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Art History > Everything > Flashcards

Everything Flashcards

1
Q

Form

A
  • physical properties(medium, scale)
  • formal properties like elements( line,value,color,shape,texture,) principles (balance, rhythm,dominance)
  • composition of artwork(how they are arranged
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2
Q

Content

A

Implied which is info,feelings,ideas that are inferred from the literal content

-literal straightforward description

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3
Q

Context

A 
Where was it made
Who made it 
when was it made 
Why was it made
Where is it now
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4
Q

Neolithic

A

New Stone Age

10,000-35,000 BCE

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5
Q

Venus figurine

A

Upper Paleolithic

Venus of Willendorf

Limestone

Created by Early modern humans 30,000-24,000 BCE

Red pigment found

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6
Q

Cave paintings

A

Discovered 1940 by 4 children with a puppy and it was in France

Lascaux-

the hall of bulls
Give me dem horses,bulls, and stags

The shaft of the dead

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7
Q

Mega lithic

A

Menhir: single standing stone

Dolmen- chamber of upright stones with flat roof
Stone circles- circle stones (duh)

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8
Q

Great. Pyramids

A

Y

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9
Q

Classical Greek

A

Heightened realism

Sense of movement in free standing statutes

Spacious, fluid, balanced

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10
Q

Hellenistic

A

More pronounced realism and expressiveness

Greater variety of DRAPERY and pose(extreme torsion)

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11
Q

Secular sculpture

A

NON RELIGIOUS BAE🙅🏽👁👀

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12
Q

Byzantine

A

Eastern Roman Empire and Christianity

Justinian 1 the great was the start cause for the FIrst golden age in the 6 century

Second golden age in 9 century

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13
Q

Hagia Sophia

A

Church of Holly wisdom

Istanbul, Turkey

Built as church on Justinian order then converted in mosque in 1453 Now museum

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14
Q

Iconoclast Controversy

A

8 century

Really divided Catholicism from Orthodox Faith

Iconoclast. Vs. Iconodules(Philes)
Emperor Leo 3 and Monks centered in
Supporters throughout Western provinces
Eastern provinces

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15
Q

Romanesque. 1000-1150

Gothic. 1150- 1450

A

Roman- heavier more squat🏋🏾 and fewer windows and light round arches

Gothic- larger more elaborate and emphasis on vertical form decorated with stained glass use of flying buttresses pointed arches “French style “ “ modern style”

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16
Q

Porto renaissance

Renaissance Humanism

A

A shift toward an individual
In Florence during the 14 century

Developed from rediscovery of Latin/Greek txts

God created the universe, but humans developed and industrialized it.

Beauty represent deep inner virtue and value

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17
Q

ProtoRenaissance

A

14 and 15 century Italy

Transition between medieval art and renaissance emphasis on painting

Giotto- developed pictorial space
Alberti- developed linear perspective

Rise of humanism individualism

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18
Q

The announcement of Death of the virgin

A

1308
Duccio

Trying to do linear perspective

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19
Q

Arena Chapel

A

Padua, Italy

Scrovegni,chapel

1304,06

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20
Q

Frescoes

A

Painting on plaster walls/ceilings

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21
Q

The lamentation

A

Weird crying angels most expression
Mary is there
Jesus just killed

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22
Q

The last judgment

A

And well basically protoRenaissance

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23
Q

Maso Di Banco, pope st sylvesters miracle 1340

A

Stuff stuff

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24
Q

Piero

A

Liked to draw coliseums into round like figures love of architecture
Linear perspective

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25
Q

Botticelli

A

On the left in adoration of the magi

26
Q

Allegory

A

Abstract ideas principles represented by characters of events in narrative or pictorial form

27
Q

Giotto

A

Discovered pictorial space,naturalism , and focused compositions

28
Q

Donatello

A

Early renaissance sculpture
Mary magdalen-lady with wood texture face and old looking

The David flamboyant

29
Q

Masscio trinity

A

Well vanishing point and look Jesus is staked with people surrounding and the back looks like it disappears

30
Q

Filippo lippi

A

Vanishing point happens

31
Q

Georgio Vasari

A

Promoted the concept of concepts genius and the one emerged with Christianity which is cult of genius.
Graciousness
God like status

32
Q

Leonardo high renaissance

A

Painting,architecture,engineer,military science, botany, anatomy, geology,geography,

Human eye is final authority

33
Q

Michelangelo high renaissance

A

Painter sculptor architect poet engineer

Refused to train apprentice

Emotional,rough,uncouth with cruel wit

Conflicted-moral,religious,sexuality

“Liberate the figure from the marble that imprisons it”

34
Q

Michele

A

To do the tomb of Julius the second much had to paint the Sistine chapel and put sky then went to 12 apostles

35
Q

Raphael high renaissance

A

Interested in color,line,form,grace than anatomy science

A sponge of copy cat of other artist styles . Style appeal to pope and peaople

36
Q

Titian high ren

A

Famous Venice painter. Dom. 60 years
Incredibly prolific and versatile-myth/real/port/land

Technique color set a precedent for western painting

10-20layer paintings of glazes

37
Q

Jan Van Eyck high renaissance

A

Most innovative Flemish painter of 15 century

Perfected technique of oil

38
Q

Bosch high ren

A

Garden of earthly delights panel three sections left heaven middle earth right he’ll

39
Q

Protestant reformation and counter reformation

A

Jjbhcg jxf

40
Q

Durer

A

Printmaker and painter basic best of n ren

Leonardo of the north

Publish books of geometry and human proportions

Nature rhino birds and animals

41
Q

Holbein

A

Designer painter draftsman

Realistic detalied portraiture

Fled to England BCE iconoclastic became court painter for king Henry VII in 1536

42
Q

Mannerisms parmigianino

A

Long neck madona

43
Q

Mannersinm bronzino

A

Flamboyant
Venus Cupid and the time
Invest

44
Q

Protestant reformation and coountee reformation

A

Martin Luther developed splinter groups and radical fundamentalism emerged in areas

The developed by Catholic Church to reinforce and promote ideals of church

European rulers Allie as themselves with either movement depending on political and economic self

45
Q

El Greco mannerism

A

Drastic change in stuff but I don’t get

46
Q

Mannerism
Harmony - dissonance
Reason- emotion

Reality- imagination

A

Love mannerism

47
Q

Italian baroque theatrical focuses dramatic. Caravaggio

A

The conversion on the way to Damascus - the is a horse and a person getting stomped Alexander? And the. A person in the background

The crucifixion- person lifting the cross with person tied on and two other helping

48
Q

Artemisia Italian baroque gentileschi

A

Judith slaying holofernes - two of them stabbing the guy

Judith and her maidservant with the head of holofernes- about to flee because of above

Compare carrvaggio with artemisia of standby well once diff persepectives

49
Q

Berniniitalian baroque

A

The rape of prosperina detail is amazing as he lifts her up.
The David- is in act of throwing a rock thing intense stare

Ecstasy of sang theresa- when experiences stuff

50
Q

Dutch baroque

A

Happened because of stuff

51
Q

Frans Hals

A

Did portraits of people ordinary

Small canvas

52
Q

Judith leister Dutch baroque

A

The proposition- guy try’s to pay girl for you know what

Self portrait

53
Q

Rembrandt- Dutch baroque

A

Did amazing romantic portraits cute?

Did the dead guy getting viewed

Hendrickje bathing in a river

54
Q

Jan Vermeer Dutch baroque

A

Worked in a studio used mirrors and
The love letter- the mirror and stuff

The allegory of the faith - girl looks distort

55
Q

Flemish and Hollander baroque differences ??????

56
Q

French romanticism Theodore gericault

A

The raft of the medusa

57
Q

Cons table john

A

The hay wain French roman

58
Q

The massacre at Chios

A

French rom , Delacroix Eugene. It was difference and re painted before opening and they were emerged in neoclassicism
David also debut too
Also girl seated in a cemetery beauty

The naked lady

59
Q

Spanish romanticism

Emotion was an end itself

Goya

A

Goya arrived in Madrid and influenced by Rocco and then deaf then court painter then
The yard of madhouse- a bunch of crazed people
Witches in are- church’s lies so A bunch in sky hiding
The nude maja- a women naked
Charles 5 and fan- mocking them in portrait

Third and second war of may - BCE French
Third the execution of defenders of Madrid
Black paintings- land stuck fighting
Goya etchings- printmaking attacks social church customs and
Los Capricos- same
Los disasters se la Guerra- war

60
Q

Rococo 18th century French culture

A

The embarkation for cythere- rich wait afterlife
The musical context-girl get in seduced
The swing- guy looking up the girls skirt
Primarily style inferior design marked by elegance,opulence,-and ornamental fixtures

61
Q

Jacques Louis Davidsupporter of jacobins

A

The death of Socrates - neoclassicism

The oath to f the horatii
The death of Marat- only personal
Consecration of the empower napoleon

The French Revolution

62
Q

French Revolution so neoclassicism and then Ingres

A

Understudy of David? Maybe?
Then nap 1 on the imperial throne-
The grand odalisque- naked lady
Princess de brogile- detail blue dress

Art History (3 decks)

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