Exam #1 | Terminology Flashcards
Formal Analysis
Analyzing the physical aspects of a piece of art.
SMT-CBD
Scale - Size - How large a piece is can say something about it
(wallet sized vs mural vs Sistine Chapel)
Medium - Materials - What an artist chooses
(doodled with pencil/charcoal vs watercolors vs single piece of marble
Tonal Value - Light vs. Dark - Is the artist making a statement with use of color?
Composition - where is the artist drawing your eye to?
Brushwork - Visible vs perfected - Is the artist using loose brushwork to communicate something?
Depth - Is the artist creating the illusion of space and/or time? If so, how is that being done?
subject matter
What story is the art telling?
Is it a historical or mythological event, or something else?
Can be closely linked with Historical Context.
content
The connotative, symbolic, and suggestive aspects of the image.
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Subject matter is the literal, visible image in a work
composition
The arrangement of visual elements as distinct from the subject in a piece of art.
It means ‘putting together’ and can be used in visual arts as well as music, writing and photography.
medium
The materials that are used to create a piece of art.
scale (& hieratic)
The ratio between the size of the subject and its artistic representation.
Can also refer to the Formal Property of the actual physical size of a piece of art.
style
Style is basically the manner in which the artist portrays his or her subject matter and how the artist expresses his or her vision.
Style is determined by the characteristics that describe the artwork, such as the way the artist employs form, color, and composition, to name just a few.
chromatic
Chromatic means having color or multiple hues, relating to or produced by color.
‘Chroma’ is the purity or intensity of color. It refers to the brightness or dullness of any color.
achromatic
An achromatic color is a one that lacks hues.
Such as: white, grey and black.
primary colors
Colors that can’t be created by mixing of other colors.
Primary colors include yellow, blue, and red.
Instead, they combine to create secondary colors.
Secondary colors in turn combine to create tertiary colors.
In effect, all colors stem from the three primaries…
(this is why printer use Cyan, Yellow, and Red as their base)
secondary colors
A secondary color is a color made by mixing of two primary colors in a given color space.
Secondary colors in turn combine to create tertiary colors.
tertiary colors
A tertiary color or intermediate color is a color made by mixing:
(in a given color space such as RGB, or CMYK)
- full saturation of one primary color
- with-
- half saturation of another primary color and none of a third primary color
THIS IS VERY CONFUSING………..
analogous colors
Analogous colors means the color grouping has similarities.
These color scheme types have close relationships to one another.
complementary colors
A pair of colours which cancel each other out when mixed together.
They are situated opposite one another on the colour wheel.
value
The relative lightness or darkness of colour.
The highest value will be white, and the lowest value will be black.
pigment
The colouring component of art mediums.
Such as:
* Paint
* Pastels.
As opposed to:
* The binding agent.
binder
A paint substance which holds together the pigment and ensures that it sticks to surfaces.
A binder also gives the paint a uniform consistency.
hue
The ACTUAL color of something.
Often referred to as a color, but hue is more technically correct.
trompe l’oeil
Literally means ‘trick of the eye’.
Trompe l’oeil is the technique of using realistic imagery to create an optical illusion of depth.
chiaroscuro
From the Italian for ‘light-dark’.
Used to refer to a strong contrast between light and dark in drawings and paintings.
Often used to create a sense of volume.
additive process
An additive process in art involves adding material to the piece.
Coiling a clay pot is additive because you add clay.
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A subtractive process involves taking material away from the piece.
subtractive
Subtractive sculpture is the oldest form of sculpture and involves removing material, as in wood carving or stone sculpture, to create a finished work.
Subtractive sculpture is by far the most technically difficult and due to the nature of the medium is the most restrictive in expression.
linear perspective
A technique where the illusion of depth is created on a flat surface.
vanishing point
A point of disappearance in perspective drawings.
At this point, receding parallel lines appear to converge.
contour lines
From the French for ‘outline’, this refers to the technique where an artist draws a line that defines a form or edge.
As its word origin suggests, it creates an outline of the subject.
aerial / atmospheric perspective
Method of creating the illusion of depth, or recession, in a painting or drawing by modulating colour to simulate changes effected by the atmosphere on the colours of things seen at a distance.
emphasis (Focal point)
The area of a piece of art that is designed to draw the viewer’s attention.