Exam #2 Study guide Questions Flashcards

1
Q

Name the Greek and Roman Architectural orders.

A
  1. Doric
  2. Ionic
  3. Corinthian
  4. Tuscan
  5. Composite
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2
Q
A

Doric order ~ 600 BCE

A) Triglyph

B) Metope

C) Fluted Shaft

D) Frieze

E) Entablature

F) Capital

G) No Base

*Has Pediment on Top Flat/Triangular

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3
Q
A

Ionic Order ~600 BCE

A) Entablature

B) Frieze with Relief

C) Capital with Volute Scrolls

D) Fluted Column/Shaft

E) Base

F) Pediment- Triangular uppermost portion

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4
Q
A

Corinthian Order ~450 BCE

A) Pediment

B) Entablature

C) Frieze

E) Fluted Column/Shaft

F) Base

*Top of column is capital with Acanthus leaves

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5
Q
A

Tuscan Order (Roman)

A) Unfluted Shaft (Wooden- Etruscans)

B) Base (unlike Doric)

C) Capital

D) Pediment

E) Frieze (continuous)

F) Entablature

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6
Q
A

Composite Order (Roman)

A) Frieze (continuous)

B) Entablature

C) Ornate Capital

D) Fluted Column

E) Pediment

E) Base

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7
Q

Archaic Greek Sculpture

A
  • c.600-480 BCE
  • Egyptian-like style (standing pose, proportions)
  • Life-sized Statues
  • Kouros (young male; naked) (Funerary Statue)
  • Kore (young female; clothed)
  • figures were more stylized and less realistic than those of the Classical period
  • Rigidly upright posture and tightly curled hair are characteristic of Archaic sculpture.
  • Bulging Eyes
  • Archaic Smile (forced smile)
  • Examples; New York Kouros, Anavysos Kouros, Peplos Kore
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8
Q

Transitional/Early Classic Greek Sculpture

A
  • Classical sculptors such as Polykleitos strove to create a sense of life in their figures through the accurate depiction of posture and musculature; canon (body= x7 heads), believed in mathematical formulas for perfection.
  • standards of harmony and proportion
  • Transitional or Early Classic c.480-450 BCE
  • “Severe style”- transition from the Archaic to the early Classical period. This style shows naturalism; more subdued and realistic departure from the Archaic. Subjects were on verge of emotional expression and poses that imply motion.
  • Examples; Kritian Boy, Charioteer of Delphi
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9
Q

Classical Period (Middle Classic)

A
  • c.450-400 BCE
  • Polykleitos of Argos The Canon; relationship of parts to one another.
  • basic unit of measure and ratio debated
  • contrapposto, cross-balancing
  • Example; Spear Bearer (Doryphoros) - Roman copy
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10
Q

contrapposto

A

an asymmetrical arrangement of the human figure in which the line of the arms and shoulders contrasts with while balancing those of the hips and legs.

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11
Q

Classical Period (Late Classic)

A
  • c.400-320 BCE
  • Contemplative expression
  • Non-athletic activity
  • More even weight distribution.
  • Different set of proportions by Lysippos; More slender bodies than Polykleitos’ canon and head 1/8 of body size
  • Example; The Scraper (Apoxyomenos) (Roman copy).
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12
Q

The Hellenistic Period

A
  • 320- 30 BCE
  • After the death of Alexander (323 BCE) the empire splits
  • Three powers: Macedonia and Greece, Egypt and Asia Minor
  • Pergamene style; greater naturalism and expressionism, Hellenistic sculptors placed more emphasis on motion and drama, exaggerating many Classical traits. Facial expressions and the folds of drapery are deeply carved, creating shadows
  • Examples; Laocoon and His Sons, Nike (Victory) of Samothrace
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13
Q

What are some Great Feats of Engineering used by the Romans?

A

roads, sewers, and aqueducts.

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14
Q

Roman Roads

A
  • Roman roads were straight and well made due to tool called groma; an instrument that had two pieces of wood nailed together to form a square cross with right-angles in all the corners. Each piece of wood had lead weights attached to the ends. When one lead weight from the same piece of wood lined up with the one in front of it, the surveyor knew that he had a straight line.
  • Actual building done by Roman soldiers
  • Roman roads were well used throughout the empire
  • they lasted for centuries
  • Had channels to prevent flooding
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15
Q

Roman Sewers

A
  • The Romans built public and private toilets found all over the empire.
  • toilets had well designed drainage systems to carry away the sewage.
  • miles of sewers that carried the waste to the river Tiber where it flowed out to sea. (Cloaca Maxima.)
  • recycled public bath water as part of the flow that flushed the latrines.
  • Terra cotta piping was used in the plumbing that carried waste water from homes.
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16
Q

Roman Aqueducts

A
  • The Romans constructed numerous aqueducts throughout the Empire
  • Brought water into cities and towns— from distant sources.
  • The water supplied public baths, latrines, fountains, and private households.
  • Aqueducts moved water through gravity alone, usually along a slight overall downward gradient within conduits(channel for conveying water) of stone, brick, or concrete, but sometimes through steeper gradients
  • Most conduits were buried beneath the ground and followed the contours of the terrain
  • obstructing peaks were circumvented or, less often, tunneled through
  • valleys or lowlands intervened, the conduit was carried on bridgework, or its contents fed into high-pressure lead, ceramic, or stone pipes and siphoned across
  • included sedimentation tanks, which helped reduce any water-borne debris
  • Most Roman aqueducts were flat-bottomed, arch-section conduits that ran 0.5 to 1 m beneath the ground surface
  • Conduits above ground level were usually slab-topped, made of a series of round arches.
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17
Q

Explain intuitive perspective (a type of linear perspective used by the Romans).

A
  • Romans used diagonal lines to give the illusion of a 3rd demention
  • intuitive perspective. objects are placed at an angle to the picture plane, but their linear elements don’t converge at a single point
  • Romans would never figure out (true) perspective.
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18
Q

Which sculpture demonstrates an innovation that would finally break the Egyptian hold on Greek style and send the Greeks off on their own path of discovery?

A
  • The Kritios boy belongs to the Late Archaic period and is considered the precursor to the later classical sculptures of athletes
  • accurate rendering of the lips and the austere expression that characterized the transitional, or “Severe” period (No Archaic smile)
  • a complete understanding of how the different parts of the body act as a system.
  • The statue moves away from the rigid and stiff pose of the Archaic style.
  • Kritios Boy presents a more relaxed and naturalistic pose known as contrapposto (counter balancing)
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19
Q

Etruscan artists excelled at producing monumental sculptures made of which material?

A
  • Clay (ex. Apolloof Veii)
  • Bronze (ex.Capitoline Wolf)
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20
Q

How was the Parthenon’s sense of harmony and balance created by its architects?

A
  • Mathematical ratio was used (x=2y+1 or4:9)
  • Optical illusions created harmony
  • Every stone had to be cut according to distorted specifications
  • Optical Illusions used to fake perfection:
    • straight columns look thinner in the middle; to counter this they made columns thicker in the middle.
    • Stylobate (continuous base supporting columns) curves upward in the center on all sides- also true for entablature to prevent saging in center
    • Outward Columns also lean inward slightly
    • Columns at corners have a diagonal inclination and are 2 inches thicker than the rest- thicker because surrounded by light which would make them appear thinner than rest.
    • Corner columns closer togther, middle columns farther apart
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21
Q

The exterior of the Colosseum is adorned with what type of columns?

A
  • Tuscan on the lowest story
  • Ionic on the middle story
  • Corinthian on the uppermost story
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22
Q

Discuss the function and use of the Roman catacombs.

A
  • vast subterranean networks of (galleries) passagewaysand chambers designed as cemetaries for burrying Christians and Jews and possibly others
  • Underground cemetary
  • Catacombs means “in the hollows”
  • Christianity was illegal- so christians met in the catacombs to worship and disscuss Jesus
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23
Q

Explain the cause of the rift created between the eastern and western portions of the Christian church in 726 CE.

A
  • also called the Great Schism and the Schism of 1054
  • happened ~ 700 CE
  • the break of communionbetween what are now the Roman Catholic Church and Eastern Orthodox churches
  • Church/Imperial concerns over christians worshipping icons/images; this violated the2nd commandment
    • Imperial (iconoclast) ban on holy images lead to Iconoclasm (breaking of images).
    • Emperor Leo III banned images
    • Eastern Roman Empire asked the Western (Roman catholic church) to do the same.
    • Roman catholics (Iconophiles) refused to do so stating that images helped them to convert and teach illiterate peoples around them
    • Dissagreement caused a schism between eastern orthodox and western roman catholic that would last for over a century.
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24
Q

What are the functions of Squinches and Pendentives?

A
  • Pendentives and squinches are architectural supports that bridge the difference between a square room and the curved dome that rises above it.
  • A squinch is a wedge that fits on the top corners of a square space. At the point where the dome’s bottom edge meets the room’s upper horizontal edges, four triangular-like wedges (often similar to a small bridge or arch) are placed in the corners. The four squinches turn the square into an octagon, which enables a dome to rest on top of it; tended to have a blocky, chunky appearance.
  • A pendentive also supports a dome but it’s more complicated, using geometry to create a series of curving and arched supports.Architects used four pendentives on the upper corners of a room, where they arched inward to meet the dome’s circular base. One of the earliest examples of pendentives can be found in Hagia Sophia, a structure in Istanbul, Turkey that was built around 537 AD.
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25
Q
A

Pantheon

  • Who: Commisioned by Hadrian, unknown architect.
  • When: ~120 CE
  • Where: Rome, Italy
  • Why: The original purpose of the building is unknown. Although the temple is dedicated to all Greek gods the scale and size of the temple emphasized power and Roman duty
  • How:
    • Columnar porch with 8 Corinthian columns, porch connected concrete drum,
    • covered by dome (142 ft in diameter and highth from floor), intersection 0f 2 circles-orb of the earth,
    • dome represented vault of the heavens,
    • built in different levels with different densities of concrete, thickness decreases upward toward oculus,
    • 29 ft. diameter Oculus is only light source.
    • Coffers used (sunken decorative panels) to lessen weight and also for design,
    • rosettes in each coffer?
    • marble veneer on walls and floor
  • Materials: Concrete, paint, marble
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26
Q

Why is Polykleitos’ Doryphorus (Spear Bearer) considered an important sculpture?

A
  • Polykleitos’ idea of a pefect male body made possible by mathematics
  • It was a demonstration piece on his Canon; it followed the principles of the cannon
  • Culmination of evolution in Greek statuary, from Archaic to Kritos boy to Riace warrior
  • Perfection as thought by Polykleitos
  • More pronounced contrapposto
  • Dynamic, showed motion
  • Removed tailbone, added more dramatic features, unlike kritos boy
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27
Q

What are the styles of Greek ceramics?

A
  • Proto-Geometric
  • Geometric
  • Archaic
    • Black-Figure
    • Red-Figure
  • White-Ground lekythos
28
Q
A

Proto-geometric

  • a style of Ancient Greek pottery led by Athens produced between roughly 1050 and 900 BC
  • the period of the Greek Dark Ages and the beginning of the Archaic period. After the collapse of the Mycenaean-Minoan Palace culture and the ensuing Greek Dark Ages
  • , the Protogeometric style emerged around the mid 11th century BCE as the first expression of a reviving civilization.
  • Following on from the development of a faster potter’s wheel, vases of this period are markedly more technically accomplished than earlier Dark Age examples.
  • The decoration of these pots is restricted to purely abstract elements and very often includes broad horizontal bands about the neck and belly and concentric circles applied with compass and multiple brush.
    • Many other simple motifs can be found, but unlike many pieces in the following Geometric style, typically much of the surface is left plain.
    • Appearance of specifically Greek style vase painting
29
Q
A

Geometric

  • a phase of Greek art, characterized largely by geometric motifs in vase painting, that flourished towards the end of the Greek Dark Ages, circa 900 BC – 700 BC.
  • center was in Athens, and from there the style spread among the trading cities of the Aegean.
  • The vases had various uses or purposes within Greek society, including, but not limited to, funerary vases and symposium vases.
  • more strict and simple design. There are horizontal, decorative bands that feature geometric shapes, including, but not limited to, concentric circles or semicircles.
  • Technological developments caused a new relationship between ornament and structure;
  • Narrative art and motifs
  • Usually amphoras
  • Human figures incorporated into designs
  • Mythical animals
  • Corinthians made the most geometric pottery
  • Stories on pottery came from phonecia
30
Q
A

Black-Figure

  • Archaic period
  • Red and black colors made by special firing technique
  • goes out of style by ~520 BCE
  • Black figures
  • Red background
  • colors are caused by oxidation and reduction techniques not glaze or paint.
  • Scratch through black to show red
  • Ex. Achillies and Ajax
  • Drawbacks: looks like a negative, not realistic, hard to create shadows, details pop out too much against black background, hard to see overlapping figures.
31
Q
A

Red figure

  • Archaic period
  • dominant for 120 years
  • easier than black figure to work with; make complex images
  • shows detail better
  • easier to make curved lines with brush rather than nail or stick
32
Q
A

White-Ground lekythos

  • Slip turns white during firing
  • Black-figure with tempura
  • Found in and on tombs and used in religious rituals
33
Q

What is a Caryatid?

A
  • a stone carving of a draped female figure,
  • used as a pillar to support the entablature of a Greek or Greek-style building.
  • Used at the parthenon and Acropolis at Athens.
  • Represented and gave the gods a feast.
34
Q

Mosaics are made up of thousands of small pieces of marble, ceramic and glass called what?

A

tesserae

35
Q

What role did Stoicism play in Roman culture and art?

A
  • Stoicism: all men equal in essence but not ability.
  • Austere, self-control, fortitude, calm, cool.
  • It also created the stoic look artist used to portray men in sculpture with a hard-focused look.
  • No expression. or calm expression
  • Ideal of what a man should be
36
Q

Compare and contrast Greek and Etruscan architecture?

A
  • Greek used stone and marble. Favored Ionic and doric style of columns. Used post and lintel for their construction. Colonnades were only around entire perimeter, three steps around the entire building, usually contains sculptures in pediments, metopes, and friezes. Also only had one roomed cellas.
  • Etruscan used sun dried brick, columns, wood added base to doric, clay, stone. Favored Corinthian style of columns. Used arches and domes for construction. Only has columns in the front, only has steps located in the front, usually contains sculptures on the roof. Also only had three roomed cellas.
37
Q

. What is the Ara Pacis Augustae and what was its purpose?

A
  • Altar dedicated to peace created in a relief.
  • To commemorate Augustus’ return from Spain and Gaul.
  • Focus for annual sacrifice for peace bought by Augustus.
  • An instrument of Propaganda symbolising a new age of peace and prosperity and fertility.
  • Alter for family members and the peace he brought.
38
Q

Greek buildings reveal their building material. In contrast, what do the exteriors of Roman buildings often show?

A
  • Roman buildings With the veneer on the outside and the concrete on the inside.
  • Another major difference between Greek and Roman architecture was the purpose behind the design. Greek architecture was meant to be viewed as a piece of art that would give pleasure to the gods. This was obvious in the ornate exteriors of the buildings; in the pediments and metopes and the relative drabness of the interiors.
  • The Greek designed buildings as a sculpture in a sense, with all of the beauty to be viewed from the outside. Roman architectural style turns this around. Although their buildings are beautiful on the outside, the inside is equally beautiful, with the many-colored walls and paintings , and a use of space concerned with the lighting of the room so that the interior decorations could be seen clearly.
  • Roman buildings were meant to be gathering placesfor the public- Conspicuous consumption
39
Q

The design emphasis on Roman houses was concentrated on which part of the building?

A

Inside. contain artwork, gardens, and fountains.

40
Q

Understand the uses of the round arch, barrel vault and groin vault

A
  • Arch eliminates vulnerable spots allowing you to be able to put more weight on top and spread the weight out., allows to build bigger openings because it can carry more weight.; but width and heigth must be the same.
  • Barrel vault is a tunnel/passage way
  • groin vult is two barrel vaults intersecting. more space w/out columns
41
Q

The forms of early Christian buildings from the time of Constantine onward were based on what classical prototypes?

A
  • Basilica, first Christian church,
    • central plan transformed to make church.
    • Rectangular Roman and round-domed structures called rotundas.
42
Q

Where did Constantine the Great move his capital?

A

Byzantium, renamed Constantinople

43
Q

Label the parts of a Greek temple.

A

A) Cella/Naos

B) Opisthodomos

C) Pronaos

D) Stylobate (level on which columns stand)

E) Peristyle (external colonade on all four sides)

F) Anta

G) Columns in antis

44
Q

Label the parts of the Pantheon

A

A) Stepped dome

B) Coffered ceiling

C) Oculus

D) Drum

E) Portico

F) Rotunda

45
Q

Label the parts of a basilica-plan

A

A) Apse

B)Transept

C) Aisle

D) Nave

E)Narthex

F) Atrium

46
Q

Label the parts of a centrally planned church

A

San Vitale

A) Domed octagon

B) Apse

C) Narthex

47
Q

Label the parts of a centrally planned church

A

Santa Costanza

A) Ambulatory

B) Columns

C) Narthex

48
Q

Compare and contrast the Doryphorus (Spear Bearer) and the Augustus of Primaporta.

A

Doryphorus

  • The sculpture of Doryphoros was sculpted in 440BC by a sculptor known as Polykleitos.
  • The sculpture is also known as the spear bearer and is a depiction of proportion and harmony of the human body.
  • The sculpture is of a man leaning on a spear.
  • sculpture has a firm, graceful and athletic body
  • constructed using strict mathematical principles, a reflection of the Greek fascination with nature and precision.
  • human body was perceived as nature’s epitome of perfection
  • Naked
  • Greek
  • Religious/ self expression

Augustus of Primaporta

  • emperor wears military regalia
  • right arm is outstretched, demonstrating that the emperor is addressing
  • Augustus Prima Porta is portrayed in the characteristic adlocutio stance
  • cupid riding on a dolphin
  • Augustus’ breastplate features gods pleased with victory over Parthians
  • barefooted, to show humility, on holy ground; always wore shoes especially when on the battlefield
  • sharp contrast to what would be expected from a military general
  • Short conservative hair
  • serious look
  • Non-naked
  • Roman
  • Political
49
Q

Why would Christianity be seen as subversive and a threat to Roman culture?

A
  • One God monotheistic
  • undermines conspicuous consumption.
  • Rome wasn’t a secular state. They were heavily influenced by their own religion and worship played a large part in their way of government.
  • The Emperor of Rome was a divine entity
  • Roman Senate had multiple pagan rituals attached to its procedure. Christianity undermined that by saying Rome’s Gods and religion are wrong and corrupt.
  • Rome’s divine rights and the sacredness of the state meant less to the followers of Christ.
  • Christianity spread quickly
  • Free and open to all (no longer had to be jewish) Romans had to pay to be part of cults, or sects
  • promoted the denial of earthly values, opposite of roman conspicuous consumption,
  • denied the ultimate rule of the emperor
50
Q

What message does the Augustus of Primaporta attempt to convey about this man, his social position, and his community?

A
  • shows himself as a great military victor
  • a staunch supporter of Roman religion.
  • he is an excellent orator and military victor
  • youthful and perfect body of a Greek athlete. (he was old at the time)
  • cupid figure riding a dolphin symbolizing that Augustus is descended from the gods.
  • Trying to appease two sides, the monarchists and republicans.
  • Bare feet a sign of humility and power.
  • Shows peacful nonthreatening side,
  • conservative-by looks
  • Pro-ruling family
  • gods approved of him
51
Q

Discuss how art might have been used as a form of propaganda by the cultures we have discussed.

A
  • Who made it, who paid for it,
  • Leaders could make art that portaryed one thing to the people while the opposite might be true, also could be used to persuade people or manipulate based on emotions, ; fear, trust, etc.
  • Example: Augustus of Primaporta, Ara Pacis Augustae
52
Q
A

Greece

53
Q
A

Byzantine Empire

54
Q
A

Roman empire

55
Q
A

Etruscan Empire

56
Q

What Greek Period is this from?

A

Archaic

57
Q

What Greek Period is this from?

A

Classic

58
Q

What Greek period is this from?

A

Hellenistic

59
Q

What is it, why was it made, who made it, materials, dimensions, special notes

A

Who: Polykletos (original), Romans (copy)

When: Classic period

Where: Greece (original), Found in pompeii, Italy (copy)

What: Doryphoros (spear bearer)

Why: Part of Canon idea of Polykleitos

How: Sculpted

Materials: Marble

Dimensions: 6’11”

Notes: This is a copy by the Romans, original was made of bronze, harmonic proportions, counterbalance, organized human body

60
Q

What is it, why was it made, who made it, materials, dimensions, special notes

A

Who: Romans (Comissioned by Augustus)

When: 13-9 BCE

Where: Rome

What: Ara Pacis Augustae

Why: To portray his rule as a golden age (propaganda)

How: Carved

Materials: Marble

Dimensions: 5’3”

Notes: This is a relief of the procession of the imperial family, on south frieze of altar, different highths of reliefs to give illusion of 3D, Feet hanging over also 3D effect, Augustus same size as everyone, going to celebrate victory in spain and gaul by making offerings to the gods.

61
Q

What is it, why was it made, who made it, materials, dimensions, special notes

A

Who: Romans (Comissioned by Augustus)

When: 20 BCE

Where: Primaporta, Italy

What: Augustus of Primaporta

Why: To win the favor of the Republicans and Monarchists (propaganda)

How: Sculpture

Materials: Marble

Dimensions: 6’8”

Notes: Copy of original bronze, Role playing, made people think everything was okay, eventhough Augustus was a ruthless dictator.

62
Q

What is it, why was it made, who made it, materials, dimensions, special notes

A

Who: Greeks (unknown)

When: 480 BCE

Where: The Acropolis, Athens, Greece

What: Kritios boy

Why: Religion/Self expression

How: Sculpture

Materials: Marble

Dimensions: 2’10”

Notes: First statue to use contrapposto, marks end of archaic,natural and life like

63
Q
A

Who: Greeks (comissioned by family of Kroisos)

When: 530 BCE

Where: Cemetary at Anavysos, Greece

What: Anavysos Kouros

Why: A grave marker for a young man who died in battle (Kroisos)

How: Sculpture

Materials: Marble

Dimensions: 6’4”

Notes: Increasingly more naturalistic, Archaic smile, stiff egyptian pose, inscription base invites people to mourn his death, head is a more natural proportion, musculature is more acurate, draping hair. Occured after Greek dark ages (loss to persians)

64
Q

Early Jewish art looked primarily to________________for inspiration

A

Greek and Roman

65
Q

The challenge of resting a circular dome over a square room was accomplished at the Hagia Sophia with the use of which architectural feature?

A

Penditives

66
Q

Roman catacombs were typically decorated in what medium?

A

wall painting

67
Q

Which of the following Roman emperors legalized Christianity in 313 CE?

A

constantine