Exam Flashcards

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1
Q

Franz Schubert’s personality

A

Was shy/modest but still had many friends

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2
Q

Franz Schubert’s style

A

Focused on small scale lieder/arts art songs

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3
Q

Schubert’s music

A

Poems as songs
Homophonic texture
Program music

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4
Q

Fanny Mendelssohn’s career

A

Female composers were considered amateurs

Published her music under Felix’s name

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5
Q

Fanny’s Music

A

Inspired by poems
Memorable melodies
Reflective

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6
Q

Robert and Clara Schumann’s relationship

A

Father opposed of their relationship so they wrote secret love letters to each other
Robert injured his hand so he couldn’t play anymore - so he became a critisist

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7
Q

Clara’s Lieder year

A

1840 - a lot of songs were made

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8
Q

Schumann’s Music

A

Literary references
Programatic
Piano pieces
Grouped together

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9
Q

Fryderek Chopin’s Skill

A

Piano Virtuoso
Collected folk music
Moved to Paris for the arts scene

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10
Q

Chopin’s Music

A

Short pieces

Waltz: ballroom

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11
Q

Chopin’s Left/Right

A

Left hand: varied and expressive

Right hand: technical with ornamentation

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12
Q

Franz Liszt

A

Piano virtuoso
Long and thin fingers - spanned 10 or more notes
Runs

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13
Q

Liszt’s career

A

Father worked at Esterhazy
Moved to Paris
Born: Hungary

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14
Q

Liszt’s Music

A

Experimentation with harmony
Technically difficult
Uses whole keyboard

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15
Q

Giuseppe Verdi’s life

A

Poor village
Wife and children all died
Nabucco - start of his career
15 operas over 11 years

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16
Q

Richard Wagner Career

A

Wrote his own liberettos
Human beings = grand ideas
Father of film music
Leitmotif

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17
Q

Johannes Brahms Career

A

Child prodigy
Folk music
Friends with Clara Schumann

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18
Q

Giacomo Puccini Career

A

Early modern, with elements from Romantic with Expressionism
Themes of realism
Western Themes

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19
Q

Igor Stravinsky

A

Teacher was Rimsky Korsakov
Music had violent and sexual nature
Bold, daring, dissonant, atonal

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20
Q

Arnold Schoenberg

A

Felt that tonality had been outlived
Invented atonality - a system without key
12 tone row - strict specific order

21
Q

Alban Berg

A

Pupil of Schoenberg
Atonal
Lyrical
Still emotional (romantic)

22
Q

Anton Weburn

A

Pupil of Schoenberg

Post WW1

23
Q

Berg’s Music

A
Sparse
No extra notes
Use of silence
Variety of timbres
Wide range of dynamics
24
Q

Bela Bartok

A

Nationalist composer

Ethnomusicology: immersed in a culture to study the music

25
Q

Bartok’s Music

A

Strict sonata form, with experimentation
Tonal and atonal
Small ensemble with small intruments

26
Q

Charles Ives

A

American nationalism

Invented Aural Collage: contrasting sounds/timbres and textures/layers overlapping

27
Q

Aaron Copland

A
American nationalism
Jazz
Rural American themes
Landscapes
Patriotic
28
Q

John Cage

A

Post war Avant-Garde
Chance & electroacoustic music
Non-standard instruments like prepared piano

29
Q

John Cage: Characteristics

A

Musical Happening

Tape Looping

30
Q

Philip Glass

A

Minimalism
Concert and film composer
Wall-to-wall film music
Extreme repetition

31
Q

Virtuosic Piano Technique

A

To be extremely skilled with piano

Octave stretches, runs, whole keyboard

32
Q

Virtuosic Piano Technique: EXAMPLE

A

Trancendental Étude - Liszt

33
Q

Gesamtkunkswerk

A

The total artwork

Not sacrificing the musical flow

34
Q

Gesamtkuntswerk: EXAMPLE

A

The Ring Cycle - Wagner

35
Q

Total Serialism

A

Complete control

Attacks/dynamics, duration/length added to every note

36
Q

Total Serialism: EXAMPLE

A

Structures - Boulez

37
Q

Musical Happening

A

All of the sounds surrounding us are part of the musical experience

38
Q

Musical Happening: EXAMPLE

A

Sonata 3 - John Cage

39
Q

Tape Loop

A

Alteration of tape recording

Usually consists of speech/dialogue, spoken by chance (newspaper)

40
Q

Tape Loop: EXAMPLE

A

Bird Cage - Cage

41
Q

Minimalism

A

Return of tonality
Extreme repetition
Use of synthesizers

42
Q

Minimalism: EXAMPLE

A

Koyaanisqatsi - Glass

43
Q

Industrial Revolution: Increased Efficiency

A

Agriculture: fertilizers, milk pasteurization

Mining: iron, steel, railways

Technology: telegraph, telephone, postal system, electricity

44
Q

Industrial Living: Life at the time

A

Increased standards of living
More people were moving to the city for work
- made the cities overcrowded
- London, England = dirty and polluted

45
Q

Industrial Revolution: The Music

A

Based on nature, exotic and foreign, nationalism (folk songs)

46
Q

Industrial Revolution: The Instruments

A

Piano: introduced iron, over stringing, increased volume

47
Q

Industrial Revolution: Themes in Music

A

Return to emotionalism
Complexity and faith
God and nature over reason and science

48
Q

Ives’ Aural Collage - Putnam’s Camp

A

Contrasting sounds/timbres and textures/layers overlapping each other

2 marching bands passing each other, playing different tunes

49
Q

Aural Collage: QUOTES FROM TEXTBOOK

A

“Flutes and trumpets play competing melodies”
“A swirl of melodies & rhythms”
“Yankee doodle”
“Conventional harmonies contrast with harsh introduction”