Exam 3 final Flashcards

1
Q
A

Diego Rivera, Detroit Industry, 1932–33

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2
Q
A

Frida Kahlo, Henry Ford Hospital, 1932

ex-voto

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3
Q
A

Willem de Kooning, Gotham News, 1955 (Abstract Expressionism)
action painting; Harold Rosenberg

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4
Q
A

Jackson Pollock, Number 30, 1950 (Autumn Rhythm), 1950 (Abstract Expressionism)
Clement Greenberg

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5
Q
A

Helen Frankenthaler, Mountains and Sea, 1952 (Abstract Expressionism)

soak-stain

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6
Q
A

Mark Rothko, White Center (Yellow, Pink, and Lavender on Rose), 1950 (Color Field
Painting)

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7
Q
A

Louise Nevelson, Dawn’s Wedding Chapel I, 1959

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8
Q
A

Robert Rauschenberg, Canyon, 1959

“combine” painting; John Cage

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9
Q
A

Jasper Johns, Flag, 1954–55
encaustic

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10
Q
A
Richard Hamilton, Hommage à Chrysler Corp., 1957 (Pop Art)
Independent Group (IG)
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11
Q
A

Roy Lichtenstein, Okay, Hot Shot, Okay! 1963 (Pop Art)
Ben Day

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12
Q
A

Morris Louis, Iris, 1954 (Post-Painterly Abstraction)

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13
Q
A

Frank Stella, Die Fahne Hoch! 1959

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14
Q
A

Tony Smith, Amaryllis, 1965 (Minimalism)

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15
Q
A

Robert Morris, Untitled (Tangle), 1967 (Process Art)

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16
Q
A

Michael Heizer, Double Negative, 1969–70 (Land Art)

17
Q
A

Christo and Jeanne-Claude, Running Fence, Sonoma and Marin Counties, California, 1972–76

18
Q
A

Bruce Nauman, Neon Templates of the Left Half of My Body Taken at Ten-Inch Intervals, 1966

(Conceptual Art)

19
Q
A

Yoko Ono, Cut Piece, 1965 (Fluxus)

20
Q
A

Nam June Paik and Charlotte Moorman, TV Bra for Living Sculpture, 1969 (Fluxus)

21
Q
A

Chris Burden, Trans-fixed, 1974 (Body Art)

22
Q
A

Wadsworth Jarrell, Revolutionary, 1971 (AfriCOBRA)

23
Q
A

Robert Colescott, Eat dem Taters, 1975

24
Q
A

Faith Ringgold, The Wake and Resurrection of the Bicentennial Negro, 1976
WSABAL (Women, Students, and Artists for Black Art Liberation), Where We At Black Women

25
Q
A

Sylvia Sleigh, Imperial Nude: Paul Rosano, 1973 (Feminism)
Linda Nochlin

26
Q
A

Miriam Schapiro, Anatomy of a Kimono, 1975 (Feminism)
femmage, Pattern & Decoration

27
Q
A

Louise Bourgeois, The Destruction of the Father, 1974 (Feminism)

28
Q
A

Sherrie Levine, Untitled (After Walker Evans #3, 1936), 1981 (Postmodernism)
appropriation

29
Q
A

Robert Moskowitz, The Thinker, 1982 (New Image Art)