Exam 1 Flashcards

1
Q

Eadweard Muybridge

A

Pioneer of motion studies

Was an acclaimed photographer earlier in life, famous for his photographs of Yosemite

1872- Muybridge is hired by CA governor Leland Stanford
– developed a system of photographing objects in motion- one picture at a time

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2
Q

Etienne-Jules Marey

A

An avid photographer and inventor who was obsessed w/ birds in flight and understanding their flight process

Developed the “chronographic gun”
– camera capable of taking 12 successive photographs in a single frame

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3
Q

(A trick of the eye)

The Film Strip

A

Multiple still photographs projected at a rate consistent w/ mimicking movement in our vision

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4
Q

( Persistent of Vision)

Phi Phenomenon and Beta Movement

A

The phenomena that make up the persistence of vision can be demonstrated w/ a zoetrope…

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5
Q

Thomas Edison

A

1891- debuts the Kinetoscope

    • sold machine to exhibitors
    • made film strips for them to purchase

Kinetoscopes were originally placed in arcades
– people would pay a penny to watch the film strip play inside the machine

Edison never thought watching films in a large audience would be the business model
– he was in the business of selling machines and films directly to exhibitors

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6
Q

The Lumieres

A

In France, they also developed a motion picture camera and playback system

The “Cinematograph” allowed for filming, development, and projection

Travelled around France, shooting films in small towns, and charging residents to see those films at a show

They sold the Cinematograph
– They were in the camera business, not the motion picture business

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7
Q

Editing and Narrative

A

The process of selecting media in order to convey information

Editing techniques developed very quickly in early cinema

Filmmakers learned how to tell stories through experimentation (and accidents) and this created what we can think of as “the language of cinema”

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8
Q

“Trick Films”

George Melies

A

Was a magician in Paris

Bought a projector in England

    • Built a studio and began shooting his own films
    • The studio had glass walls and ceilings to allow light in

A pioneer of movie special effects
– A Trip to the Moon (1902)

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9
Q

Edwin S. Porter

A

Worked for Edison Manifacturing Co.

    • Life of an American Fireman(1902) was one of the first American narrative films
    • The Great Train Robbery(1903) is considered the first western
    • Major editing innovations include “dissolves”and “cross-cuts”
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10
Q

D. W. Griffith

A

Born in Kentucky in 1895

Began his career as a playwright

Known for his “melodramas” and historical films

Founding partner of United Artists

Most famous feature-length films

    • The Birth of a Nation(1915)
    • Intolerance(1916)
    • Broken Blossoms(1919)
    • Way Down East(1920)
    • Orphans of the Storm(1921)
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11
Q

The Birth of a Nation(1915) and controversy

A

Based on the novel the Clansman: An historical romance of the KKK, which was adapted into a wildly successful stage play

The play was banned in many places, but in the south and some Northern cities that only made audiences all more anticipatory

The film rights to the play were purchased by Griffith and adapted into second half of his film

Historical significance to cinema:

    • Extensively developed the techniques of cross-cutting/ intercutting
    • The film was boycotted and protested against by the NAACP upon its release in 1915
    • Griffith was taken aback by the response to his film and the accusation that he was racist
      • he made Intolerance the next year in direct response to his critics
    • The success of the play and the subsequent film adaptation led to the re-founding of the KKK, and membership grew throughout the U.S.
      • as late as the 1970s the film was used as a recruitment tool
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12
Q

Thomas Edison and the NY Film Industry

A

The film industry was based in New York and New Jersey before 1912

There was fierce competition among producers, distributors, and exhibitors

Thomas Edison, in an attempt to consolidate his own power and maintain high profitability, attempted to enforce parents to scare away and reduce competition

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13
Q

The scheme

A

Edison would file parents on his inventions, then any time someone tried to use similar equipment or do anything that resembled his own work, he would threaten them with w/ a patent lawsuit
– in order to avoid a lawsuit, you could pay a “license” fee to Edison, which then allowed you to legally use his invention
Eventually, he forms the Motion Picture Patents Company(MPPC)

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14
Q

(The MPPC)

A monopoly

A

Formed by Edison alongside other major companies that owned patents or controlled operations essential to the film industry
– Biograph, Essanay, George Kleine (a distributor), and Eastman Kodak (film stock)
Together, these companies formed a monopoly on the industry, controlling all aspects of film production, distribution, and exhibition
– If you weren’t a member of the Edison Trust, it was difficult to operate in NY/NJ

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15
Q

IMP and the move to Hollywood

A

Carl Laemmie Sr. - began as an exhibitor
– owned several theaters in New Jersey

Fed up with the monopoly of the MPPC, he formed a new organization, the Independent Moving Pictures Company (IMP)

Eventually IMP was threatened w/ legal action from Edison and the MPPC, so several members of IMP packed up and headed out west

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16
Q

The Universal Film Manufacturing Co.

A

Hollywood’s first film studio
– founded in 1912 by Carl Laemmie and several business partners

By the mid-20s, the Universal lot is massive, and it features the largest backlot for shooting motion pictures in the world, including fully constructed buildings exteriors and some interiors

17
Q

Why Hollywood

A

Edison couldn’t reach them
– patents weren’t enforceable

They also settled on La for a few other, pretty big reasons:

Weather
– Southern California weather is warm year-round, very sunny

Location
– Variety of accessible landscapes: ocean, desert, mountains, city

Cost
– Land was cheap to buy, the industry’s operations were cheaper to run from CA than NY/NJ

18
Q

Early Hollywood

A

Dozens of companies start moving in and beginning operations in Hollywoodland between 1912 and 1915

The MPPC was eventually broken up by the U.S. gov’t in 1918, and its patents became unenforceable

Film becomes a major business as it becomes more and more popular

19
Q

Nickelodeons

A

The major form of theatrical exhibition between 1905 and 1910

Small storefront theaters that could seat between 20 and 100 people

Ran shows continuously all day long

Cost a nickel to go inside and watch the program

20
Q

Film Culture and Audiences

A

Films were “low class” objects
– respectable members of society did not go to see films

Audiences were largely working class, many of them recent immigrants

The experience of seeing s film in a vaudeville theater or a Nickelodeon could be quite…distinctive

21
Q

Charlie Chaplin

A

“The Tramp”

Began career at Keystone Studios making one-reel shorts, eventually got to make “features”

One of the biggest stars in the world in the 1920s and 30s

Films driven by character-based comedy and strong emotionality

22
Q

Buster Keaton

A

The Great Stoneface

Also started at Keystone, often partnered w/ Roscoe “Fatty” Arbuckle, who discovered him

Films were known for their elaborate stunt work, which would build gag- upon- gag until the joke couldn’t go any further

23
Q

Expressionism

A

An art movement that began in painting, music, and theater

Expressionism is a reaction against Realism, the dominant artistic mode of late- 1800s and early- 1900s

Expressionism sought to portray the inner psychology of its subjects and characters as manifestations on the outside world

24
Q

Common themes

A

Sexuality

War

Death and Mortality

25
Q

World War I

A

The first “modern” war- more destruction and death than had ever been witnessed

    • new weapons
    • incompatible “old” combat techniques

Chemical warfare
–mustard gas and its effects

26
Q

The treaty of Versailles

A

Signed June 28, 1919

Assigned blame to Germany for the destruction in the war

Germany was ordered to pay reparations to ALL allied countries

Totally stripped of their military

Land which had belonged to the country since the defeat of Napolean in 1816 waseetyrned to Poland and Czechoslovakia( now Czech Republic)

27
Q

Expressionism in Film

A

Key Elements:
Chiaroscuro(high contrast) lighting
– results in heavy shadows

Emotive acting

  • -highly emotive and over the top
  • -robotic and stiff

Most expressionist films fall into what we now call the science-fiction or horror genres

28
Q

Key Films and Clips

A

The Cabinet of Dr. Caligari (Robert Weine, 1919)

The Golem(Paul Wegener, 1920)

Nosferatu(F. W. Murnau, 1922)

Metropolis(Fritz Lang, 1927)

29
Q

Silent Film: The Golden Age

A

By the early/mid-20s, silent cinema was very advanced and sophisticated

    • inter titles not necessary
    • the camera would move around very elaborately
    • stories were increasingly complex
Filmmakers like Griffith, Erich Von Stroheim, and Cecil B. Demille had brought prestige to film 
-- middle and some upper class audiences attended films regularly
30
Q

Development of Sound Technology

A

There had been attempts to add sound to film from the beginning

However:

    • Technology was expensive- it had to be developed (took a long time and a lot of $$$)- and the reproduction of sound wasn’t always reliable
    • Theaters were also not willing to invest in technology that wasn’t proven
31
Q

New technologies:

Sync-sound production and exhibition

A

Sound-on-Disc System

  • -Vitaphone (Warners Bros)
  • -First film w/ sync-sound(music): Don Juan(1926)

Sound-on-Film System

    • Movietone(Fox)
    • big hit is Sunrise(1927)
  • -sound-on-film eventually wins out
    • a more stable, reliable system
32
Q

The Jazz Singer(1927)

A

First film w/ sync-sound dialogue
–Warner Bros. Vitaphone system

Massive hit- earns $ 2.53 million in box office receipts

Proves to industry that sound is worth investing in
– 1927-1929, $300 million is spent upgrading studios and theaters for sound films

Famous line of dialogue announcing the arrival of spoken word: “wait a minute. You ain’t heard nothin’ yet!”

33
Q

Consequences

A

Films looked different

    • less movement, more stage-y
    • the technology was hard to work with on set

Film was harder to distribute internationally
– film stars had worked in different countries, too; some lost their jobs b/c of accents or inability to speak a certain language