Exam 3 Flashcards
describe the Baroque period
after the renaissance.
from 1600 through 1750.
Misshapen pearl or crough or imperfect pearl.
barque pearls- not perfectly spherical during this time.
what are typically misshapen?
baroque pearls
unlike modern perfectly spherical pearls: uneven and ROUGH
what is unity of mood?
when a baroque piece would usually express one CONTINUOUS mood
meant to appease and balance the effectious
- involves emotional state
define rhythm
rhythm- unity is conveyed through a continuity of rhythm
describe terraced music
- dynamic music
- sudden leaps in volume
-fluctuation in dynamics ALTERS the MOOD
-too much fluctuation can make the audience “seasick”
Johann Sebastian Bach
1685-1750
master composer and improviser of the Baroque style
from Germany and stayed there
master pipe organist
Lutheran
Bach did whatever he wanted
married his first cousin… weirdo
equal temperament
created by Bach (or someone close to him)
allows fixed-pitched instruments to play in all keys
tuning system we use today
overature
orchestra composition that informs the audience of the overall dramatic mood
castrati
“Alessandro Moreschi”
extremly wealthy, paid more than composers
speaclizaed male singavs whose voice is produced by castration (no nut surgery = no puberty, but many died from it) of the singer before puberty
—> physical, large barrel chest, characteristics
successful castrato lived like a king, “rockstars”
describe cantatas
- full congregation participates
- many taken from folk songs and catholic hymns
- instrumental accompaniment
- steady rhythm & usually one note per syllable
opera
- drama that is sung to orchestral accompaniment
began in Italy around 1600
entertainment for the UPPER class
***fusion of acting, music, poetry, dance, scenery, costumes, etc.
camerata (group of artisocrats)
began in Florance Italy
Camerata
-fellowship or society
-group of nobles and artists entertaining themselves
modeled after ancient Greek tragedy
greek tragedy
main influences of opera
librettist/dramatist
employs a composer & dramatist
person who writes the text
-the librettist WRITES the libretto
libretto
“the words”
voice types
opera employs speacial trained singers:
sopranos:
lyrics soprano- light voice, roles for grace & charm
dramatic soprano- full powerful voice
coloratura (soprano)- very high range, can execute rapid scales & trills and VIRTOUSTIC DISPLAY
tenors:
lyric tenor- same as a lyric soprano but in tenor range
dramatic tenor- smooth lryical voice
basso:
basso buffo- comic roles, can sng very fast, bouncy bass voice, “butler character”
basso profundo- very low range, pwerful, roles, calling for dignity —> father figure or GOD
opera seria
more serious
opera buffa
buffa- comic opera
aria
often the main attraction sung for solo voice
long-have a definite beginning, peak, and end
recitative
often lead into an aria vocal line that initiates the rhythms & pitch of speech/words are sung clearly & QUICKLY
—> carries the action forward & give information quickly
contratenor
male voice trained to sing on the range of a female contralto
used to replace roles of the castrati
—> new voice type
concerto
a composition for a solo instrument accompanied by an orchestra
concerto and concerto grosso
a concerto w/ more than one soloist
multiple movements
—> usually three: fast, slow, fast
cadenza
typically in last movement (of 3 or 4)
a solo passage the soloist plays during a concerto
rhythmically free
often virtuosic
improvised or notated
—> no orchestral background
Wagner
Richard Wagner
Leitmotif
a short musical idea (theme) that is associated w/ a person, object, or thought/emotion
can be altered in subtle ways to convey
—> hate “ low then high scoop” sound
—> villain
—>love of renunciation/death of love
—> jaws/dragons
—> alberioh’s
—> fate “high flat bar then low flat bar”
film score
Wagner set foundation
symphony No. 1 I. Allegro
Chevalier Saint-Georges
string quartet No. 3
Chevalier Saint-Georges
Adagio in F minor
Chevalier Saint-Georges