Exam 1 Flashcards

Study

1
Q

Opium Wars

A

(1839-1842) Europe sending opium, many Chinese citizens are addicted, causing health and financial issues

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2
Q

Taiping Tianguo Uprising

A

(1850-1864) Qing troops (mainly Hunan army) defeat the uprising using Western imported weapons.

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3
Q

100 Day Reform

A

(1898)

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4
Q

Boxing Uprising

A

(1898-1901) The “boxers” who were mostly poop peasants, resisted encroachment of foreign powers. Many were punished when foreign troops stormed Beijing.

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5
Q

Westernization Movement

A

(1860s-1890s) Westernization movement was an effort to retain Chinese culture while integrating technology from the west.

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6
Q

1800s events:

A
  • Opium wars (1839-1842)
  • Taiping Tianguo Uprising (1850-1864)
  • 100-day Reform (1898)
  • Boxing Uprising (1898-1901)
    and while this is all going on…
  • Westernization movement (1860s-1890s)
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7
Q

Orthodox Literati (and who)

A
  • Effort to retain literati tradition and essence.
  • Wang Shimin and Wang Hui
  • Literati tradition = 2,000-3,000 years old
  • Imagination, not much looking at reference
  • Leave some blank and untouched, let it breathe
  • High class (Qing dynasty)
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8
Q

Eccentric Literati (and who)

A
  • Effort to defy traditional literati rules
  • The 4 monks (Hangmen, Duncan, Zhu Da, Shitao) were experiencing marginalization, so they become monks to be safe. They painted in nature bc of spiritual and physical proximity. 17th century.
  • Yangzhou School was a prosperous area in China. 18th century.
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9
Q

Wang Shimin

A
  • DATE LIVED
  • Master of traditional (orthodox) literati
  • Emphasizing difference with every stroke
  • “6 masters”
  • Energetic brushwork
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10
Q

Wang Hui

A
  • DATE LIVED
  • Orthodox literati
  • Closer to real world, atmospheric
  • Less empty space left
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11
Q

Who were the 4 monks?

A

Hongren, Kuncan, Zhu Da, Shitao

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12
Q

Dianshizhai Pictorial

A
  • (1872) Shanghai Daily founded, Chinese newspaper taking Inso from the west. First newspaper in China available to anyone.
  • (1876) Dianshi Studio opened, publishing house
  • (1884) Dianshi Pictorial added to the paper, ppl LOVE it, huge deal in popular culture
  • (1898) Publications stopped
  • Lithographic text used to print
  • Ethical and educational elements often injected
  • Often depicted new technologies
  • Wanted to function as an encyclopedia by covering all detail
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13
Q

Urban Literati Art (and who)

A
  • In the late 19th-early 20th century, shift taking place
  • Ppl taking refuge in Shanghai, sending a lot of educated ppl to the city, creating a new Shanghai w these immigrants
  • Foreign and domestic cultures clashed and coexisted
  • Ppl that were trained in literati art are now going to an urban area, creating a fusion.
  • Zhao Zhiqian, Xugu, 3 Rens
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14
Q

The 2 calligraphy styles

A
  • Bei (stone style) and tie (copy book style)

Bei
- Characters carved on stone
- Masculine
- More horizontal

Tie
- Imitating what the masters would do
- Feminine
- More vertical

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15
Q

Zhao Zhiqian

A
  • (1829-1884)
  • Urban Literati
  • Monk
  • Talented caligrapher (Bei)
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16
Q

Xugu

A
  • (1823-1898)
  • Urban Literati
  • Monk
  • Wonderful at painting every subject
17
Q

Three Rens

A
  • Ren Xiong, Ren Xun, Ren Bonian
  • Not from same family, but grouped
  • Xiong and Xun are brothers, Boniam is Xun’s student
  • Western elements + traditional elements taken from the old masters
18
Q

Ren Xiong

A
  • (DATE)
  • Urban literati
  • Expert in scholarship and the martial arts
  • Xun’s brother
19
Q

Ren Xun

A
  • (DATE)
  • Urban Literati
  • More of an introspective personality
  • Works are more quiet, elegant, beautiful
  • Xiong’s brother
20
Q

Ren Boniam

A
  • (DATE)
  • Urban literati
  • Became most successful painter in Urban literati art
  • Stayed for a short time at the T workshop
  • Xun’s student
21
Q

Differences and similarities: Orthodox and Eccentric

A

Orthodox
- Less unique, more stylized to what literati masters of the past would do

Eccentric
- Exploring individuality, more experimental

Both
- Both literati styles, and both are needed to provide a comprehensive history of literati art and its impact.

22
Q
A