Faustus context/critics Flashcards

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1
Q

Foxe’s book of martyrs, protestant propaganda

Wittenberg= Centre of Protestant reform

A

Faustus= Protestant hero

Catholic church = ridiculed

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2
Q

Written in the 1590’s- Spanish Armada 1588

1592- published

A

Time of unsettlement

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3
Q

England was experiencing a reformation from Catholicism.

Catholic Church dominated Europe.

A

Religious change.

Faustus= Protestant

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4
Q

Blank verse used throughout-

Soliloquy- popular structure

A

Same style as Shakespeare

Establishes Faustus as an epic hero

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5
Q

Morality Play- To teach a lesson

A

Allows Marlowe to comment on religion

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6
Q

Marlowe was wanted for unrest less than 2 weeks before death in 1593
Accused of ‘diabolical atheism’ by a rival play wright
Kyd a suspected anti-immigrant rioter claimed Marlowe had ‘monstrous opinions’ which denied the divinity of christ

A

Comments on religion evident throughout

Critique of the Catholic church

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7
Q

Marlowe was the son of a shoemaker, working class background

A

Base of stock

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8
Q

Lollardy- proto protestant movement

Derogatory sly for the trouble makers

A

‘lollard’ when Faustus tricks the Pope

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9
Q

Deats/ Some critics state:

Marlowe’s drama, as relentless as classical tragedy, ends in a harrowing denouement

A

Faustus’ death, students wait in mourning black, audience encouraged to feel sympathy

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10
Q

(Ellis-Fermor)/ Some critics state:

Faustus is “the most nearly Satanic tragedy that can be found.”

A

‘Why, then, belike we must sin, and so consequently die.’
Convoluted, satanic logic, yet tragic due to consequence of death emphasised through use of end stop. Also use of caesuras = dramatic performance therefore positions him as a hero? Encourages audience to like him.

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11
Q

Cox/ Some critics

Believe that the ambiguity is intentional - view has shaped criticism in last quarter of C20th.

A

Deliberate ambiguity

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12
Q

Nicholas Brooke/ Some critics

Faustus is “burlesqued by Wagner and the clowns.”

A

Comedic scenes

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13
Q

Alison Findlay/Some critics:
female audience members would have particularly identified with Faustus who, like them, is bullied by a patriarchal authority figure and denied knowledge.

A

The Pope’s role

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