exam 4 Flashcards

1
Q

Characterized by harsh lines, a subdued palette, and for the most part, planar instead of linear…. Classical especially roman subject matter.

A

neoclassicism

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2
Q

medieval past, inner mind, nature, emotions/exotic

A

romanticism

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3
Q

most popular style of the day, derived subject matter from conventions established by the Academie Royale de Peinture et de Sculpture in Paris

A

Academic art

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4
Q

opposed academic art, subjects in everyday life using an optical approach. focus on modern life, critical on what is art?

A

Realism

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5
Q

advocated paining outdoors and chose to render subjects found in nature, atmosphere and light, local colors, modern subjects, plein air, loose brush strokes

A

impressionism

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6
Q

rebellion against what they considered fleeting impressions and disregard for traditional compositional elements, differing individual styles

A

postimpressionists

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7
Q

artists whose work were more emotional, expressive, and lading with symbolism. In their vibrant palettes and bravura brushwork, van Gogh and Gaugu

A

expressionism

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8
Q

a lyrical linearity, use of symbolism, rich ornamentation, and an overriding sense of the organic. Originated in England as part of arts and crafts movement

A

art nouveau

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9
Q

neo-classicism painter, official painter of the french revolution, and clothing designer, painted oath of horatio

A

Jacques-Louis David

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10
Q

father of the realist movement, used the term realism, painted stone breakers

A

Gustave Courbet

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11
Q

french modernist (realism), led transition from realism to impressionism, luncheon on the grass with Olympia, and Olympia

A

Edouard Manet

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12
Q

Georges Suerat’s a Sunday Afternoon on the Island….., composed small dabs or points of pure color

A

Pointillism

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13
Q

Based on Venus of Urbina, prostitute, reject art fair, looks straight at you Edouard Manet

A

Olympia

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14
Q

Dutch post impressionist, pushed towards expressionism,

A

Vincent Van Gogh

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15
Q

Nineteenth century sculpture, devoted his life to true to life forms, very realistic, the burghers of calais

A

Auguste Rodin

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16
Q

harsh non-descriptive color, bold linear patterning, a distorted form of perspective, grew out a desire for a direct form of expression, Africa,

A

fauvism

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17
Q

20th century The distortion of nature, a opposed to imitation of nature, to achieve a desired emotional effect, Die Brucke, and Der Blaue

A

German expressionism

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18
Q

Subjects are clear and direct, the bridge

A

Die Brucke

19
Q

explored the spiritual in their art with symbolism to ethereal

A

Der Blaue Reiter

20
Q

offspring of nineteenth-century influences, Cazene’s geometrization of nature

A

Cubism

21
Q

Considered the first phase of Cubism, focuses on structures and forms, in particular dissection and reassembling them

A

Analytic Cubism

22
Q

A new phase that began in 1912 artists constructed paintings, drawings, sculptures, from found or pre-made materials, collage

A

Synthetic cubism

23
Q

Introduced a a way of glorifying dynamism, the theory that force or energy is the basic principle of all phenomena, artists attempted to capture the energy of modern life through depiction of the movement of their subjects , experiment in abstraction, destroy museums,

A

futurism

24
Q

a 1916 international movement against reason, society, and traditional art. Nonsense term for art, mustache art

A

Dada

25
Q

Cultural movement in Harlem New York, conspicuous body of work

A

Harlem Renaissance

26
Q

artists largely practiced automatism (art without conscious control) works were mainly abstract

A

Biomorphic surrealism

27
Q

artists depicted recognizable scenes that had transformed into dreams or nightmares

A

Naturalistic Surrealism

28
Q

dutch neoplasticism, completely abstract work

A

De Stijil

29
Q

Wiemar school of arts and crafts, das staatliche bauhaus, these artists created designs that would shape much of the remaining two-thirds of the twentieth century

A

Bauhaus

30
Q

French impressionist painter known for bright colors

A

Henri Matisse

31
Q

driving force behind birth of Cubism

A

Pablo Picasso

32
Q

cubism and dada artist, mona lisa with mustache, Nude descending the stairs, synthetic cubism

A

Marcel Duchamp

33
Q

well known surrealist painter, the persistance of memory

A

Salvador Dali

34
Q

Two fridas, nationalistic, mixed heritage work

A

Frida Kahlo

35
Q

figurative art, dark street, people in restaurant

A

Nighthawks

36
Q

cubism, picasso, bombing of town

A

Guernica

37
Q

inspired by the urge to depict contemporary life and events rather than history

A

modernism

38
Q

general distrust of grand theories and ideologies as well as a problematical relationship with any notion of “art.”.

A

postmodernism

39
Q

spontaneity, gestural brushstrokes, nonobjective imagery, fields of intense color

A

abstract expressionism

40
Q

Action painting, sometimes called “gestural abstraction”, is a style of painting in which paint is spontaneously dribbled, splashed or smeared onto the canvas, …

A

action painting

41
Q

sought to reduce their ideas to their simplest forms

A

minimalism

42
Q

created a world in which cultures are no longer separate or distant

A

globalization

43
Q

consists of borrowed elements

A

appropriation