Exam [Pre Midterm portion] Flashcards

1
Q

Narrative structure

A

story
plot
character

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2
Q

visual (and audio)

A

mise en scene
cinematography
editing
sound

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3
Q

three distribution circuits

A

commercial, festival and educational

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4
Q

Man with A movie camera

A

Dziga Vertov (1920)
avante garde
jump cuts, dutch angles and stop motion animation

developed film editing techniques used today:
thematic editing (instead of two abstract shots, uses a common theme to bring them together [example is water ; multiple shots of water usage etc.] 

dismissed tradit. continuity editing, parralell editing= cuts made between similar concepts to convey simultaneous action. creating a connection.

Parralellism= graphic matches, man and machinery.

Kino-eye = ability to document events in the abscence of artificiality

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5
Q

Setting

A
not just background
set expectations about genre and story
creates atmosphere and mood
realism or not
studio set vs. on location
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6
Q

Costume and Hair and makeup

A

sets time
details about character( profession, status and personality)
offers clues about the role of the character

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7
Q

Standard three-point lightning

A
#1 Key light
#2 Fill light
#3 Back light
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8
Q

Black Girl

A

Directed by Ousmane Sembene (1966)

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9
Q

The shot

A

the shot is the basic element of filmaking

  • piece of film run through the camera
  • an uninterrupted run of the camera
  • an uninterrupted image on film
  • it is a unit of length and duration in time
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10
Q

Sequence vs. Scene

A
Sequence= a series of shots
Scene= a series of shots unified by time and space
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11
Q

Four basic feautures of Cinematography

A
  • framing
  • camera angle
  • depth of field
  • camera movement
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12
Q

Framing

A

Camera distance

  • extreme long shot
  • long shot [wide shot]
  • medium shot
  • close up
  • extreme close-up
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13
Q

Shot composition

A

1 shot, 2 shot

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14
Q

Four basic camera angles

A
  • eye level
  • low angle
  • high angle
  • dutch tilt [canted angle]
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15
Q

Depth[s] of field

A

shallow focus/narrow depth of field

Deep focus/ large depth of field

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16
Q

Camera movement

A
Pan
Tilt [grand budapest hotel]
dolly in and out
tracking [the shinning]
crane
17
Q

Tangerine

A

directed by Sean Baker, 2015`

18
Q

Editing [two main approaches]

A

continuity and montage editing

and then there’s elliptical or discontinuous editing

19
Q

Continuity editing

A

hollywood style, invisible editing, illusion of spatial and temporary unity, maintains versimilitude

[establishing shots, cutting on action, eyeline matching, shot reverse shot and the 180* rule]

20
Q

Monsoon Wedding

A

Mira Nair, 2001

21
Q

Montage

A

• Emphasizes dynamic, often discontinuous,
relationships between shots and the
juxtaposition of images to create ideas not
present in either shot by itself.
• Unlike continuity editing – we notice the cuts

22
Q

Daisies

A

Vera Chytilova, 1966

23
Q

Synchronous vs Asynchronous [sound and image]

A

Synchronous basically means that you can only execute one thing at a time. Asynchronous means that you can execute multiple things at a time and you don’t have to finish executing the current thing in order to move on to next one

24
Q

Diagetic and Non diagetic

A

Diegetic sound is a noise which has a source on-screen. They are noises which have not been edited in, for example dialogue between characters or footsteps. Another term for diegetic sound is actual sound. Non-diegetic sound is a noise which does not have a source on-screen, they have been added in

25
Q

parrelel and contrapuntal

A

Parallel sounds are sounds that match a scene, e.g. a happy scene will have happy music and laughter. Contrapuntal sounds are sounds that do not match the scene, e.g. a happy scene will have sinister music