Exam #1 | Terminology Flashcards

1
Q

Formal Analysis

A

Analyzing the physical aspects of a piece of art.

SMT-CBD

Scale - Size - How large a piece is can say something about it
(wallet sized vs mural vs Sistine Chapel)

Medium - Materials - What an artist chooses
(doodled with pencil/charcoal vs watercolors vs single piece of marble

Tonal Value - Light vs. Dark - Is the artist making a statement with use of color?

Composition - where is the artist drawing your eye to?

Brushwork - Visible vs perfected - Is the artist using loose brushwork to communicate something?

Depth - Is the artist creating the illusion of space and/or time? If so, how is that being done?

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2
Q

subject matter

A

What story is the art telling?

Is it a historical or mythological event, or something else?

Can be closely linked with Historical Context.

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3
Q

content

A

The connotative, symbolic, and suggestive aspects of the image.

~~~~~

Subject matter is the literal, visible image in a work

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4
Q

composition

A

The arrangement of visual elements as distinct from the subject in a piece of art.

It means ‘putting together’ and can be used in visual arts as well as music, writing and photography.

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5
Q

medium

A

The materials that are used to create a piece of art.

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6
Q

scale (& hieratic)

A

The ratio between the size of the subject and its artistic representation.

Can also refer to the Formal Property of the actual physical size of a piece of art.

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7
Q

style

A

Style is basically the manner in which the artist portrays his or her subject matter and how the artist expresses his or her vision.

Style is determined by the characteristics that describe the artwork, such as the way the artist employs form, color, and composition, to name just a few.

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8
Q

chromatic

A

Chromatic means having color or multiple hues, relating to or produced by color.

‘Chroma’ is the purity or intensity of color. It refers to the brightness or dullness of any color.

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9
Q

monochromatic

A

A painting created using only one colour or hue.

VIDEO

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10
Q

achromatic

A

An achromatic color is a one that lacks hues.

Such as: white, grey and black.

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11
Q

primary colors

A

Colors that can’t be created by mixing of other colors.

Primary colors include yellow, blue, and red.

VIDEO

Instead, they combine to create secondary colors.

Secondary colors in turn combine to create tertiary colors.

In effect, all colors stem from the three primaries…
(this is why printer use Cyan, Yellow, and Red as their base)

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12
Q

secondary colors

A

A secondary color is a color made by mixing of two primary colors in a given color space.

Secondary colors in turn combine to create tertiary colors.

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13
Q

tertiary colors

A

A tertiary color or intermediate color is a color made by mixing:
(in a given color space such as RGB, or CMYK)

  • full saturation of one primary color
  • with-
  • half saturation of another primary color and none of a third primary color

THIS IS VERY CONFUSING………..

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14
Q

analogous colors

A

Analogous colors means the color grouping has similarities.

These color scheme types have close relationships to one another.

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15
Q

complementary colors

A

A pair of colours which cancel each other out when mixed together.

They are situated opposite one another on the colour wheel.

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16
Q

value

A

The relative lightness or darkness of colour.

The highest value will be white, and the lowest value will be black.

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17
Q

pigment

A

The colouring component of art mediums.

Such as:
* Paint
* Pastels.

As opposed to:
* The binding agent.

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18
Q

binder

A

A paint substance which holds together the pigment and ensures that it sticks to surfaces.

A binder also gives the paint a uniform consistency.

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19
Q

hue

A

The ACTUAL color of something.

Often referred to as a color, but hue is more technically correct.

VIDEO

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20
Q

trompe l’oeil

A

Literally means ‘trick of the eye’.

Trompe l’oeil is the technique of using realistic imagery to create an optical illusion of depth.

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21
Q

chiaroscuro

A

From the Italian for ‘light-dark’.

Used to refer to a strong contrast between light and dark in drawings and paintings.

Often used to create a sense of volume.

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22
Q

additive process

A

An additive process in art involves adding material to the piece.

Coiling a clay pot is additive because you add clay.

~~~~~

A subtractive process involves taking material away from the piece.

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23
Q

subtractive

A

Subtractive sculpture is the oldest form of sculpture and involves removing material, as in wood carving or stone sculpture, to create a finished work.

Subtractive sculpture is by far the most technically difficult and due to the nature of the medium is the most restrictive in expression.

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24
Q

linear perspective

A

A technique where the illusion of depth is created on a flat surface.

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25
Q

vanishing point

A

A point of disappearance in perspective drawings.

At this point, receding parallel lines appear to converge.

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26
Q

contour lines

A

From the French for ‘outline’, this refers to the technique where an artist draws a line that defines a form or edge.

As its word origin suggests, it creates an outline of the subject.

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27
Q

aerial / atmospheric perspective

A

Method of creating the illusion of depth, or recession, in a painting or drawing by modulating colour to simulate changes effected by the atmosphere on the colours of things seen at a distance.

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28
Q

emphasis (Focal point)

A

The area of a piece of art that is designed to draw the viewer’s attention.

VIDEO

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29
Q

non-objective
non-representational

A

Non-objective artwork doesn’t have identifiable forms or recognizable subject matter.

Instead of depicting familiar objects, people, or animals, non-objective artwork deals with the basic elements of art.

~~~~~

Conversely, Objective art is artwork that depicts easily recognizable subject matter.

30
Q

symbol

A

In art, a symbol is usually a solid, recognizable thing—an animal, a plant, an object, etc. —that stands for something that would be hard to show in a picture or a sculpture.

A force of nature, for example, or an idea. A symbol can also stand for someone’s whole story.

31
Q

Deconstruction

A

Deconstruction is a form of criticism first used by French philosopher Jacques Derrida in the 1970s which asserts that there is not one single intrinsic meaning to be found in a work, but rather many, and often these can be conflicting.

32
Q

Fine Art

A

In European academic traditions, fine art is art developed primarily for aesthetics or beauty.

This distinguishes it from decorative art or applied art, which also have to serve some practical function, such as pottery or most metalwork.

33
Q

Popular Art

A

Pop art is an art movement that emerged in the United Kingdom and the United States during the mid- to late-1950s.

The movement presented a challenge to traditions of fine art by including imagery from popular and mass culture, such as advertising, comic books and mundane mass-produced objects.

34
Q

International Style

A

The term international style was first used in 1932 to describe architects associated with the modern movement whose designs shared similar visual qualities – being mostly rectilinear, undecorated, asymmetrical and white.

35
Q

representational art

A

Representational art refers to art which represents something, whether that be a tree in a landscape, apple in a still life, or figure in a portrait.

36
Q

rhythms

(alternating, eccentric)

A

Rhythm in art and design refers to a relationship between elements that creates a sense of harmony.

Rhythm can be seen in patterns, in relationships between colours and shapes, and in repetitions of lines and forms.

37
Q

foreshortening

A

A technique used in perspective drawing to create the illusion that an object recedes strongly into the distance or background.

Often employed on parts of the human body.

38
Q

freestanding

A

Freestanding Sculpture is unattached to the background and has space on all sides.

Unlike relief, freestanding sculpture can be viewed from all sides.

It is also referred to as sculpture in round.

39
Q

site-specific

A

Site-specific art is artwork created to exist in a certain place.

If removed from its context it will cease to have the same meaning.

Typically, the artist takes the location into account while planning and creating the artwork.

40
Q

Doric order

A

The Doric order is characterized by a plain, unadorned column capital and a column that rests directly on the stylobate of the temple without a base.

The Doric entablature includes a frieze composed of trigylphs—vertical plaques with three divisions—and metopes—square spaces for either painted or sculpted decoration.

41
Q

ionic order

A

Ionic columns normally stand on a base which separates the shaft of the column from the stylobate or platform while the cap is usually enriched with egg-and-dart.

42
Q

Corinthian order

A

This architectural style is characterized by slender fluted columns and elaborate capitals decorated with acanthus leaves and scrolls.

The Corinthian order is the last developed of the three principal classical orders of ancient Greek and Roman architecture.

43
Q

Flying buttress

A

Flying buttress, masonry structure typically consisting of an inclined bar carried on a half arch that extends (“flies”) from the upper part of a wall to a pier some distance away and carries the thrust of a roof or vault.

44
Q

truss

A

A metal or wood framework consisting of rafters, posts, and struts, supporting a roof, bridge, or other structure.

45
Q

cantilever

A

Cantilever, beam supported at one end and carrying a load at the other end or distributed along the unsupported portion.

The upper half of the thickness of such a beam is subjected to tensile stress, tending to elongate the fibres, the lower half to compressive stress, tending to crush them.

46
Q

barrel vault

A

A barrel vault, also known as a tunnel vault or a wagon vault, is an architectural element formed by the extrusion of a single curve along a given distance.

The curves are typically circular in shape, lending a semi-cylindrical appearance to the total design.

A pair of curves would form a pointed barrel vault.

47
Q

groin vault

A

A vault produced by the intersection at right angles of two barrel vaults.

Sometimes the arches of groin vaults may be pointed instead of round.

48
Q

ribbed vault

A

A ribbed vault is an architectural feature for covering a wide space, such as a church nave, composed of a framework of crossed or diagonal arched ribs.

Variations were used in Roman architecture, Byzantine architecture, Islamic architecture, Romanesque architecture, and especially Gothic architecture.

49
Q

cross-hatching

A

A mark-making process where lines that run in different directions are layered on top of each other.

Provides the illusion of shade.

50
Q

iconography

A

An iconography is a particular range or system of types of image used by an artist or artists to convey particular meanings.

For example in Christian religious painting there is an iconography of images such as the lamb which represents Christ, or the dove which represents the Holy Spirit.

VIDEO

51
Q

kitsch

A

Art or other objects that, generally speaking, appeal to popular rather than “high art” tastes.

Such objects are sometimes appreciated in a knowingly ironic or humorous way.

Ron English is a great example of using kitsch in his art with irony.

52
Q

registration

(process of applying color to a print)

A

In art, archaeology, sculpture and painting, a register is a horizontal level in a work that consists of several levels arranged one above the other, especially where the levels are clearly separated by lines.

53
Q

airbrush

A

An airbrush is a small, hand-held instrument connected to a canister of compressed air that sprays paint in a controlled way giving an even and consistent surface.

Artists and illustrators often use airbrushing to create a high level of realism.

54
Q

intaglio

A

Intaglio describes any printmaking technique in which the image is produced by incising into the printing plate.

The incised line or area holds the ink and creates the image.

Sub-Forms can include:
* Etching
* Drypoint
* Engraving
* Wood Engraving

55
Q

tempera

A

The technique of painting with pigments bound in a water-soluble emulsion.

Examples are:

  • water and egg yolk
  • oil-in-water emulsion such as oil and a whole egg
56
Q

assemblage

A

Assemblage is an artistic form or medium usually created on a defined substrate that consists of three-dimensional elements projecting out of or from the substrate.

It is basically a three-dimensional collage.

57
Q

mixed-media

A

A piece of art made up of multiple mediums.

58
Q

Serigraphy

A

Serigraphy is a fancy term for silkscreen printing, coming from “seri,” which is Latin for “silk,” and “graphos,” which is Ancient Greek for “writing.”

The word was coined early in the last century to distinguish the artistic use of the medium from its more common commercial purpose.

59
Q

Digital Imaging

A

Digital art is work made with digital technology or presented on digital technology.

This includes images done completely on computer or hand-drawn images scanned into a computer and finished using a software program like Adobe Illustrator.

60
Q

installation

A

The term installation art is used to describe large-scale, mixed-media constructions, often designed for a specific place or for a temporary period of time.

61
Q

acrylic

A

A type of paint where the pigment is suspended in an acrylic polymer emulsion.

Acrylics are a popular medium with artists thanks to their fast drying time, bold colours and flexibility when mixed with water.

62
Q

encaustic

A

Encaustic painting, also known as hot wax painting, involves using heated beeswax to which colored pigments are added.

The liquid or paste is then applied to a surface—usually prepared wood, though canvas and other materials are often used.

63
Q

engraving

A

Engraving is a printmaking technique that involves making incisions into a metal plate which retain the ink and form the printed image.

64
Q

lithograph

A

Lithography is a printing process that uses a flat stone or metal plate on which the image areas are worked using a greasy substance so that the ink will adhere to them by, while the non-image areas are made ink-repellent.

VIDEO

65
Q

photomontage

A

A collage constructed from photographs.

66
Q

fresco

A

Fresco is a technique of mural painting executed upon freshly laid lime plaster.

Water is used as the vehicle for the dry-powder pigment to merge with the plaster.

With the setting of the plaster, the painting becomes an integral part of the wall.

~~~~~

What is the difference between fresco and mural?
The main difference between fresco and mural is that fresco refers to painting that involves using water-soluble paints on wet limestone while mural is a large painting on a wall, ceiling or any other permanent surface

67
Q

relief print

A

Relief printing is when an artist carves into a printing block that you then use to press onto paper and make a print.

The lines or shapes you carve into the printing block will not have ink on them, so will not show up on your paper.

VIDEO

68
Q

haut-relief

A

French for high-relief or deep-relief.

In a haut relief sculpture, the figures project at least half of their natural circumference from the background.

The technique is ancient and is still used in contemporary art today.

Alto-rilievo in Italian

69
Q

bas-relief

A

A French term meaning “low relief”.

Bas-relief is a sculpture technique in which figures and/or other design elements are just barely more prominent than the (overall flat) background.

Italian equivalent term is “basso-relievo”

70
Q

Combine

A

A painting that works various objects into the surface material.

71
Q

watercolor

A

Art medium where the pigment is held in a water-soluble solution.

Also used to refer to pictures completed with these substances.