Exam Flashcards
Post Impressionism was basically a rehashing of old impressionist concepts
False
Mary Cassatt was instrumental in getting cutting edge French impressionist and post impressionist works into the hands of wealthy American collectors
True
Edgar degas became a bitter recluse late in life
True
Monet painted in a pronouncedly blurry way due exclusively to his failing eyesight
False
Paul Gauguin was a great artist and absolute rectum of a human being who abandoned his wife and family, infected countless young Tahitian girls with syphilis, and at the same time influenced and shaped many of the twentieth century’s great artists with his concepts and art
True
Edgar degas as well as being an great painter was also an accomplished and well respected pastel artist
True
George Seurat painted a large number of heroic sized canvases due to painting indoors rather than en plein aire throughout his long life span
False
Paul cezanne’s work will make a profound impact on Pablo Picasso and George braque’s revolutionary painting style known as cubism
True
Monet made some of his finest works as a result of the “crisis of Impressionism” of the late 1880’s and early 1890’s. It was during this time that he moved to giverny and started working in series
True
Eduardo Manet is considered to be by most art historians, “the father of modern art.”
True
James McNeil whistler named many of his paintings like musical composition titles
True
John singer Sargent was one of America’s best watercolorists
True
The people in Henry Toulouse-Lautrec’s paintings and drawings were always kind and happy scoundrels having a deviously good time
False
Broken color
The artist’s use of two or more pistaches of color put side by side to blend in the viewers eye
En plein aire
A term that means to execute a painting outside in the open air
Local color
The color of an object in the verbal sense
Optical color
The color of an object as it would be created mixing it with paint
Tube paints
Artist paints that come in portable collapsible containers
Paul Durand-Ruelle
The name of the French art dealer who championed the impressionist and post-impressionist artists
Post-Impressionism
An art movement similar to Impressionism but taking on a broader ranging content concerns including spiritual, romantic, and expressionistic concepts
Colorist
A painting organizational technique that uses a three to two to one ratio of prioritization with the three primary colors
Salon de refuse
An art exhibition first sanctioned by Napoleon 3rd for artists whose work was not accepted into the French academy’s official salon exhibition
Expressionism
An art technique where the materials themselves are used in such a way as to carry a strong emotional content of the work
Formalist
An artistic technique where the artist’s arrangements of the elements and principles of the work are the main concern to express the content of the work