Exam 2 Flashcards
Typical medieval voice parts:
Triplum / Discantus / Cantus
Duplum / Contratenor (fills in harmony)
Tenor (starting point)
Typical renaissance voice parts:
- Superius
- Contratenor altus (high contratenor)
- Tenor (still starting point)
- Contratenor bassus (low contratenor)
What was the 14th century known as the age of in music? (Described in a treatise of the same name by Philippe de Vitry)
Ars nova (New art)
Cum statua/ Hugo, Hugo/ Magister invidie - composer:
Philippe de Vitry
Cum statua/ Hugo, Hugo/ Magister invidie - what is unusual about the tenor?
It is composed. Usually would be from a plainchant.
Cum statua/ Hugo, Hugo/ Magister invidie - genre?
Isorhythmic motet
Isorhythmic motet was built on the 13th c practice of repeating tenor _______ ________.
cantus firmus
Cum statua/ Hugo, Hugo/ Magister invidie - Century?
14th c
Define color
sequences of pitches that repeat
Define talea
Sequences of durations that repeat
Messe de Nostre Dame (Kyrie) - composer?
Guillaume de Machaut
Messe de Nostre Dame (Kyrie) - Century?
14th c
Messe de Nostre Dame (Kyrie) - genre?
Isorhythmic motet
What piece is being described?
- Lyrics: a complaint about society
- three voices: triplum, duplum, tenor
- Hocket: two voices alternate in rapid succession
Cum statua/ Hugo, Hugo/ Magister invidie
What piece is being described:
- Tenor cantus firmus drawn from chant Kyrie (Xmas mass)
- Greater prominence of imperfect consonances (3rd, 6th)
- Complex rhythms, including syncopation
- Stratified texture (higher parts are faster and more active than lower parts)
Messe de Nostre Dame (Kyrie)
3 furmes fixes (fixed forms) of monophonic songs:
- Rondeau
- Ballade
- Virelai
Rose, liz, printemps, verdure - genre:
Rondeau
Rose, liz, printemps, verdure - Century:
14th c
Rose, liz, printemps, verdure - composer:
Guillaume de Machaut
What piece is being described:
- Not based on chant
- Long, decorative melismas on certain words
- Some imperfect consonances (3rds, 6ths) sweeten the harmony
Rose, liz, printemps, verdure
Renaissance years:
c. 1400 - 1600
Humanism
Italian movement to revive the culture and values of ancient Greece and Rome
Missa Se la face ay pale - composer:
Guillaume Du Fay
Missa Se la face ay pale - century:
15th c. Renaissance
Missa Se la face ay pale - genre
Cantus firmus mass
Missa Se la face ay pale is based on the ______ of a ______ _______ called Se la face ay pale.
based on the tenor of a secular ballade
What piece is being described:
- Medieval characteristics:
- Stratified texture
- Bass moves melodically
- Some complicated, syncopated rhythms Renaissance characteristics:
- four parts
- imperfect consonances
- smoother, melodious upper parts
Missa Se la face ay pale
Mille regretz - composer
Josquin des Prez
Josquin des Prez was a student of…
de Ockeghem
Mille regretz - century
Late 15th c. Renaissance
Mille regretz - genre
Chanson
What piece is being described:
- Not forms fixes but simple 4-line poem, set polyphonically
- Poignant, simple, direct homophonic textures alternate with touches of polyphony
- Constantly descending melodic lines - emblem of sadness
Mille regretz
What mode is Mille regretz in?
E Phrygian
Ave Maria… Virgo serena - composer:
Josquin des Prez
Ave Maria… Virgo serena - century:
late 15th c. Renaissance
Ave Maria… Virgo serena - genre:
Motet
What piece is being described:
- No cantus firmus - free composition
- four equal voices main focus: text expression Melody projects, heightens natural, expressive word stress
Ave Maria… Virgo serena
Josquin’s 3 types of Masses:
- Older cantus-firmus style stratification
- Parody Mass
- Soggetto cavata
Define parody mass
All voices based on pre-existing polyphonic composition (usually a motet)
Define Soggetto cavata
cantus firmus taken from vowels of a word or phrase
Tant que vivray - genre:
Parisian chanson
Define chanson
Polyphonic setting of a French, secular poem, freely composed (no cantus firmus)
Tant que vivray - composer:
Claudin de Sermisy