Exam #1 Flashcards
Models of communication
Channel richness
The extent to which some communicative event uses many channels at once
Face to face
Facial expressions, smell, touch, forward leaning, voice, etc
Texting
The words themselves, emojis, other text characters
Channel rich ←————————-> Channel lean
Face to face (zoom) (phone) (texting) written letter
Intentional vs. nonintentional communication
~You cannot NOT communicate (Watzlawick, Beavin, and Jackson, 1967)
Intentional messages are deliberate, conscious, knowing
Ex. ordering food, asking someone out on a date, asking your parent for money
Unintentional messages occur when unconscious communication is interpreted as having meaning
nonverbal communication
Microexpressions, body posture(at times), etc
Ex. playing with hair, holding arm, hands behind back, shaky leg, rocking in place~these are all indicators of nervousness/anxiety and what we call nonverbal leakage
Types of relationships
Role relationship:
functional/causal relationships, often interchangeable, share behavioral interdependence
One person’s behavior somehow affects the other person’s behavior and vice versa
Interpersonal relationships:
Relationships where both parties influence the other in meaningful ways (mutual influence) and share a unique interaction pattern
Intimate/close relationships:
Interpersonal relationships that are deepened by sharing emotional attachment, need fulfillment, and irreplaceability
Relational vs. content dimensions of messages
Content level of the message conveys information at a literal level whereas the relational level provides context for interpreting the message of a relationship
Communication goals
Instrumental goals
Goals related to tasks, such as making money, getting good grades, buying a car, getting a ride to school, and completing a homework assignment
Self-presentational goals
Communication can be motivated by maintaining the image we want to convey
Relational goals
Relational objectives or states that motivate our communication choices
Functions of nonverbal communication
Regulating interaction/conversation
Turn yielding cues
Change in intonation, drawl of last syllable, drop in loudness, stop gesturing
Turn requesting cues
Speaker directed gaze, audible inhale, gestures, stutter start
Impression management
Creating a certain image of oneself or of one’s relationship
Defining the relationship~Both to the partner and others
Channels of nonverbal communication
Oculesics= eye movement
Two components:
Gaze
Pupil dilation
Pupil dilation is associated with arousal (increased energy)
Positive arousal: excitement or sexual arousal
Negative arousal: anxiety or fear
Vocalics= characteristics of the voice
Also called paralanguage, because the voice communicates meaning alongside language
Includes-
Pitch: how high or deep a voice sounds
Inflection: the extent to which there is variation in pitch
Volume : how loud or soft
Rate: how fast or slow someone is talking
Silence: the absence of sound
Kinesics:
Includes gestures, body posture, gait
Types of gestures:
Emblems : gestures with direct verbal translations
Illustrators: gestures that go along with verbal messages
Regulators: gestures used to control the flow of conversation
Haptics = touch
Intimacy
Power and control
Ritualistic touch
Proxemics = physical distance
Hall’s spatial zones:
Intimate zone: intimate partners
Personal zone: friends and relatives
Social zone: casual acquaintances
Public zone: strangers and general public
Physical appearance= the messages communicated through appearance
olfactics= messages communicated through smell
Smell influences sexual attraction - we are attracted to people whose natural scent is most different from our own
Chronemics
Messages communicated through the use of time
Our use of time sends messages about:
What we value
Who holds the power in the relationship
Artifacts= our use of space objects and physical features
Set the tone for an environment
Communicate personality and values
Influence the flow of conversation
Communicate power
Tie signs
Nonverbal behaviors that indicate to others that you are in a relationship
Immediacy cues
Nonverbal behavior that conveys attraction or affiliation
Barriers to effective listening
Noise
- Physical noise - physical sounds in the environment
- Psychological noise - distractions in one’s thoughts, thinking about something other than the conversation
- Physiology noise - distractions in one’s body
Information overload - the state of being overwhelmed by the amount of info one takes in
Pseudolistening - using feedback behaviors to give the false impression that you are listening
Phubbing - looking at your phone rather than actively engaging in conversation
Selective attention - listening to only what one wants to hear
Competitive interrupting - using interruptions to take control of a conversation
One upping - listening to share a bigger and better story or experience
Empathetic listening
Respond by acknowledging the speaker’s feelings
Paraphrasing to make sure you’re understanding - try to capture the meaning and emotion of what the person said just using different words
Ask open and honest questions - these are questions you DON’T already know the answer to, these questions invite the person speaking to share more
Rules of verbal communication (i.e., language)
textbook
Communication theory of identity
Four layers of identity:
Personal identity: the self-concept or individual understanding we have of ourselves
Relational identity: the way we see ourselves in relation to others, including how we believe other people view us (ascribed identity), our roles within relationships, and the joint identities, we share with others
Communal identity: The way we see ourselves in relation to social groups
Enacted identity: the communication, management, and performance of our identity
Interpenetration: the layers of identity, while being distinctly identifiable, may also combine to create a new aspect of identity or may influence each other
Identity Gaps: one layer of identity might contradict another layer of identity
Leads to personal discomfort and ineffective communication
Politeness theory
Brown and Levinson’s extension of Goffman’s work which focuses on specific ways that people manage and save face using communication
Face theory
Also called the dramaturgical perspective
We constantly enact performances for the people around us -with the purpose of advancing a beneficial image of ourselves and avoiding a negative image
Facework
Behaviors used to project your desired image
Face needs
Positive face
Desire to be liked by others
Fellowship
Wanting to be included
Competence
Wanting to be viewed as capable
Negative face
Desire for control of one’s own life
“Wait, does that mean facework is being fake?”
Facework is often subconscious, but it becomes particularly salient when…
The behavior reflects highly valued, core aspects on the self
Successful performance is tied to vital positive or negative consequences
The behavior reflects directly on valued rules of conduct
“I’m not constantly worrying about my image, I’m not that shallow”
Frontstage vs backstage
Frontstage
Where performances are enacted~public
Backstage
Where we prepare for performances
Ex.
getting ready in the morning for the day