Exam 1 Flashcards

1
Q

Influence of humanism on Reformation thought

A

o catalyst to the Protestant Reformation and thoughts and ideas of Martin Luther
o humanist education that exposed Luther to the classics and the early church fathers that previously had been known by name only
o humanism and secularism led people to question the church
o “Learning improves and ennobles

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2
Q

causes and effects of Luther’s reforms

A

o began the reformation, religious reform
o led founding of Christian churches that didn’t accept pope’s authority
o pope threatened to excommunicate
o emperor Charles summoned him to Worms
o German peasants revolted
o Princes started protesting (Protestant) which led to war against Charles V

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3
Q

Luthers experience at Diet of Worms

A

o Refused to recant positions
o Declared outlaw and heretic
o Powerful German princes protected him

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4
Q

other Protestant traditions

A
  • Anabaptism
  • Calvinism
  • Anglicanism
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5
Q

Anabaptism

A

being baptized again, adult baptism even if baptism had been performed in infancy

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6
Q

Calvinism

A

founded by John Calvin
 Strong moral code and believed in predestination, live as the elect
 God is omnipotent and omniscient
 Supported constitutional representative government and separate of church and state
 Institutio Christianae Religionis

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7
Q

Calvinism core beliefs (5)

A

o Total depravity – all people are depraved
o Unconditional election – God saves through mercy
o Limited atonement – only serves the elect
o Irresistible grace – saving grace among the elect
o Perseverance of the saints

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8
Q

Anglicanism

A

o Protestant denomination of the Christian faith founded by Henry VIII and Elizabeth 1
o Clergy: bishop, priest, deacon

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9
Q

artists of the Northern Renaissance (4)

A

Dürer
Grünewald
Bosch
Bruegel

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9
Q

the main points of Erasmus and Luther in their debate on free will

A

Erasmus: Free Will- agency
Luther: Bondage of the Will- predestination

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10
Q

Durer

A

more famous for his prints than his paintings in his day
 LINEAR PERSPECTIVE
 Artists studying human anatomy

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11
Q

Grunewald

A

exposes northern use of realism, religion, symbolism, emotion
 Reintroduces medieval hierarchy of figures (more important figures are larger) combined with intense passion and drama. Rejects classical restraint in favor of dramatic, even violent images of contemplation

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12
Q

Bosch

A

surrealist painter of the Netherlands who focused his works on symbolism, fantasy, confusion, death, torments of hell

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13
Q

Bruegel

A

famous Flemish painter who depicted landscapes with the central focus on human peasant life
 Love of landscape and genre scenes

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14
Q

Van Hemessen

A

Realistically rendered detail and sensitive, thoughtful expressions trained by her father, worked on some of his commissions

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15
Q

characteristics of Northern Renaissance paintings and prints (9)

A

o specialty: intense realism
o style: lifelike features, unflattering
o subjects: religious and domestic scenes
o figures: prosperous citizens, peasants
o portraits: reveal individual personality
o technique: oil painting on wood panel
o emphasis: visible appearance
o basis of art: observation
o composition: complex, irregular

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16
Q

indulgences

A

according to Roman Catholicism, removal or remission of the punishment that is due to purgatory for sins, the forgiving of sin upon repentance
 release sinner from penalty from priest, through good works or prayers along with payment of money

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17
Q

Holy Roman Empire

A

multi-ethnic complex of territories in central Europe that developed during early Middle Ages and continues until dissolution in 1806 – imperial diet was legislative body of Holy Roman Empire and superior to emperor, included positions called prince-electors who elected the prospective emperor

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18
Q

95 Theses

A

An academic proposition; a proposition to be debated and proved or disproved – challenged roman catholic doctrine of indulgences

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19
Q

Iconoclasm

A

Having to do with the destruction or removal of sacred religious images – denunciation of paintings, statues, other visuals as form of papist idolatry

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20
Q

Engraving

A

An image created by cutting into or corroding with acid the surface of a metal plate or wooden block, such that several prints of the image can be made by pressing paper or paper like materials against the plate or block – used for Adam and Eve by Durer

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21
Q

Altarpiece

A

a work of art, especially a painting on wood, set above and behind an alter

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22
Q

Triptych

A

art consisting of a painting or carving, especially altarpiece, on three panels, hinged together, Bosch used on Garden of Earthly Delights

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23
Q

Linear perspective

A

parallel lines appear to converge with distance

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24
Q

the turmoil in politics, succession, and religion surrounding Henry VIII

A

o his final break from the catholic church led to the development of ties between England and other countries of reformation, particularly Netherlands
o England secretly helped Netherlands vs Spanish

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25
Q

the six wives of Henry VIII

A

Catherine of Aragon (divorced)
Anne Boleyn (beheaded)
Jane Seymour (died)
Anne of Cleves (divorced)
Catherine Howard (beheaded)
Catherine Parr (survived)

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26
Q

Catherine of Aragon

A

1st – mother of Mary 1. The divorce precipitated England’s break with Rome - DIVORCED

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27
Q

Anne Boleyn

A

2nd - mistress during reformation, gave birth to Elizabeth, future queen. Wanted to end marriage with Catherine to marry Anne – BEHEADED

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28
Q

Jane Seymour

A

3rd wife who gave birth to Edward VI, died during childbirth – DIED

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29
Q

Anne of Cleves

A

4th, unattractive – DIVORCED

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30
Q

Catherine Howard

A

5th executed for adultery, had no children BEHEADED

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31
Q

Catherine Parr

A

6th wife, had no children, outlived Henry

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32
Q

successors to Henry VIII and the resulting shifts between Protestant and Catholic interests (Edward, Mary, Elizabeth)

A

Edward VI

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33
Q

court portraits by Hans Holbein and Nicholas Hilliard

A

Anne of Cleves
ermine portrait of a queen

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34
Q

the contrasting style of Spanish art in the works of El Greco

A

pulled together mystical and realistic color, venetian influence, distortion of figures is more mannerism

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35
Q

unique instruments and musical compositions of the Northern Renaissance

A

o virginal – instruments
o musical compositions: motet, madrigals, anthems

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36
Q

major Northern Renaissance composers and their works (5)

A

Praetorius
Dowland
Henry VIII
Tallis
Morley

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37
Q

Praetorius

A

German composer, organist, music theorist
 Most versatile composers of age, particularly significant in development of musical forms based on protestant hymns

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38
Q

Dowland

A

most melancholy works, ayres, travelled all over, greatest virtuoso of his day on the lute

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39
Q

Tallis

A

famous for 40 part motet “spem in alium” written for 8 choirs of 5 singers each, each of 5 has unique part to sing, 40 singers have unique part, expressive and emotion combination

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40
Q

Morley

A

lighthearted tone and fast moving songs aim to please listeners and performers, popular because of printing

41
Q

theatres and dramatic performances in Tudor England

A

stage was large platform jutting out – pit or ground, allowed people of all classes to attend

42
Q

Shakespeare’s background, work, and legacy

A

Went to grammar school and quit to marry anne Hathaway, they had 3 children. Wrote sonnets when legal restrictions banned actors

43
Q

memento mori

A

object as warning or reminder of death, ex – skull

44
Q

motet

A

short piece of sacred choral music, typically polyphonic and unaccompanied

45
Q

madrigal

A

renaissance secular work originating in italy for voices, with or without instruments, set to short, lyric love poem, popular in England

46
Q

Oriana

A

book of English madrigals, complied and published in 1601 by Thomas Morley, first edition has 25 pieces by 23 composers, dedication to queen Elizabeth 1

47
Q

Lute

A

plucked string instrument that is a relative of the guitar

48
Q

Groundlings

A

spectator or reader of inferior taste, member of theater audience who traditionally stood in the pit below the stage, paid pennies

48
Q

Soliloquy

A

long speech expressing the thoughts of a character alone on stage

49
Q

the genesis and the objectives of the Counter Reformation in Italy

A

started by roman catholic church

50
Q

the characteristics and the objectives of Counter Reformation Baroque art and architecture

A

o placed extremes of human behavior and emotion front and center
 tried to analyze how and why their subjects felt
 writers used elaborate imagery

51
Q

the outcomes of the Council of Trent, influence of Jesuits

A

o outcome: council redefined catholic doctrines and reaffirmed those dogmas that Protestantism had challenged
 tried to eliminate the abuses by the clergy and to tighten discipline

52
Q

influence of the Jesuits

A

key instruments in the campaign to reestablish the authority of the church led their militia like charge with persuasion, il Gesu

53
Q

re-design and embellishment of St. Peter’s Basilica

A

o old basilica was deemed inadequate
o Julius II decided on complete reconstruction
o Pope Paul V – dismantle whatever remained, hired Carlo Maderno to design 27 popes had come and gone before it was done

54
Q

painters, sculptors, and architects of the Counter Reformation Baroque

A

Caravaggio
Gentileschi
Bernini
Gaulli
Borromini

55
Q

Caravaggio

A

Italian painter known for realistic depiction of religious subjects, novel use of light “controversial” in trouble with the law, use of tenebrism

56
Q

Gentileschi

A

accomplished female painter
 Elected to the Florentine academy of design, one of first female artists to paint historical and religious paintings

57
Q

Bernini

A

Italian sculptor and architect of Baroque period in Italy
 Most prolific sculptor of baroque era
 Baldacchino – bonze – columned canopy

58
Q

Gaulli

A

an Italian artist working in the high baroque and early Rococo periods, best known for grand illusionistic vault frescos in the church of the Gesu in Rome
 Work influenced by Gian Lorenzo Bernini

59
Q

Borromini

A

reclusive outsider, loner, “architects’ architect”
 Committed suicide at 68
 Introduced MOTION

60
Q

inquisition

A

church court set up to try people accused of heresy

61
Q

the papal index

A

list of books banned by the catholic church, the books contained ideas that went against the church’s ideas

62
Q

baldacchino

A

a canopy on columns, frequently built over an altar

63
Q

relic

A

object considered holy because it belonged to, or was touched by a saint or other holy person

64
Q

mysticism

A

form of religious belief and practice involving sudden insight and intense experiences of God

65
Q

Chiaroscuro

A

treatment of light and shade in a work of art, especially to give an illusion of depth

66
Q

Tenebrism

A

painting in the “shadowy manner” using violent contrasts of light and dark as in the work of Caravaggio

67
Q

Apocrypha

A

books of jewish scriptural writings that are not included in the canon of some bibles, including the current King James Bible

68
Q

painters for the aristocracy

A

Velázquez
Rubens
Poussin

69
Q

Velazquez

A

Spanish court painter and confidant of King Philip IV, harsh realism

70
Q

Rubens

A

Flemish artists, most sought after
 Emulated chiaroscuro
 Ran large workshop to keep pace with his commissions

71
Q

Poussin

A

most renowned French painter of 17th century
 Work was protest against excesses of Baroque
 Classical antiquity

72
Q

painters for the Dutch Republic

A

Rembrandt
Hals
Vermeer
Steen
Claesz
Ruisdale

73
Q

civil war, plague, and fire in England, and the rebuilding of St. Paul’s Cathedral (Wren)

A

o reconstructed by Christopher Wren
 redesign is midway of Italian Baroque (flowing) and French Baroque (strict classicism)

74
Q

Etching

A

process of cutting into a surface with the use of an acid product

75
Q

Classicism

A

deriving from the orderly qualities of ancient Greek and Roman culture; implies formality, objectivity, simplicity, and restraint

76
Q

Absolute monarch

A

king or queen who has unlimited power and seeks to control all aspects of society – Louis XIV

77
Q

Parliament

A

body of representatives that makes laws for a nation

78
Q

the development of opera as a major art form

A

demand for secular music grew and sacred music moved for a more universal appeal, born in Florence

79
Q

characteristics and compositional developments within Baroque music

A

o style of music between 1600-1750 characterized by the use of the harpsichord
 loaded with tension, drive (motor rhythm) activity, flairs for the dramatic

80
Q

composers of the Baroque Era

A

Monteverdi
Handel
Bach
Vivaldi

81
Q

discoveries and theories of major Baroque scientists and philosophers

A

Galileo
Descartes
Hobbes
Locke

82
Q

Galileo

A

proved Copernicus’ theory that the sun was the center of the solar system and developed modern experimental method

82
Q

Descartes

A

1596-1650: French Philosopher, discovered analytical geometry
 Saw algebra and geometry have a direct relationship
 Reduced everything to spiritual or physical

83
Q

Hobbes

A

English philosopher and political theorist best known for his book Leviathan – 1651 – in which he argues the only way to secure civil society is through universal submission to the absolute authority of a sovereign
 MATERIALISM – solved political not philosophical problems

84
Q

Locke

A

wrote two treatises of government.
 Said human nature lived free and had the natural rights of life, liberty, and property
 He said government was created in order to protect these rights and if the government failed to do so it was the duty of the people to rebel

85
Q

notable Baroque writers

A

Molière
Cervante
Donne
Bradstreet

86
Q

moliere

A

French actor/ playwright who produced comedies that made fun of French society

87
Q

Cervantes

A

Spanish writer best remembered for Don Quixote which satirizes chivalry and influenced the development of novel from (1547- 1616)

88
Q

Donne

A

earliest poet to write in metaphysical style had big influence on younger generation of poets
 Became Anglican preacher, later became Dean of Saint Paul’s
 Gave intellectual expression to EMOTIONAL experience

89
Q

Bradstreet

A

 First American poet and key figure in history of American literature
 Works shows struggle of her illness and New England colonial life

90
Q

Florentine Camerata

A

group of humanists, musicians, poets, and intellectuals in late renaissance Florence who gathered under patronage of count Giovanni de bardi to discuss and guide trends in the arts – result recitative formed

91
Q

Recitative

A

musically heightened speech, often in opera, oratorio, cantata to report dramatic action and advance the plot

92
Q

Aria

A

operatic solo – song sung by one person in an opera or oratorio

93
Q

Oratorio

A

large scale musical composition on a sacred subject
 Performed without action, scenery or costume, in a church

94
Q

Harpsichord

A

plucked keyboard instrument from the Baroque period of music forerunner of modern piano

95
Q

Concerto grosso

A

orchestral composition where musical material is passed from a small group of soloists to the full orchestra and back again

96
Q

Polyphony

A

music with two or more melodies blended together

97
Q

Fugue

A

musical piece where a single theme is passed from voice to voice or instrument to instrument repeating the principal theme in different pitches

98
Q

Counterpoint

A

the addition of one or more independent melodies above or below the main melody, playing more than one melody simultaneously, with both given equal value

99
Q

Picaresque novel

A

form of fiction having an engaging, roguish hero who is involved in a series of humorous or satirical experiences