Exam 3 Flashcards

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1
Q

psychoacoustics

A

the study of the perception of sound:

  • how we listen
  • our physiological responses
  • physiological impact of music and sound on the human nervous system
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2
Q

relationship between frequency and pitch

A

frequency = acoustic concept
pitch = physiological concept
-highly correlated with each other
-higher frequency = higher pitch

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3
Q

relationship between intensity and loudness

A

intensity (physical features of sound; dBSPL)
loudness (physiological response toward sound intensity)
-higher sound intensity = louder sound

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4
Q

3 auditory tasks

A
  1. auditory sensitivity (detection)
  2. auditory discrimination
  3. auditory identification (recognition)
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5
Q

auditory sensitivity

A

detection
don’t need to identify the sound, just the stimulus
need to hear sound to perceive it

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6
Q

auditory discrimination

A

when you have 2+ sounds, you have to decide if they are the same or different

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7
Q

auditory identification

A

recognition
identify meaning of speech and understand the meaning it carries
ex: speech recognition
most important task

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8
Q

psychoacoustic methods

A
  • method of limit
  • method of constant stimuli
  • scaling method
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9
Q

method of limit

A

how we measure the response to sound

  • ascending and descending; adaptive
  • fixed step size
  • threshold: average of reversals
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10
Q

ascending and descending factors in method of limit

A
  • ascending: start at a low level and bump up until a person can hear something (adaptive)
  • descending: start on a higher level and go down until the person can’t hear anything
  • some bias for descending bc the person has anticipation for the sound bc they have heard it before
  • ascending is more conservative bc they can be sure of a heard sound if they start with none-
  • do both–>combination of both gives a better threshold
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11
Q

fixed step size factors in method of limit

A

increasing or decreasing the sound by a fixed number every time
(5 dBSPL) 10–>15–>10–>15–>20

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12
Q

threshold/average of reversals factors in method of limit

A
  • reversal = point at which the direction of sound changes
  • point before and after the levels change
  • to get threshold, you need to average reversals
  • 7 reversals–>throw out first 3 and average remaining 4 to get reliable threshold
  • threshold % is based on up, down rules
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13
Q

method of constant stimuli

A
  • a # of stimuli ranging from rarely to almost always perceivable are presented one at a time and the subject responds to each stimuli (yes/no)
  • equal number of stimuli at each level
  • psychometric function–>plots % correct of auditory perception as a function of sound level
  • threshold: a certain % point; lowest sound level we can hear
  • measure at each level the % the listener gets correct–>usually creates an “S” shaped curve (curve is called psychometric function)
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14
Q

scaling method

A
  • direct scaling: directly establishes the correspondence between physical sounds and their perception (loudness and pitch)
  • ratio scale: compare target sound (given) to reference sound; used to tell how much louder the target is than the reference
  • magnitude scale: no reference sound provided; just how you perceive the sound–>1-10 loudness scale; based on personal experiences
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15
Q

audibility

A

sound that is loud enough to be heard; basic sound detection

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16
Q

threshold of audibility

A

the lowest level of sound that is detectable with a certain %

17
Q

factors influencing threshold of audibility

A
  • sound frequency
  • listening field: free field, inset earphone, headphone
  • sound duration: temporal integration–longer sound is more energy = easier to hear; capacity to integrate sound energy at longer time
18
Q

definition of frequency discrimination

A

our capacity to discriminate frequency change

lowest difference we can detect is 2Hz

19
Q

definition of intensity discrimination

A

our capacity to discriminate intensity change

20
Q

definition of duration discrimination

A

our capacity to discriminate duration change

21
Q

frequency discrimination threshold

A

just-noticeable difference
depends on signal frequency and sensation level
-higher frequency, threshold goes up

22
Q

duration (temporal) discrimination threshold

A

just-noticeable difference in signal duration

23
Q

intensity discrimination threshold

A

just-noticeable difference
depends on signal frequency and signal level
as intensity increases, it becomes easier to detect and threshold goes down

24
Q

masking definition

A

interference that one stimulus causes in the perception of another stimulus

25
Q

how to define amount of masking (masking efficiency)

A
  • amount of masking = performance in N (noise) - performance in Q (quiet)–>find the difference
  • depends on frequency and level of the signal and masker
26
Q

What can be a masker?

A

any unwanted sound

27
Q

tonal masker

A
  • sound that is a pure tone, such as a beep
  • signal and masker are both tones
  • masking efficiency is dependent on the intensity level and frequency of the tonal masker
28
Q

noise masker

A

any other noise such as static, white noise, background speech, etc that interferes with the signal

29
Q

psychoacoustic tuning curve (PTC)

A
  • our auditory perception is tuned to the signal frequency

- most efficient masker has frequency that is identical to signal frequency

30
Q

noise masking

A
  • noise masker: broadband
  • threshold: signal-to-noise ratio: signal level is how much above the noise level (signal level - noise level = ratio)
  • affected by signal frequency, noise frequency, and noise level
31
Q

auditory filter

A
  • everyone has their own auditory filter

- filters out extra noise in order to perceive signals better

32
Q

auditory filter bandwith

A
  • measured by a notch-noise method
  • equivalent rectangular bandwidth: the width of the rectangular shape–>convert triangle shape to rectangle with equal area
33
Q

how to measure loudness

A
  1. matching method: