Identify the figure from the example:

“The first shall be the last, and the last shall be the first.”

A

True paradox, Chiasmus

320
Q

Identify the figure from the example:

“Tea for two and two for tea
Tea for you and you for me”

A

Chiasmus

321
Q

Identify the figure from the example:

“One for all and all for one”

A

Chiasmus

322
Q

Identify the figure from the example:

“Eat to live, not live to eat”

A

Chiasmus

323
Q

Identify the figure from the example:

“My mind on my money and money on my mind”

A

Chiasmus

324
Q

Identify the figure from the example:

“Money don’t make the man, but man am I making money”

A

Chiasmus

325
Q

Identify the figure from the example:

“You stood up for America. Now America must stand up for you.”

A

Chiasmus

326
Q

Identify the figure from the example:

“Whether we bring our enemies to justice, or justice to our enemies”

A

Chiasmus

327
Q

Identify the figure from the example:

“People the world over have always been more impressed by the power of our example than the example of our power.”

A

Chiasmus

328
Q

Identify the figure from the example:

“Mankind must put an end to war, or war will put an end to mankind.”

A

Chiasmus

329
Q

Identify the figure from the example:

“Let us never negotiate out of fear, but let us never fear to negotiate.”

A

Chiasmus

330
Q

Identify the figure from the example:

“Ask not what your country can do for you, but what you can do for your country.”

A

Chiasmus

331
Q

Identify the figure from the example:

“When the going gets tough, the tough get going.”

A

Chiasmus

332
Q

Identify the figure from the example:

“The Sabbath was made for man and not the man for the Sabbath.”

A

Chiasmus

333
Q

Identify the figure from the example:

“Judge not, lest ye be judged.”

A

Chiasmus

334
Q

Identify the figure from the example:

“Beauty is truth, truth beauty.”

A

Chiasmus

335
Q

Identify the figure from the example:

“The moving finger writes; and, having writ,
Moves on.”

A

Chiasmus

336
Q

Identify the figure from the example:

“Pleasure’s a sin, and sometimes sin’s a pleasure.”

A

Chiasmus

337
Q

Identify the figure from the example:

“All crime is vulgar, just as all vulgarity is crime.”

A

Chiasmus

338
Q

Identify the figure from the example:

“It’s not the men in my life, it’s the life in my men.”

A

Chiasmus

339
Q

Identify the figure from the example:

“I’ve been too fucking busy, and vice versa.”

A

Chiasmus [implied]

340
Q

Identify the figure from the example:

“Tomorrow to fresh woods and pastures new”

A

Chiasmus [grammatical]

341
Q

Identify the figure from the example:

“I see trees of green, red roses too.”

A

Chiasmus [grammatical]

342
Q

Identify the figure from the example:

“In Xanadu did Kubla Khan…”

A

Chiasmus, Assonance

[vowels: An—Ah—Oo—i—Ah—An]

343
Q

Identify the figure from the example:

“Beneath the thunders of the upper deep”

A

Chiasmus, Assonance

[vowels: Ee—e—u—e—o—e—u—e—ee]

344
Q

Identify the figure from the example:

“High as a kite”

A

Assonance

345
Q

Identify the figure from the example:

“How now, brown cow”

A

Assonance

346
Q

Identify the figure from the example:

“A stitch in time saves nine”

A

Assonance

347
Q

Identify the figure from the example:

“A cat has nine lives”

A

Assonance, The Fourteenth Rule

348
Q

Identify the figure from the example:

“Unlucky thirteen”

A

The Fourteenth Rule

349
Q

Identify the figure from the example:

“Lucky number seven.”

A

The Fourteenth Rule

350
Q

Identify the figure from the example:

“Auspicious eight.”

A

The Fourteenth Rule

351
Q

Identify the figure from the example:

“The answer to life, the universe, and everything is 42.”

A

The Fourteenth Rule, Tricolon

352
Q

Identify the figure from the example:

“Sixteen vestal virgins.”

A

The Fourteenth Rule

353
Q

Identify the figure from the example:

“Four-and-twenty blackbirds baked into a pie.”

A

The Fourteenth Rule

354
Q

Identify the figure from the example:

“Three blind mice.”

A

The Fourteenth Rule

355
Q

Identify the figure from the example:

“Fifteen men on a dead man’s chest.”

A

The Fourteenth Rule

356
Q

Identify the figure from the example:

“Seven days, seven nights, I saw that curse,
And yet I could not die.”

A

The Fourteenth Rule, Merism

357
Q

Identify the figure from the example:

“Like one that hath been seven days drowned
My body lay afloat;”

A

The Fourteenth Rule

358
Q

Identify the figure from the example:

“Nine Ringwraiths”

A

The Fourteenth Rule

359
Q

Identify the figure from the example:

“Seven Pillars of Wisdom”

A

The Fourteenth Rule

360
Q

Identify the figure from the example:

“I’ve stumbled on the side of twelve misty mountains
I’ve walked and I’ve crawled on six crooked highways
I’ve stepped in the middle of seven sad forests
I’ve been out in front of a dozen dead oceans
I’ve been ten thousand miles in the mouth of a graveyard
And it’s a hard, and it’s a hard, it’s a hard, and it’s a hard
And it’s a hard rain’s a-gonna fall”

A

The Fourteenth Rule

361
Q

Identify the figure from the example:

“Obviously Five Believers”

A

The Fourteenth Rule

362
Q

Identify the figure from the example:

“Fourth Time Around”

A

The Fourteenth Rule

363
Q

Identify the figure from the example:

“Love Minus Zero”

A

The Fourteenth Rule

364
Q

Identify the figure from the example:

“I will speak daggers to her, but use none.”

A

Catachresis

365
Q

Identify the figure from the example:

“Curiouser and curiouser”

A

Catachresis

366
Q

Identify the figure from the example:

“Thunderbirds are go”

A

Catachresis

367
Q

Identify the figure from the example:

“Dance Me to the End of Love”

A

Catachresis

368
Q

Identify the figure from the example:

“She lives on Love Street”

A

Catachresis

369
Q

Identify the figure from the example:

“Love in the First Degree”

A

Catachresis

370
Q

Identify the figure from the example:

“Bad Case of Loving You”

A

Catachresis

371
Q

Identify the figure from the example:

“What Time is Love?”

A

Catachresis

372
Q

Identify the figure from the example:

“Lay a whisper on my pillow”

A

Catachresis

373
Q

Identify the figure from the example:

“Bill Gates isn’t short of a bob or two.”

A

Litotes

374
Q

Identify the figure from the example:

“We are not amused.”

A

Litotes

375
Q

Identify the figure from the example:

“Lovely weather we’re having”

A

Litotes

376
Q

Identify the figure from the example:

“Oh, because you’d know all about being faithful”

A

Litotes

377
Q

Identify the figure from the example:

Washington [while in talks with Beijing…]

A

Metonymy

378
Q

Identify the figure from the example:

The White House [announced today…]

A

Metonymy

379
Q

Identify the figure from the example:

The British Crown [announced today…]

A

Metonymy

380
Q

Identify the figure from the example:

Wall Street

A

Metonymy

381
Q

Identify the figure from the example:

Green Berets

A

Metonymy

382
Q

Identify the figure from the example:

Redcoats

A

Metonymy

383
Q

Identify the figure from the example:

The [army’s] top brass

A

Metonymy

384
Q

Identify the figure from the example:

The Vatican

A

Metonymy

385
Q

Identify the figure from the example:

[You’re] a suit

A

Metonymy

386
Q

Identify the figure from the example:

[She’s] a skirt

A

Metonymy

387
Q

Identify the figure from the example:

Bums in seats

A

Synecdoche

388
Q

Identify the figure from the example:

Hungry mouths

A

Synecdoche

389
Q

Identify the figure from the example:

Hands on deck

A

Synecdoche

390
Q

Identify the figure from the example:

Their top brains

A

Synecdoche

391
Q

Identify the figure from the example:

“What immortal hand or eye
Could frame thy fearful symmetry?”

A

Synecdoche

392
Q

Identify the figure from the example:

“And what shoulder and what art
Could twist the sinews of thy heart?
And when that heart began to beat,
What dread hands and what dread feet?”

A

Synecdoche

393
Q

Identify the figure from the example:

“Was this the face that launched a thousand ships
And burnt the topless towers of Ilium?”

A

Historical synecdoche

394
Q

Identify the figure from the example:

The Boston Tea Party

A

Historical synecdoche

395
Q

Identify the figure from the example:

The storming of the Bastille

A

Historical synecdoche

396
Q

Identify the figure from the example:

The fall of the Berlin Wall

A

Historical synecdoche

397
Q

Identify the figure from the example:

Hungry eyes

A

Synecdoche, Transferred Epithet

398
Q

Identify the figure from the example:

Cheating hearts

A

Synecdoche, Transferred Epithet

399
Q

Identify the figure from the example:

Lying lips

A

Synecdoche, Transferred Epithet

400
Q

Identify the figure from the example:

“The man smoked a nervous cigarette.”

A

Transferred Epithet

401
Q

Identify the figure from the example:

“I lit a rather pleased cigarette.”

A

Transferred Epithet

402
Q

Identify the figure from the example:

“I balanced a thoughtful lump of sugar on the teaspoon.”

A

Transferred Epithet

403
Q

Identify the figure from the example:

“His eyes widened and an astonished piece of toast fell from his grasp.”

A

Transferred Epithet

404
Q

Identify the figure from the example:

“Gas! Gas! Quick, boys!—An ecstasy of fumbling,
Fitting the clumsy helmets just in time…”

A

Transferred Epithet

405
Q

Identify the figure from the example:

“The ploughman homeward plods his weary way”

A

Transferred Epithet

406
Q

Identify the figure from the example:

“The muttering retreats
Of restless nights in one-night cheap hotels
And sawdust restaurants with oyster-shells:”

A

Transferred Epithet

407
Q

Identify the figure from the example:

“I will lift up mine eyes unto the hills, from whence cometh my help”

A

Tiny pleonasm

408
Q

Identify the figure from the example:

“Personal friends”

A

Lazy pleonasm

409
Q

Identify the figure from the example:

“Added bonuses”

A

Lazy pleonasm

410
Q

Identify the figure from the example:

“Free gifts”

A

Lazy pleonasm

411
Q

Identify the figure from the example:

“Safe havens”

A

Lazy pleonasm

412
Q

Identify the figure from the example:

“Mutual cooperation”

A

Lazy pleonasm

413
Q

Identify the figure from the example:

“Prizes won”

A

Lazy pleonasm

414
Q

Identify the figure from the example:

“I saw it with my own two eyes”

A

Literary pleonasm

415
Q

Identify the figure from the example:

“Th’inaudible and noiseless foot of time”

A

Literary pleonasm

416
Q

Identify the figure from the example:

“How weary, stale, flat and unprofitable
Seem to me all the uses of this world.”

A

Literary pleonasm

417
Q

Identify the figure from the example:

“Oh, East is East, and West is West, and never the twain shall meet
Till Earth and Sky stand presently at God’s great Judgment Seat.”

A

Literary pleonasm

418
Q

Identify the figure from the example:

“Rose is a rose is a rose is a rose.”

A

Literary pleonasm

419
Q

Identify the figure from the example:

Duty calls

A

Personification

420
Q

Identify the figure from the example:

Money talks

A

Personification

421
Q

Identify the figure from the example:

Sleep beckons

A

Personification

422
Q

Identify the figure from the example:

Work phoned up

A

Personification

423
Q

Identify the figure from the example:

“O, beware, my lord, of jealousy;
It is the green-eyed monster which doth mock
The meat it feeds on;”

A

Personification

424
Q

Identify the figure from the example:

“Bold-faced Victory”

A

Personification

425
Q

Identify the figure from the example:

“Close-tongued Treason”

A

Personification

426
Q

Identify the figure from the example:

“Open-eyed Conspiracy”

A

Personification

427
Q

Identify the figure from the example:

“Fire-eyed Fury”

A

Personification

428
Q

Identify the figure from the example:

“The silver hand of Peace”

A

Personification

429
Q

Identify the figure from the example:

“Pale-faced Fear”

A

Personification

430
Q

Identify the figure from the example:

“The iron tongue of Midnight”

A

Personification

431
Q

Identify the figure from the example:

“Smoothed-face peace”

A

Personification

432
Q

Identify the figure from the example:

“That smooth-faced gentleman, tickling Commodity”

A

Personification

433
Q

Identify the figure from the example:

“Lean-faced Envy in her loathsome cave”

A

Personification

434
Q

Identify the figure from the example:

“But at my back I always hear
Time’s winged chariot hurrying near”

A

Personification

435
Q

Identify the figure from the example:

“Under the opening eyelids of the morn”

A

Personification

436
Q

Identify the figure from the example:

“I’ve been waiting for ages.”

A

Hyperbole

437
Q

Identify the figure from the example:

“If I’ve told you twice, I’ve told you a thousand times.”

A

Hyperbole

438
Q

Identify the figure from the example:

“A ton of money”

A

Hyperbole

439
Q

Identify the figure from the example:

“A flood of tears”

A

Hyperbole

440
Q

Identify the figure from the example:

“In fact, Miss Abigail Ardsley has practically all the potatoes in the world, except maybe a few left over for general circulation.”

A

Hyperbole

441
Q

Identify the figure from the example:

“He could have shadowed a drop of salt water from Golden Gate to Hong Kong without ever losing sight of it.”

A

Hyperbole

442
Q

Identify the figure from the example:

“Going to marry her? Impossible! You mean a part of her; he could not marry her all himself. It would be a case, not of bigamy but trigamy; there is enough of her to furnish wives for the whole parish. One man marry her!—it is monstrous! You might people a colony with her; or give an assembly with her; or perhaps take your morning’s walk round her, always provided there were frequent resting places, and you were in rude health. I once was rash enough to try walking round her before breakfast, but only got half way and gave it up exhausted. Or you might read the Riot Act and disperse her; in short, you might do anything but marry her!”

A

Hyperbole

443
Q

Identify the figure from the example:

“Will all great Neptune’s ocean wash this blood
Clean from my hand? No, this my hand will rather
The multitudinous seas incarnadine,
Making the green one red.”

A

Hyperbole

444
Q

Identify the figure from the example:

“And why do you look at the speck in your brother’s eye, but do not consider the plank in your own eye?”

A

Hyperbole

445
Q

Identify the figure from the example:

“When pigs fly”

A

Adynaton

446
Q

Identify the figure from the example:

“When hell freezes over”

A

Adynaton

447
Q

Identify the figure from the example:

“Get blood out of a stone”

A

Adynaton

448
Q

Identify the figure from the example:

“And again I say unto you, It is easier for a camel to go through the eye of a needle, than for a rich man to enter into the kingdom of God.”

A

Adynaton

449
Q

Identify the figure from the example:

“Build a worm fence round a winter supply of summer weather; catch a thunderbolt in a bladder; break a hurricane to harness; hang out the ocean on a grape-vine to dry; but never, sir, never for a moment delude yourself with the idea that you can beat Grant.”

A

Adynaton

450
Q

Identify the figure from the example:

“I’ll love you, dear, I’ll love you
Till China and Africa meet,
And the river jumps over the mountain
And the salmon sing in the street,

“I’ll love you till the ocean,
Is folded and hung to dry
And the seven stars go squawking
Like geese about the sky.”

A

Adynaton

[also, Diacope]

451
Q

Identify the figure from the example:

“Doubt thou the stars are fire;
Doubt that the sun doth move;
Doubt truth to be a liar;
But never doubt I love.”

A

Adynaton

452
Q

Identify the figure from the example:

“They fuck you up, your mum and dad.
They may not mean to, but they do.”

A

Prolepsis

453
Q

Identify the figure from the example:

“Nobody heard him, the dead man,
But still he lay moaning;”

A

Prolepsis

454
Q

Identify the figure from the example:

“About suffering they were never wrong,
The old Masters: how well they understood…”

A

Prolepsis

455
Q

Identify the figure from the example:

“They are not long, the weeping and the laughter,
Love and desire and hate;
I think they hate no portion in us after
We pass the gate.

“They are not long, the days of wine and roses,
Out of a misty dream
Our path emerges for a while, then closes
Within a dream.”

A

Prolepsis

456
Q

Identify the figure from the example:

“Earth has not anything to show more fair:
Dull would he be of soul who could pass by
A sight so touching in its majesty:
This City now doth, like a garment, wear
The beauty of the morning; silent, bare,
Ships, towers, domes, theatres, and temples lie
Open unto the fields, and to the sky;
All bright and glittering in the smokeless air.”

A

Prolepsis, Congeries

457
Q

Identify the figure from the example:

“Now the works of the flesh are manifest, which are these; Adultery, fornication, uncleanness, lasciviousness, Idolatry, witchcraft, hatred, variance, emulations, wrath, strife, seditions, heresies, Envyings, murders, drunkenness, revellings, and such like […] But the fruit of the Spirit is love, joy, peace, longsuffering, gentleness, goodness, faith, Meekness, temperance…”

A

Congeries

458
Q

Identify the figure from the example:

“The cloud-capp’d towers, the gorgeous palaces,
The solemn temples, the great globe itself”

A

Congeries

459
Q

Identify the figure from the example:

“’Sblood, you starveling, you elfskin, you dried neat’s tongue, you bull’s pizzle, you stockfish! O, for breath to utter what is like thee! You tailor’s-yard, you sheath, you bowcase, you vile standing tuck—”

A

Congeries

460
Q

Identify the figure from the example:

“Th’ expense of spirit in a waste of shame
Is lust in action; and till action, lust
Is perjured, murd’rous, bloody, full of blame,
Savage, extreme, rude, cruel, not to trust,”

A

Congeries

461
Q

Identify the figure from the example:

“Paralytic sycophants, effete betrayers of humanity, carrion-eating servile imitators, arch-cowards and collaborators, gang of woman-murderers, degenerate rabble, parasitic traditionalists, playboy soldiers, conceited dandies.”

A

Congeries, Scesis Onomaton

462
Q

Identify the figure from the example:

“Finders keepers.”

A

Scesis Onomaton

463
Q

Identify the figure from the example:

“London.”

A

Scesis Onomaton

464
Q

Identify the figure from the example:

“Implacable November weather.”

A

Scesis Onomaton

465
Q

Identify the figure from the example:

“Fog everywhere.”

A

Scesis Onomaton

466
Q

Identify the figure from the example:

“Space: the final frontier.”

A

Scesis Onomaton

467
Q

Identify the figure from the example:

“In War: Resolution.
In Defeat: Defiance.
In Victory: Magnanimity.
In Peace: Good Will.”

A

Scesis Onomaton

468
Q

Identify the figure from the example:

“Each to his own.”

A

Scesis Onomaton

469
Q

Identify the figure from the example:

“Like father, like son.”

A

Scesis Onomaton

470
Q

Identify the figure from the example:

“Sunset and evening star,
And one clear call for me!”

A

Scesis Onomaton

471
Q

Identify the figure from the example:

“Be near me when I fade away,
To point the term of human strife,
And on the low dark verge of life
The twilight of eternal day.”

A

Scesis Onomaton

472
Q

Identify the figure from the example:

“O eyes! No eyes, but fountains fraught with tears!
O life! No life, but lively form of death!
O world! No world, but mass of public wrongs,
Confused and filled with murder and misdeeds!
O Heavens!”

A

Scesis Onomaton, Anaphora

473
Q

Identify the figure from the example:

“We shall not flag or fail. We shall go on to the end. We shall fight in France, we shall fight on the seas and oceans, we shall fight with growing confidence and growing strength in the air, we shall defend our island, whatever the cost may be, we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender.”

A

Anaphora

474
Q

Identify the figure from the example:

“For I will consider my Cat Jeoffry.
For he is the servant of the Living God, duly and daily serving him.
For at the first glance of the glory of God in the East he worships in his way.
For is this done by wreathing his body seven times round with elegant quickness.
For then he leaps up to catch the musk, which is the blessing of God upon his prayer.
For he rolls upon prank to work it in.
For having done duty and received blessing he begins to consider himself.
For this he performs in ten degrees.
For first he looks upon his forepaws to see if they are clean.
For secondly he kicks up behind to clear away there.
For thirdly he works it upon stretch with the forepaws extended.
For fourthly he sharpens his paws by wood.
For fifthly he washes himself.
For sixthly he rolls upon wash.
For seventhly he fleas himself, that he may not be interrupted upon the beat.
For eighthly he rubs himself against a post.
For ninthly he looks up for his instructions.
For tenthly he goes in quest of food.
For having considered God and himself he will consider his neighbor.
For if he meets another cat he will kiss her in kindness.
For when he takes his prey he plays with it to give it a chance.
For one mouse in seven escapes by his dallying.
For when his day’s work is done his business more properly begins.
For he keeps the Lord’s watch in the night against the adversary.
For he counteracts the powers of darkness by his electrical skin and glaring eyes.
For he counteracts the Devil, who is death, by brisking about the life.
For in his morning orisons he loves the sun and the sun loves him.
For he is of the tribe of Tiger.
For the Cherub Cat is a term of the Angel Tiger.
For he has the subtlety and hissing of a serpent, which in goodness he suppresses.
For he will not do destruction if he is well-fed, neither will he spit without provocation.
For he purrs in thankfulness when God tells him he’s a good Cat.
For he is an instrument for the children to learn benevolence upon.
For every house is incomplete without him, and a blessing is lacking in the spirit.
For the Lord commanded Moses concerning the cats at the departure of the Children of Israel from Egypt.
For every family had one cat at least in the bag.
For the English Cats are the best in Europe.
For he is the cleanest in the use of his forepaws of any quadruped.
For the dexterity of his defense is an instance of the love of God to him exceedingly.
For he is the quickest to his mark of any creature.
For he is tenacious of his point.
For he is a mixture of gravity and waggery.
For he knows that God is his Saviour.
For there is nothing sweeter than his peace when at rest.
For there is nothing brisker than his life when in motion.
For he is of the Lord’s poor, and so indeed is he called by benevolence perpetually—Poor Jeoffry! poor Jeoffry! the rat has bit thy throat.
For I bless the name of the Lord Jesus that Jeoffry is better.
For the divine spirit comes about his body to sustain it in complete cat.
For his tongue is exceeding pure so that it has in purity what it wants in music.
For he is docile and can learn certain things.
For he can sit up with gravity, which is patience upon approbation.
For he can fetch and carry, which is patience in employment.
For he can jump over a stick, which is patience upon proof positive.
For he can spraggle upon waggle at the word of command.
For he can jump from an eminence into his master’s bosom.
For he can catch the cork and toss it again.
For he is hated by the hypocrite and miser.
For the former is afraid of detection.
For the latter refuses the charge.
For he camels his back to bear the first notion of business.
For he is good to think on, if a man would express himself neatly.
For he made a great figure in Egypt for his signal services.
For he killed the Icneumon rat, very pernicious by land.
For his ears are so acute that they sting again.
For from this proceeds the passing quickness of his attention.
For by stroking of him I have found out electricity.
For I perceived God’s light about him both wax and fire.
For the electrical fire is the spiritual substance which God sends from heaven to sustain the bodies both of man and beast.
For God has blessed him in the variety of his movements.
For, though he cannot fly, he is an excellent clamberer.
For his motions upon the face of the earth are more than any other quadruped.
For he can tread to all the measures upon the music.
For he can swim for life.
For he can creep.”

A

Anaphora

475
Q

Identify the figure from the example:

“Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards, and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards; fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little ‘prentice boy on deck. Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon, and hanging in the misty clouds.”

A

Anaphora

476
Q

Identify the figure from the example:

“What the hammer? What the chain?
In what furnace was thy brain?
What the anvil? What dread grasp
Dare its deadly terrors clasp?”

A

Anaphora