Exam Actual Flashcards

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1
Q

Who did NOT write in the vernacular

A

d’Vitry

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2
Q

Did Petrarch write in the vernacular?

A

Yes

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3
Q

chiastic stance in Greek statuary

A

Contraposto

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4
Q

The Italian term Trecento is often used to refer to

A

14th century

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5
Q

The piece of artwork that best summarized the Renaissance ideals of learning and intellectual inquiry is

A

Raphael’s School of Athens

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6
Q

The setting of Baccaccio’s Decameron is

A

plague-ridden Italy

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7
Q

The common people called them plague-boils. From these two parts of the body, the deadly swellings began in a short time to appear and to reach indifferently every part of the body. Then, the appearance of the disease began to change into black or livid blotches which showed up in many on the arms or thighs and in every other part of the body.

A

Boccaccio

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8
Q

Who wrote…

Ashamed at times, that your fair qualities,
Lady, are still unsaid by me in rhyme,
I think of when I saw you first, yon time,
Such that from thenceforth none beside can please,
But find the weight too heavy for my knees,
The work for my poor brushes too sublime;
Therefore the mind, that knows its power to climb,
In trying at the task, begins to freeze.
Of times ere now, I op’ed my lips to say,
But then my breath stopped short without effect,
Indeed, what voice could rise to such a height!
Of times I have begun to write some lay,
But then the pen, the hand, the intellect
Stopped, conquered at the entrance on the fight.

A

Petrarch

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9
Q

Who wrote…

He had good horses, yet was far from smart.
He wore a tunic made of coarse thick stuff,
Marked by his chainmail, all begrimed with rust,
Having just returned from an expedition,
And on his pilgrimage of thanksgiving.
With him there was his son, a young squire,
A lively knight-apprentice, and a lover, with hair as curly as if newly waved;
I took him to be twenty year of age.
In stature he was of an average length,
Wonderfully athletic, and of great strength.

A

Chaucer

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10
Q

Who developed the concept of linear perspective?

A

Brunelleschi

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11
Q

Michelangelo resisted painting the Sistine chapel because

A

he considered himself primarily a sculptor, not a painter

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12
Q

The establishment of the printing press served to

A

increase literacy and inspire new literary forms

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13
Q

Father of Humanism

A

Petrarch

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14
Q

In whose writings are humanist philosophies really explained?

A

Pico della Mirandola

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15
Q

Renaissance humanists placed great emphasis on the idea that

A

learning improves and ennobles people

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16
Q

Which of the following is not characteristic of Petrarchan sonnets?

-personification
-blazon
-conceit
-rhyme scheme
-foreshortening
-quatrain

A

foreshortening

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17
Q

Michelangelo’s David was

-a symbol of civic pride
-idealized figure
-example of the pagan tone of Florence
-all of the above

A

all of the above

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18
Q

Ars nova is a term that originally described

A

a new system of rhythmic notation

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19
Q

Why did the Church become critical of the use of elaborate musical settings in the service? (Select the one that is not true.)

The words of the liturgy were obscured.

Composers were often paid for their music, and the Church didn’t receive a portion of the royalties.

The traditional chant melodies were unrecognizable.

Elaborate polyphony distracted the minds of the congregation and tended to turn the Mass into a virtual concert.

A

composers were often paid for their music and the Church didn’t receive a portion of the royalities

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20
Q

Copernicus tried to prove that

A

planets orbit the sun

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21
Q

The first example of the 5 movements of the Ordinary of the Mass set polyphonically by a single composer was written by

A

Guillaume de Machaut

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22
Q

the practice of chromatically altering certain pitches in music performance during the Renaissance is known as

A

musica ficta

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23
Q

Josquin des Prez is known for his development of

A

4 voice motet

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24
Q

the music of Josquin des Prez is known for

-having different groupings of voices
-having music express the meaning of the words
-points of imitation
-being a bridge between the music of the Middle ages and the Renaissance
-all of the above

A

all of the above

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25
Q

Which of the following is NOT true regarding mensuarl notation, the European system of musical notation use from c. 1260 to 1600

-it evolved as a way to notate complex rhythms
-it was predicated on a single underlying musical pulse, the heartbeat
-it was based on various divisions of time called the modus, the tempus, and the prolatio
-it relied heavily on the 6 rhythmic modes as a shortcut for the notation

A

it relied heavily on the six rhythmic modes as a shortcut for the notation

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26
Q

Giotto is famous for his

A

frescoes

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27
Q

In Boticelli’s Birth of venus, Venus represents

A

the Classical ideal of the female figure

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28
Q

Which of the following is NOT a painting by Botticelli?

-La Primavera
-The Battle of San Romano
-The Birth of Venus
-Adoration of the Magi
-Venus and Mars

A

The Battle of San Romano

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29
Q

Why is Jan Van Eyck’s painting Giovanni Arnolfi and his Bride considered to be one of the greatest ever?

A

the mirror

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30
Q

The division of the Catholic Church during the late Medieval period that caused several claimants to the papacy is known as the

A

Great Schism

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31
Q

By using a secular song, L’Homme Armé, as the cantus firmus of a mass, Dufay

A

was doing something very common

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32
Q

Which of the following is a characteristic of Florentine Renaissance painting

-close observation of real people
-concern for precise perspective
-concern for psychological states of mind
-use of geometry in composition
-all of the above

A

all of the above!

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33
Q

The artist who worked both on St. Peter’s Basilica and the Medici Chapel was

A

Michelangelo

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34
Q

What was NOT a new feature of 14th century music

A

an intimate connection between poetry and music

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35
Q

Dufay wrote music for

A

the duomo in Florence

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36
Q

One of the effects of the Black Death on Europe was

A

inflation

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37
Q

One of the reasons Florence was the engine behind the Renaissance was

A

its importance as a center for trade and banking

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38
Q

Which of the following are characteristics of the Rucellai palace as a porto-typical Renaissance building?

-horizontally-oriented
-the arches, pilasters, and entablatures replicate the architectural elements of ancient Rome
-symmetry
-geometric patterns

A

all of the above

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39
Q

Which of the following is NOT a characteristic of Mannerism?

-disjointed space
-tense or overextended figures
-idealized proportions
-odd colors
-none of the above

A

idealized proportions

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40
Q

Duccio was a

A

painter

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41
Q

Machiavelli believed what two things about the church

A
  1. had no right to govern in politics
  2. should be restricted to the spiritual realm
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42
Q

The significance of Cimabue’s Crucifixion lies in

A

the attempt to show the weight and strain of the figure

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43
Q

The words tempus and prolatio are related to

A

rhythm and meter

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44
Q

Which of the following is not one of the three major literary works of the Trecento?

-Oration of the Dignity of Man
-The Decameron
-Divine Comedy
-Canterbury Tales

A

Oration of the Dignity of Man

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45
Q

After the power of the Medici declined, the cultural center of the Renaissance shifted from Florence to_____

A

Rome

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46
Q

Which of the following is an incorrect statement about Machaut’s music?

He planned the five divisions of the Ordinary as one musical composition rather than as separate pieces.

He composed music “from the top down,” meaning that the topmost voice is the most important voice, rather than the tenor voice is the most important.

He wrote secular music for various poetic formes fixes, like the ballade and the rondeau.

He was the first composer to write in a predominantly homophonic style, paving the way for later Renaissance composers to do the same.

A

He was the first composer to write in a predominantly homophonic style, paving the way for later Renaissance composers to do the same.

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47
Q

How did the Catholic church make is money?

-remittances of dues from sees around the world
-sale of relics to different churches
-sale of indulgences
-simony
-all of the above

A

all of the above

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48
Q

in which kind of mass are the movements linked primarily by sharing the same motive or opening phrase

A

motto mass

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49
Q

Which kind of mass has the same melody (usually borrowed) in the tenor voice in every movement?

A

cantus firmus mass

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50
Q

Boticelli’s adoration of the magi is note for the portrayal of

-platonic scholars in Florence
-the Holy Family in contemporary clothing
-the Medici family as Nativity characters
-the artist, a kind of self-portrait
-Aristotle and Michelangelo

A

-the Holy Family in contemporary clothing
-the Medici family as Nativity characters
-the artist, a kind of self-portrait

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51
Q

Which is true about wood cuts and prints?

-the stamp is made quickly and easily
-the artist makes a lot of money with prints
-artists can do a practice run
-prints advertise the artist’s work because they travel
-they are inexpensive to make

A

-the artist makes a lot of money
-artists can do a practice run
-prints advertise the artist’s work because they travel
-they are inexpensive to make

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52
Q

In 1517, Martin Luther publicly

A

attacked the Roman Catholic Church

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53
Q

T/F Prince Frederic of Saxony kidnapped Martin Luther and was instrumental in his excommunication.

A

False

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54
Q

Donatello’s David is significant because it was

A

-the first free-standing nude figure since Roman antiquity
-more pagan than biblical in spirit

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55
Q

Donatello’s St. Mary Magdalene represents

A

a meditation on faith and the ravages of life

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56
Q

The exaggerated artistic style that developed out of High Renaissance art is called

A

Mannerism

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57
Q

Fourteenth-century Italy artists

-looked to Classical models
-were not very good at perspective
-still had Byzantine influence
-began to paint in the International style
-all of the above

A

all of the above

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58
Q

How did Brunelleschi build the massive dome on the church of Santa Maria del Fiore in Florence? (select all that apply)

-he modeled it after the Hagia Sophia using pendentives
-He used interweaving bricks
-He used internal flying buttresses
-He built a dome within a dome

A

-He used interweaving bricks
-He built a dome within a dome

59
Q

Who won the competition to create the doors of the baptistery in Florence?

A

Lorenzo Ghiberti

60
Q

Which of the following are accomplishments, doctrines, or beliefs of Desiderius Erasmus?

-a corrected version of the Greek NT
-Christians should practice a humbler, purer, and more private faith
-The Praise of Folly
-The Church’s entire liturgical and intellectual apparatus is just rigamarole
-Handbook of a Christian Knight
-His comparative student of languages set the stage for generations of scholars
-Essays on Christianity
-Reading the classics improves a person’s character and faith
-all of the above

A

all of the above

61
Q

What was the 1572 St. Bartholomew’s Day Massacre

A

Catholics attacked Hugenots in Paris the day before the Protestant Prince Henry of Navarre married Catholic Margaret of Valois

62
Q

Which is NOT an accomplishment of Cosimo de Medici?
-He founded the Platonic Academy to study Greek language and philosophy
-He left a collection of sonnets comparable to Petrarch’s legacy
-He commissioned Donatello’s David
-He won many friends and had few enemies
-He was the Papal banker for several popes
-He donated money to Florence when the city coffers were empty

A

He left a collection of sonnets comparable to Petrarch’s legacy

62
Q

Which of the following were reforms that came of the Council of Trent?

-polyphony was finally banned after centuries of papal disgruntlement towards it
-pilgrimages were banned because they put too much strain on the poor
-the sale of indulgences was banned
-the doctrine of faith and good words was reaffirmed
-Bishops were required to live in their own dioceses
-the worship of saints, relics, and the Virgin Mary was banned

A

-the sale of indulgences was banned
-the doctrine of faith and good words was reaffirmed
-Bishops were required to live in their own dioceses

63
Q

Martin Luter

-adapted chants to chorale tunes
-instituted hymn singing to encourage a personal connection with God
-took secular songs and changed the words to sacred words
-translated the Latin mass into German
-all of the above

A

all of the above

64
Q

Which of the following influenced Machiavelli’s thinking?

-the Italian wars
-Soderini
-Pope Julius 2 and Cesare Borgia, the leader of the papal armies
-being exiled
-all of the above

A

all of the above

65
Q

Which of the following is NOT characteristic of High Renaissance music

-polyphony
-points of imitation
-text-driven music
-freer poetic forms
-changing meters
-composing to include extra-musical references
-all are characteristics of High Renaissance music

A

all are characteristics of High Renaissance music

66
Q

Which of the following is NOT a characteristic of Renaissance art?

-foreshortening
-atmospheric perspective
-incorporating scientific understanding into art
-using space to show the passage of time
-lots of clutter

A

lots of clutter

67
Q

Why did Durer make prints from wood cuts?

A

to make money

68
Q

T/F Secular music in the Renaissance was often in a homophonic style so that the text could be clearly understood, but there was also some secular music in a polyphonic style

A

True

69
Q

When someone depresses a key, metal hammers strike the strings

A

clavichord

70
Q

When someone depresses a key, plectra (hooks) rise up to pluck the strings

A

Harpsichord

71
Q

When someone depresses a key, a wind channel opens and blows through a pipe

A

organ

72
Q

William Byrd time period & birth country

A

Reformation, England

73
Q

John Dunstable time period & birth country

A

Early Renaissance, England

74
Q

Thomas Tallis time period & birth country

A

Reformation, Enlgnad

75
Q

Josquin des Prez time period & birth country

A

Early Renaissance
Franco-Flemish/Italy and France

76
Q

Guillaume de Machaut time period & birth country

A

Late Medieval, French

77
Q

Guillaume Dufay time period & birth country

A

Early Renaissance,
Francho-Flemish/Italy and France

78
Q

Giovanni Palestrina time period & birth country

A

Counter-Reformation, Italy

79
Q

Martin Luther time period & birth country

A

Reformation, Germany

80
Q

Leonin time period & birth country

A

Early Medieval, Paris

81
Q

Perotin time period & birth country

A

Early Medieval, Paris

82
Q

T/F The music of the Church of England was radically different from the music of the Catholic church

A

False

83
Q

What music is part of the Church of England? (select all that apply)?

-the Mass
-the Service
-anthems
-motets
-hymns (Martin Luther’s influence)
-madrigals
-psalms (John Calvin’s influence)

A

-the Service
-anthems
-hymns
-psalms

84
Q

T/F William Byrd was an organist from the late Renaissance

A

True

85
Q

How did Byrd get away with writing music in Latin during a time that the Church of England was the state religion?

-He paid a heavy fine for each piece that he wrote for the mass
-He had a good relationship with the queen, who looked the other way and didn’t prosecute
-He left the title page off his pieces so he didn’t draw attention to the language
-polyphony was hard to understand anyway, so people weren’t sure if the music was in Latin or Enlgish
-He composed robust organ accompaniment that obscured the singing

A

-He had a good relationship with the queen, who looked the other way and didn’t prosecute
-He left the title page off his pieces so he didn’t draw attention to the language
-polyphony was hard to understand anyway, so people weren’t sure if the music was in Latin or English

86
Q

William Byrd wrote

-both Protestant and Catholic church music
-both vocal and instrumental music
-madrigals
-all of the above

A

all of the above

87
Q

T/F El Greco was Spanish

A

false

88
Q

T/F El Greco had a hard time getting the religious and royal commissions he desired

A

True

89
Q

What Renaissance ideals are reflected in El Greco’s painting?

-bright colors
-his ability to tell a narrative in a single painting
-emotion on faces
-musculature and good anatomy in his painting
-all of the above

A

all of the above

90
Q

What is significant about The Burial of Count Orgaz?

-the entire life cycle (birth to death) is represented in the painting
-St. Augustine and St. Stephen miraculously appear at the burial of the count because he settled a debt for the Church
-the painting shows two events happening at once
-the painting is reminiscent of Michelangelo’s Last Judgment, which El Greco studied and admired
-the painting is a radical departure from El Greco’s “normal” style
-it suggest a visionary experience

A

-the entire life cycle (birth to death) is represented in the painting
-St. Augustine and St. Stephen miraculously appear at the burial of the count because he settled a debt for the Church
-the painting shows two events happening at once
-it suggest a visionary experience

91
Q

What kind of music did Josquin des Prez write?

-masses
-motets
-chansons
-troubadour songs

A

-masses
-motets
-chansons

92
Q

Author:
Imagine! The great generosity of God! The happiness of man! To man it is allowed to be whatever he chooses to be! As soon as an animal is born, it brings out of its mother’s womb all that it will ever possess. Spiritual beings from the beginning become what they are to be for all eternity. Man, when he entered life, the Father gave the seeds of every kind and every way of life possible. Whatever seeds each man sows and cultivates will grow and bear him their proper fruit. If these seeds are vegetative, he will be like a plant. If these seeds are sensitive, he will be like an animal. If these seeds are intellectual, he will be an angel and the son of God. And if, satisfied with no created thing, he removes himself to the center of his own unity, his spiritual soul, united with God, alone in the darkness of God, who is above all things, he will surpass every created thing. Who could not help but admire this great shape-shifter? In fact, how could one admire anything else?

A

Pico della Mirandola

93
Q

Author:
“What a piece of work is a man! How noble in reason, how infinite in faculty, in form and moving how express and admirable, in action how like an angel, in apprehension how like a god—the beauty of the world, the paragon of animals!”

A

William Shakespear

94
Q

Author:
Why does not the pope, whose wealth today is greater than the wealth of the richest Crassus, build the basilica of St. Peter with his own money rather than with the money of poor believers?

Unless I am convinced by the evidence of Scripture of by plain reason—for I do not accept the authority of the Pope or the councils alone, since it is established that they have often erred and contradicted themselves—I am bound by the Scriptures I have cited and my conscience is captive to the Word of God. I cannot and will not recant anything, for it is neither safe nor right to go against conscience. God help me. Amen.

A

Martin Luther

95
Q

author:

Many of them work so hard at protocol and at traditional fastidiousness that they think one heaven hardly a suitable reward for their labors; never recalling, however, that the time will come when Christ will demand a reckoning of that which he had prescribed, namely charity, and that he will hold their deeds of little account. One monk will then exhibit his belly filled with every kind of fish; another will profess a knowledge of over a hundred hymns. Still another will reveal a countless number of fasts that he has made, and will account for his large belly by explaining that his fasts have always been broken by a single large meal. Another will show a list of church ceremonies over which he has officiated so large that it would fill seven ships.

A

Desiderius Erasmus

96
Q

Author:

Upon this a question arises: whether it be better to be loved than feared or feared than loved? It may be answered that one should wish to be both, but, because it is difficult to unite them in one person, is much safer to be feared than loved, when, of the two, either must be dispensed with. Because this is to be asserted in general of men, that they are ungrateful, fickle, false, cowardly, covetous, and as long as you succeed they are yours entirely; they will offer you their blood, property, life and children, as is said above, when the need is far distant; but when it approaches they turn against you. And that prince who, relying entirely on their promises, has neglected other precautions, is ruined; because friendships that are obtained by payments, and not by greatness or nobility of mind, may indeed be earned, but they are not secured, and in time of need cannot be relied upon; and men have less scruple in offending one who is beloved than one who is feared, for love is preserved by the link of obligation which, owing to the baseness of men, is broken at every opportunity for their advantage; but fear preserves you by a dread of punishment which never fails.

A

Niccolo Machiavelli

97
Q

a musical technique applying a repeating rhythmic pattern, called a talea, to a repeating melody in at least one voice part throughout a composition

A

Isorhythm

98
Q

awesomeness or emotional intensity of conception and execution in an artist or work of art, originally as a quality attributed to Michelangelo by his contemporaries

A

Terribilita

99
Q

strong, well-built figures with strong emotion but linear grace

A

Michelangelo-esque

100
Q

the notes you actually see in the score

A

Musica vera

101
Q

the practice of singing notes not actually written on the page of music

A

Musica ficta

102
Q

smokey haziness in blurred color that softens the outlines

A

sfumato

103
Q

strong light and dark contrasts

A

Chiaroscuro

104
Q

an existing melody used as the basis for a polyphonic composition

A

Cantus firmus

105
Q

changing the words but keeping the music

A

Contrafactum

106
Q

an alphanumeric code of assigning a numerical value to a name, word, or phrase based on its letters

A

Gematria

107
Q

A plucked stringed instrument used as a solo instrument, part of a small group or to accompany singers

A

lute

108
Q

a renaissance instrumental ensemble

A

consort

109
Q

a 14-line poem usually broken into an octave and a seset

A

sonnet

110
Q

melody and accompaniment, or all voices supporting the melody (which is the most important voice)

A

homophony

111
Q

several equal, independent melodic voices working together

A

polyphony

112
Q

the selling of church offices

A

simony

113
Q

words that are a reminder of death

A

memento mori

114
Q

a French secular song

A

Chanson

115
Q

a halo

A

Nimbus

116
Q

a step or platform on which an altar is placed

A

Predella

117
Q

showing something as closer than it is or taking up less horizontal space

A

foreshortening

118
Q

a point at which receding parallel lines seem to meet when represented in linear perspective

A

vanishing point

119
Q

forms in the distance have less clarity than forms in the foreground, creating 3-D off into the distance, often involves landscapes

A

atmospheric perspective

120
Q

applying paint to wet plaster, allowing the plaster to soak up the color

A

fresco

121
Q

a group of paintings meant to be seen together as one painting

A

polyptych

122
Q

a subject in Christian art depicting the Virgin Mary cradling the dead body of Jesus , most often found in sculpture

A

Pieta

123
Q

an iconic formula of the enthroned Madonna with the child Jesus, whether or not accompanied with angels and saints

A

Maesta

124
Q

a Christian belief in a state of sin in which humanity has existed since Adam and Eve partook of the forbidden fruit

A

Original sin

125
Q

the conception of the Virgin Mary free from original sin

A

immaculate conception

126
Q

the doctrine of Christ’s birth from a virgin

A

Virgin birth

127
Q

Renaissance theorist whose ideas about music resonated with humanist ideals

A

Tinctoris

128
Q

sculptor who did not want to paint the Sistine Chapel

A

Michelangelo

129
Q

fiery priest who ruled Florence for 4 years

A

Savonarola

130
Q

as sly as a fox and cunning as a lion

A

Machiavelli

131
Q

most important Christian humanist of the Renaissance

A

Desiderius Erasmus

132
Q

philosophies of humanism are summed up in his book “Oration on the Dignity of Man”

A

Pico della Mirandola

133
Q

medieval author considered the father of humanism; wrote sonnets

A

Petrarch

134
Q

Franco-Flemish composer who wrote for the duomo in Florence

A

Josquin des Prez

135
Q

conceived the mass as a whole

A

Mauchaut

136
Q

wrote about the ars nova

A

Philippe de Vitry

137
Q

Franco-Flemish composer who wrote for the duomo in Florence

A

Dufay

138
Q

composer with flowing, asymmetrical rhythms; chords withs 3rds and 6ths

A

Dunstable

139
Q

religious reformer in France

A

John Calvin

140
Q

pessimistic essays show a disdain for religious intolerance, hypocrisy, and self-righteousness

A

Montaigne

141
Q

perfection of polyphony

A

Palestrina

142
Q
A