Exam 2 Flashcards

1
Q

Typical medieval voice parts:

A

Triplum / Discantus / Cantus

Duplum / Contratenor (fills in harmony)

Tenor (starting point)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Typical renaissance voice parts:

A
  • Superius
  • Contratenor altus (high contratenor)
  • Tenor (still starting point)
  • Contratenor bassus (low contratenor)
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

What was the 14th century known as the age of in music? (Described in a treatise of the same name by Philippe de Vitry)

A

Ars nova (New art)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Cum statua/ Hugo, Hugo/ Magister invidie - composer:

A

Philippe de Vitry

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Cum statua/ Hugo, Hugo/ Magister invidie - what is unusual about the tenor?

A

It is composed. Usually would be from a plainchant.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

Cum statua/ Hugo, Hugo/ Magister invidie - genre?

A

Isorhythmic motet

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Isorhythmic motet was built on the 13th c practice of repeating tenor _______ ________.

A

cantus firmus

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Cum statua/ Hugo, Hugo/ Magister invidie - Century?

A

14th c

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

Define color

A

sequences of pitches that repeat

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Define talea

A

Sequences of durations that repeat

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

Messe de Nostre Dame (Kyrie) - composer?

A

Guillaume de Machaut

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

Messe de Nostre Dame (Kyrie) - Century?

A

14th c

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

Messe de Nostre Dame (Kyrie) - genre?

A

Isorhythmic motet

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

What piece is being described?

  • Lyrics: a complaint about society
  • three voices: triplum, duplum, tenor
  • Hocket: two voices alternate in rapid succession
A

Cum statua/ Hugo, Hugo/ Magister invidie

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

What piece is being described:

  • Tenor cantus firmus drawn from chant Kyrie (Xmas mass)
  • Greater prominence of imperfect consonances (3rd, 6th)
  • Complex rhythms, including syncopation
  • Stratified texture (higher parts are faster and more active than lower parts)
A

Messe de Nostre Dame (Kyrie)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

3 furmes fixes (fixed forms) of monophonic songs:

A
  • Rondeau
  • Ballade
  • Virelai
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

Rose, liz, printemps, verdure - genre:

A

Rondeau

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
18
Q

Rose, liz, printemps, verdure - Century:

A

14th c

19
Q

Rose, liz, printemps, verdure - composer:

A

Guillaume de Machaut

20
Q

What piece is being described:

  • Not based on chant
  • Long, decorative melismas on certain words
  • Some imperfect consonances (3rds, 6ths) sweeten the harmony
A

Rose, liz, printemps, verdure

21
Q

Renaissance years:

A

c. 1400 - 1600

22
Q

Humanism

A

Italian movement to revive the culture and values of ancient Greece and Rome

23
Q

Missa Se la face ay pale - composer:

A

Guillaume Du Fay

24
Q

Missa Se la face ay pale - century:

A

15th c. Renaissance

25
Q

Missa Se la face ay pale - genre

A

Cantus firmus mass

26
Q

Missa Se la face ay pale is based on the ______ of a ______ _______ called Se la face ay pale.

A

based on the tenor of a secular ballade

27
Q

What piece is being described:

  • Medieval characteristics:
  • Stratified texture
  • Bass moves melodically
  • Some complicated, syncopated rhythms Renaissance characteristics:
  • four parts
  • imperfect consonances
  • smoother, melodious upper parts
A

Missa Se la face ay pale

28
Q

Mille regretz - composer

A

Josquin des Prez

29
Q

Josquin des Prez was a student of…

A

de Ockeghem

30
Q

Mille regretz - century

A

Late 15th c. Renaissance

31
Q

Mille regretz - genre

A

Chanson

32
Q

What piece is being described:

  • Not forms fixes but simple 4-line poem, set polyphonically
  • Poignant, simple, direct homophonic textures alternate with touches of polyphony
  • Constantly descending melodic lines - emblem of sadness
A

Mille regretz

33
Q

What mode is Mille regretz in?

A

E Phrygian

34
Q

Ave Maria… Virgo serena - composer:

A

Josquin des Prez

35
Q

Ave Maria… Virgo serena - century:

A

late 15th c. Renaissance

36
Q

Ave Maria… Virgo serena - genre:

A

Motet

37
Q

What piece is being described:

  • No cantus firmus - free composition
  • four equal voices main focus: text expression Melody projects, heightens natural, expressive word stress
A

Ave Maria… Virgo serena

38
Q

Josquin’s 3 types of Masses:

A
  • Older cantus-firmus style stratification
  • Parody Mass
  • Soggetto cavata
39
Q

Define parody mass

A

All voices based on pre-existing polyphonic composition (usually a motet)

40
Q

Define Soggetto cavata

A

cantus firmus taken from vowels of a word or phrase

41
Q

Tant que vivray - genre:

A

Parisian chanson

42
Q

Define chanson

A

Polyphonic setting of a French, secular poem, freely composed (no cantus firmus)

43
Q

Tant que vivray - composer:

A

Claudin de Sermisy