exam paper 1: section a: reading non-fiction Flashcards
alterity
the state if being other, or different; otherness
nuanced
characterised by subtely or shades of meaning
polemic
a strong verbal or written cirticism which seeks to undermine the opposite position in a controversial debate
polyphony
an array of sounds (or voices) that are each as strong as eachother
hegemony
a group of people in a position of power or dominance.
western canon
the body of art, literature and music valued in the west.
metanarrative
a narrative account that experiments with or exlpores the idea of storytelling, often by drawing attention to itself
synthetic personalisation
addressing audiences as though they were individuals
epiphany
a sudden moment of realisation or revelation
lambast
criticize something harshly
how does morris use structure in the title of ‘Explorers or boys messing about? Either way,
taxpayer gets rescue bill’
it encapsulates the tone of the piece: unlike other
more objective accounts of the incident published elsewhere, there is a scathing
sarcasm in the rhetorical question which infantilises [makes them out to be children]
the two men.
it also quotes brook’s wife, and the minister of defence
what type of structure does article, ‘Explorers or boys messing about? Either way,
taxpayer gets rescue bill’ have
non-linear
passive case def
putting the object first in the sentence
example of the passive case in ‘Explorers or boys messing about? Either way,
taxpayer gets rescue bill’,
‘there was also some confusion about what exactly the men were trying to achieve
example of ironic distance in explorers or boys
’ ‘trusty helicopter’ ‘ - line 18
pejorative def
used as an insult
give three things of brooks’ wife
she gives the title of the text, she is referred to in the last line and they spent their honeymoon flying from alaska to chile
describe the title in the danger of a single story
‘danger’ foreshadows main argument in a cautionary tone, the danger of one narrative can lead to a cultural misunderstanding
danger of a single story: personal pronouns to plural
trying to create a sense of unity, inspiring, inclusive.
synthetic personalisation
danger of a single story: rhetorical devices
ethos, pathos, logos, persuasive and informative
how does adichie use ethos
to establish credibility and be modest or honest
antithesis def
a person or thing that is the direct opposite of someone or something else.
purpose of listing in danger of a single story
monotony, uninspiring
how does adichie use juxtaposition
to highlight the difference between her and the characters
how does adichie use pathos
humour “finish your food! dont you know? people like fide’s family have nothing.”
logos
shared experience
pathos
invoking pity
ethos
atmosphere, philosophy, ideaology
why does adichie include her own anecdotes and analogies
to show everyone can follow the narrative, and make those mistakes. she is trying to acoid being accusational/vindicative/patronizing and include herself
anaphora def
rhetorical device that consists of repeating a sequence of words at the beginnings of neighboring clauses
where does adichie use parallel structures
“no possibility of Africans being similar to her in any way, no possibiliy of feelings more complex than pity, no possibility of a connection as human equals.”
“stories can break the diginity of a people, but they can also repair that broken dignity”
juxtaposition
antithesis
stories can be empowering
theme
juxtaposition of great possibilites (line 75-77)
contrast - “paradise”
optimistic tone
collective pronouns
use of colon (line 27) to emphasise the importance that African stories saved adichie.