Exam 2 Flashcards

1
Q

Who was the artist of Street, Dresden?

A

Edward Kirschner

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2
Q

What was the year of Street, Dresden?

A

1908

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3
Q

What was the movement of Street, Dresden

A

Die Brücke

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4
Q

Who was the artist of Composition VII?

A

Vasily Kadinsky

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5
Q

What was the year of Composition VII?

A

1913

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6
Q

What was the movement of Composition VII?

A

Der Blaue Reiter

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7
Q

Who was the artist of Suprematist Composition: White Square on White

A

Kazimir Malevich

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8
Q

What was the year of Suprematist Composition: White Square on White

A

1918

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9
Q

What was the movement of Suprematist Composition: White Square on White

A

Suprematism

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10
Q

What was the artist of Design for sportswear?

A

Varvara Fedorovna Stepanova,

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11
Q

What was the year of of Design for sportswear?

A

1923

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12
Q

What was the movement of of Design for sportswear?

A

Russian Constructivism

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13
Q

Who was the artist of Head?

A

Naum Gabo

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14
Q

What was the year of Head?

A

1916

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15
Q

What was the material of Head?

A

Galvanized Bronze

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16
Q

What was the movement of Head?

A

Sculpture

17
Q

What was the movement of The Horse?

A

Sculpture

18
Q

Who was the Artist of The Horse?

A

Raymond Duchamp-Villon,

19
Q

What was the year of The Horse?

A

1923

20
Q

What was the material of The Horse?

A

Bronze

21
Q

Who was the artists of Houses on the Hill?

A

Pablo Picasso

22
Q

What was the year of Houses on the Hill?

A

1909

23
Q

What was the movement of Houses on the Hill?

A

Cubism

24
Q

Who was the artist of Portrait of Madame Matisse/The Green Line?

A

Henry Matisse

25
Q

What was the year of Portrait of Madame Matisse/The Green Line?

A

1905

26
Q

What was the movement of Portrait of Madame Matisse/The Green Line?

A

Fauvism

27
Q

What was the material of Portrait of Madame Matisse/The Green Line?

A

Oil and Tempera

28
Q

What was the material of Design for sportswear?

A

Gouache and ink on paper

29
Q

What is Primitivism

A

is a Western art movement that borrows visual forms from non-Western or prehistoric peoples, such as Paul Gauguin’s inclusion of Tahitian motifs in paintings and ceramics. Borrowings from primitive art has been important to the development of modern art.[1]

The term “primitivism” is often applied to other professional painters working in the style of naïve or folk art like Henri Rousseau, Mikhail Larionov, Paul Klee and others.