exam 1

Question 1

deceptive cadence

Answer 1

V(7) - vi, D-T

- extension of T, not cadential

Question 2

submediant chord

Answer 2

vi

• usually extends T before PD (IV or ii)
• sometimes substitute for I in decep. res.
• rarely PD (directly to V)

Question 3

plagal cadence

Answer 3

IV - I, PL-T

• usually extends T, not cadential
• sometimes extends T after authentic cadence
• rarely cadential

Question 4

phrygian

Answer 4

• half cadence

- iv6 –> V

Question 5

mediant chord

Answer 5

iii

• usually connects T–> PD (vi or IV, rarely ii)
• rarely PD –> D

Question 6

root descends by 3rd

Answer 6

hold common tones, move other voices by step

Question 7

root descends by 5th

Answer 7

hold common tones, move other voices by step

OR move upper voices in contrary motions w/ bass

Question 8

root descends by step

Answer 8

move upper voices in contrary w/ bass

Question 9

BTR progression

Answer 9

I V4/3 I6

• bass: do re mi
• soprano: mi fa sol
• b/c of PARALLEL MOTION (10ths/3rds) it’s ok that FA (7th of V4/3 chord) doesn’t resolve down in sop

Question 10

passing 6/4 chord

Answer 10

bass moves stepwise, usually root-3rd

Question 11

pedal 6/4 chord

Answer 11

bass stays same (even just lowest note in pattern) usually root

Question 12

cadential

Answer 12

I6/4 right before V(7)

Question 13

3 parts of suspension

Answer 13

• PREPARATION: note is part of previous chord
• SUSPENSION: note is held and becomes a dissonance in new chord
• RESOLUTION: note resolves down by step into chord

Question 14

passing tone

Answer 14

• step, then step again in same direction
• can have two in a row
• usually unaccented

Question 15

neighbor tone

Answer 15

• step, then step again in the opposite direction

- usually unaccented

Question 16

suspension

Answer 16

• hold tone, then resolve down by step

- accented (moves chord tone)

Question 17

accented

Answer 17

moves chord tone

Question 18

unaccented

Answer 18

does not move chord tone

Question 19

9-8 and 4-3 suspensions

Answer 19

• any upper voice
• root-position chord
• can have a double suspension: 9/4–8/3

Question 20

7-6 suspension

Answer 20

• any upper voice

- first inversion chord

Question 21

incomplete neighbor tone

Answer 21

neighbor tone to a SINGLE pitch

Question 22

appoggiatura

Answer 22

• skip/leap, then resolve by step (usually in opposite
  direction)
• accented (moves chord tone)

Question 23

escape tone

Answer 23

• step, then skip/leap in the other direction

- unaccented

Question 24

anticipation

Answer 24

• often steps up or down, anticipating note in the
  following chord
• unaccented

Question 25

preparation (sus)

Answer 25

note is part of previous chord

Question 26

resolution (sus)

Answer 26

note resolves down by step into chord