Features of the Novel Flashcards
1
Q
Summarise Lukacs’ key points on the novel
(3)
A
- ‘Novel is the epic of a world abandoned by God’
- ‘The novel seeks, by giving form, to uncover and construct the concealed totality of life’
- In novel characters have interior lives because of a disconnection between individual and meaning in world
- The novel’s hero ‘is the product of estrangement from the outside world’ ‘when interiority and adventure are forever divorced from one another
2
Q
Summarise Bakhtin’s key points on the novel
(5)
A
- The novel still evolving as a genre (why exciting)
- The novel should not be poetic
- ‘Hero not “heroic” - more well-rounded, containing both positive and negative characteristics
- Allow for character development
- ‘Novel should become for the contemporary world what the epic was for the ancient world’ - not reclaiming past, but be for current times
- Evolving flexibility in itself reflects modern times
- ‘Its stylistic three-dimensionality, which is linked with the multi-layered consciousness realised int the novel’
- Polyglossial (national languages aware of and illuminating each other)
- We don’t know the end of a novel
- Parodies other genres
- Based on personal experience - ‘to portray an event on the same time-and-value plane as ourselves and one’s contemporaries’
- ‘In a patriarchal social structure the ruling class does, in a certain sense, belong to the world of “fathers” and is thus separated from other classes by a distance that is almost epic’
- The future either ‘an essentially indifferent continuation of hte present, or as an end, a final destruction, a catastrophe’
3
Q
Summarise Ian Watt’s key points on the novel
(1)
A
- Novels not really manifestations of epics at all!