Exam 2 Review Flashcards

1
Q

Ise Shrines

A

Shinto Tradition

  • most famous shrine in Japan
  • Naiku (inner)
  • Gekku (outer)
  • Japanese religion
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2
Q

Shinto

A
  • Polythesistic religion
    • deities all over the world
  • Animistic religion
    • belief that all of nature is inhabited by spirits
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3
Q

Kami

A

Gods or spirits who can grant us favors if we treat them right

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4
Q

Shime-nawa

A
  • use of a rope to define a space
  • indicates what is inside is special or sacred
  • very powerful cultural concept
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5
Q

Gohei

A
  • jagged bits of paper

- thought to be “lightening rods that attract the kami

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6
Q

Torri

A
  • Shinto piece of architecture
  • light/flimsy gate
  • signifies sacred space where kami are thought to dwell
  • sakai branches and gohei will often be attached to these
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7
Q

Partial Revelation

A
  • sacred thing is only partially revealed to preserve sacredness
  • wait outside shrine until cloth blows up from breeze so you can see inside because it is so sacred
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8
Q

Spatial Segregation

A

-the concept of concentricity by progressing through a series of layers to heighten the importance of the inner thing (passing under torii gates)

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9
Q

Site Alternation

A

Every 20 years, they dismantle the shrine and rebuild it with new materials in an alternate site.

  • always meant to be fresh, new, clean, and pure
  • believed to restore the power of the deity
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10
Q

Zen Buddhism

A
  • introduced in 12th century from China

- physical world is an illusion, realization through meditation is fundamental to enlightenment

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11
Q

Zazen

A

Type of Zen meditation that is typically the primary religious practice

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12
Q

Koan

A

question or puzzle unsolvable by rational thought

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13
Q

Ku

A

Emptiness

-a container or boundary with nothing inside

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14
Q

Mu

A

Nothingness

-infinite nothingness

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15
Q

Ma

A

The space between

-the arrangement of objects

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16
Q

Yohaku-no-bi

A

the beauty of extra whiteness

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17
Q

Kare-sansui

A

dry garden

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18
Q

Shakkei

A

making use of the surrounding landscape in the design of a garden

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19
Q

Ryoan-ji, 15thC

A
  • most famous garden
  • flat typography
  • open, all natural materials
  • high integrity (uninterrupted wall, completely enclosed)
  • abrupt edges (meet at right angles)
20
Q

Daitoku-ji: Daisen-in 17thC

A

Temple Interior: Tea House

-journey toward enlightenment

21
Q

Two mounds in Daisen-in garden

A

Shinto doubling- both become refreshed

22
Q

Siena (It): Piazza del Campo 12th-14thC

A
  • irregular shapes
  • typical to not be planned and follow typography
  • organic
23
Q

City of Luca

A
  • irregular shapes

- built organically

24
Q

Fuedalism

A
  • system of government in Medieval Europe

- Kings held most power and they granted land in exchange for soldiers

25
Commune
a group of people living together and sharing possessions and responsibilities
26
Setback
distance from which a building or structure is set back from the road
27
Cornice Lines
any prominent, continuous, horizontally projecting feature surmounting a wall or other construction, or dividing it horizontally for compositional purposes. -typically decorative molding that crowns a building
28
Facade
the face of a building, especially the principal front that looks onto a street or open space.
29
Bastide
Fortified town
30
Piazza del Campo | -how does the design focus our attention on the tower and how does it symbolize governance?
- edge is continuous and uniform - uniform facades match town hall - lines slope inward like a theater
31
Singularity
qualities that identify an element, make it remarkable, noticeable, vivid, recognizable...contrast (of surface, form, intensity, complexity, size, use, spatial location) to the immediate visible surroundings, or to the observer's experience
32
Form Simplicity
clarity and simplicity of visible form in the geometrical sense, limitation of parts
33
Continuity
continuance of edge or surface, nearness of parts, similarity or harmony of surface, form, or use, as in common building material, repetitive pattern of windows
34
Directional Differentiation
asymmetries, gradients, etc. which differentiate one end from another (as on a path going uphill, away from the sea and toward the center) or one side from another. These qualities are heavily used in structuring on the larger scale.
35
Dominance
dominance of one part over another by a means of size, intensity, or interest
36
Visual Scope
qualities which increase the range and penetration of vision, either actually or symbolically. These include transparencies (as with glass or buildings on stilts); overlaps (as when structures appear behind others); vistas and panoramas which increase the depth of vision (as on axial streets, broad open spaces, high view) -low scope (restricted experience, not connected to rest of city)
37
Vista
a view along an axis | -straight line view
38
Terminus
visual stop at the end of a vista
39
Axial Extension
central axis visually connected to the larger setting
40
Italian Piazzas: Rome Piazza del Camplidoglio Piazza San Pietro
how was organic space turned into more planned, symmetrical one-- vista, terminus, axial extension
41
Outdoor Room
Qualities: - high continuity - high uniformity - like we are in one room with a continuous edge
42
Laws of the Indies
- Spanish settlement policy - 1st American planning code - main square from which streets run to gates - implies a grid plan
43
Land Ordinance of 1785
Land to be surveyed into square townships, further sub-divided for resale by settlers and speculators
44
How did the designers of these plans introduced variety into the American grid?
by adding space between the grid of the community using a vlliage green and common space. This allowed for the space to have a more open feel to it rather than being crammed together and confusing
45
Palisade, common, green
A fence of pales forming a defense barrier or fortification