Exam 2 Flashcards

1
Q

1 Rule of Improv

A

yes and

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2
Q

Aristotle on Comedy

A

comedy represents men as worse than they are
tragedy represents man as better than they are

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3
Q

Henri Bergson’s observations on comedy

A

Fresh philosopher

comedy is inherently human
insensibility accompanies laughter
laughter needs company
comedy is culturally specific
comedy superimposes the mechanical on the living

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4
Q

Two comedy psychological theories

A
  1. establishment of superiority: humor from the weakness of others

2.incongruity: surprising, illogical, unexpected

  1. release (Freud): laughter released unconscious turmoil/cathartic
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5
Q

farce

A

extravagant plots, exaggerated characters, slapstick, sexual
EX. RPDR acting challenges

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6
Q

high comedy

A

upperclass, life is a game and the best player (not person) wins, witty and articulate, sexual tension

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7
Q

melodrama

A

emotional appeal, virtuous hero hounded by evil villain, music, happy ending, spectacle

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8
Q

realism

A

lifelike dialogue, inhabitable scenery (box set), actors speaking to each other not audience, social concern

A DOLLS HOUSE by Henrik Ibsen

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9
Q

naturalism

A

realism subset, effects of environment (meat set), dramatizes social determination

Darwin (biology), Marx (economics), Freud (past)

David Belasco &
Andre Antoine

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10
Q

Greek tragedy

A

festival of Dionysus, descended from dithyrambs

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11
Q

dithyrambs

A

narrative poems sung for Dionysus
(3 tragedies, 1 satyr play)
1. masks (3 actors)
2. Greek stories
3. Off-stage violence
4. music & dance

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12
Q

tragedy vs comedy

A

fate/order/cosmos/love hero/suffering/nobility of humanity/individuals
VS
chance/fortune/chaos/the body/ pleasure/ detached from hero/ faults of humanity/society

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13
Q

Futurism

A

energy and speed, reject the past
Marinetti

ended bc of the depression from WWI

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14
Q

Afrofuturism

A

reimagines the future of black experience through a fusion of sci-fi, fantasy, and history
unique innovations of black culture
techno, color, African iconology

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15
Q

expressionism

A

inner emotions externally, characters are types, compressed dialogue
EX. Machinal

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16
Q

dadaism

A

SHOCK the audience
senseless, uncivilized
disgust with society

17
Q

surrealism

A

are made with thought not reason
DREAMS
surrender to the dark forces of the mind

18
Q

theatre of the absurd

A

After WWII Absurdism
a world with no meaning or rules

EX. Rosencrantz and Guildenstern are Dead

19
Q

happenings

A

no audience everyone participates

20
Q

performance art

A

public form of artistic expression
EX. Marina Abramovic (endurance art)

21
Q

1 rule of stage violence

A

the victim is always in control

22
Q

minstrelsy

A

only American contribution to theatre

23
Q

TD Rice (Thomas Daddy)

A

white minstrel actor who created the character jim crow

24
Q

Stephen Foster

A

wrote famous American songs for minstrel shows

25
Q

minstrel show character types

A

interlocutor (conductor)
mr bones (spoons)
mr tambo
uncle tom character (loves whites ad is religious)
topsy (uncivilised black girl)

26
Q

black vaudeville

A

(10-15 mins) black performers acting for black audiences
TOBA
traveling circuit
two crazy tap boys

27
Q

urban circuit

A

marketing plays to black audiences
melodrama
farce
R&B

28
Q

Tyler Perry

A

most successful black playwright

29
Q

Negro Ensemble Company

A

successful black theatre company

30
Q

Set Design Primary Function

A

to communicate ideas
time, place, characterization

31
Q

gels and gobos

A

patterned and colorful light

32
Q

technical director

A

Create technical drawings for shop build based on designer drawings, layouts, and other visual aids

SET DESIGN

33
Q

sound designer

A

all sound effects, whether recorded or live for a specific production.

34
Q

developments in stages and lighting over time

A

wall and slides with vague settings, 3D with flats, and box set

Sunlight, candles, oil lamps, gas lights, electricity