Exam 2 Flashcards

1
Q

1 Rule of Improv

A

yes and

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2
Q

Aristotle on Comedy

A

comedy represents men as worse than they are
tragedy represents man as better than they are

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3
Q

Henri Bergson’s observations on comedy

A

Fresh philosopher

comedy is inherently human
insensibility accompanies laughter
laughter needs company
comedy is culturally specific
comedy superimposes the mechanical on the living

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4
Q

Two comedy psychological theories

A
  1. establishment of superiority: humor from the weakness of others

2.incongruity: surprising, illogical, unexpected

  1. release (Freud): laughter released unconscious turmoil/cathartic
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5
Q

farce

A

extravagant plots, exaggerated characters, slapstick, sexual
EX. RPDR acting challenges

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6
Q

high comedy

A

upperclass, life is a game and the best player (not person) wins, witty and articulate, sexual tension

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7
Q

melodrama

A

emotional appeal, virtuous hero hounded by evil villain, music, happy ending, spectacle

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8
Q

realism

A

lifelike dialogue, inhabitable scenery (box set), actors speaking to each other not audience, social concern

A DOLLS HOUSE by Henrik Ibsen

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9
Q

naturalism

A

realism subset, effects of environment (meat set), dramatizes social determination

Darwin (biology), Marx (economics), Freud (past)

David Belasco &
Andre Antoine

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10
Q

Greek tragedy

A

festival of Dionysus, descended from dithyrambs

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11
Q

dithyrambs

A

narrative poems sung for Dionysus
(3 tragedies, 1 satyr play)
1. masks (3 actors)
2. Greek stories
3. Off-stage violence
4. music & dance

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12
Q

tragedy vs comedy

A

fate/order/cosmos/love hero/suffering/nobility of humanity/individuals
VS
chance/fortune/chaos/the body/ pleasure/ detached from hero/ faults of humanity/society

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13
Q

Futurism

A

energy and speed, reject the past
Marinetti

ended bc of the depression from WWI

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14
Q

Afrofuturism

A

reimagines the future of black experience through a fusion of sci-fi, fantasy, and history
unique innovations of black culture
techno, color, African iconology

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15
Q

expressionism

A

inner emotions externally, characters are types, compressed dialogue
EX. Machinal

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16
Q

dadaism

A

SHOCK the audience
senseless, uncivilized
disgust with society

17
Q

surrealism

A

are made with thought not reason
DREAMS
surrender to the dark forces of the mind

18
Q

theatre of the absurd

A

After WWII Absurdism
a world with no meaning or rules

EX. Rosencrantz and Guildenstern are Dead

19
Q

happenings

A

no audience everyone participates

20
Q

performance art

A

public form of artistic expression
EX. Marina Abramovic (endurance art)

21
Q

1 rule of stage violence

A

the victim is always in control

22
Q

minstrelsy

A

only American contribution to theatre

23
Q

TD Rice (Thomas Daddy)

A

white minstrel actor who created the character jim crow

24
Q

Stephen Foster

A

wrote famous American songs for minstrel shows

25
minstrel show character types
interlocutor (conductor) mr bones (spoons) mr tambo uncle tom character (loves whites ad is religious) topsy (uncivilised black girl)
26
black vaudeville
(10-15 mins) black performers acting for black audiences TOBA traveling circuit two crazy tap boys
27
urban circuit
marketing plays to black audiences melodrama farce R&B
28
Tyler Perry
most successful black playwright
29
Negro Ensemble Company
successful black theatre company
30
Set Design Primary Function
to communicate ideas time, place, characterization
31
gels and gobos
patterned and colorful light
32
technical director
Create technical drawings for shop build based on designer drawings, layouts, and other visual aids SET DESIGN
33
sound designer
all sound effects, whether recorded or live for a specific production.
34
developments in stages and lighting over time
wall and slides with vague settings, 3D with flats, and box set Sunlight, candles, oil lamps, gas lights, electricity