EUROPEAN STATES Flashcards

1
Q

EUROPEAN STATES KNOWN AS

A

“The Age of Enlightenment”
“The Age of Reason”
Enlightenment is man’s emergence from his nonage.
“The Age of Revivals”

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2
Q

A conflict between CLASSIC and GOTHIC architecture

A

BATTLE OF STYLES

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3
Q

ARCHITECTURAL CHARACTER OF EUROPEAN STATES

A

● Imposing / creates an imposing effect
● Eclecticism*
● Taste for exotic forms
● Combining native and foreign styles

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4
Q

MATERIALS OF EUROPEAN STATES ARCH.

A

Stone and brick
Timber
Faience
Vernacular materials

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5
Q

WHAT ARE THE 3 PERIODS OF EUROPEAN ARCH.

A

EARLY VICTORIAN (1830-1850)
HIGH VICTORIAN (1850-1870)
LATE VICTORIAN (1870-1914)

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6
Q

Comprises the reigns of George IV (1820-30), William IV. (1830-37), and
Victoria (part of) (1837-51)

A

EARLY VICTORIAN (1830-1850)

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7
Q

coincides roughly with the Fren atch Second Empire and the High
Victorian phase of British architecture

A

HIGH VICTORIAN (1850-1870)

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8
Q

WHAT ARE THE 3 REVIVED STYLE IN HIGH VICTORIAN

A

Renaissance Revival
Gothic Revival
Old English Manner

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9
Q

THIS STRUCTURE WAS INITIATED BY NAPOLEON III, designed by Ludovico Tullio Joachim Visconti (1791-1853)
(HIGH VICTORIAN)

A

The New Louvre,Paris (1852-1857)

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10
Q

designed by Sir George Gilbert Scott
(HIGH VICTORIAN)

A

The Foreign Office, London (1861-1873)

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11
Q

designed by Heinrich von Ferstel (1828-1883)

● built as a thank-offering when an attempt on the
Emperor Franz Josefs life was foiled
● an elaborate essay in Gothic, heralded by tall,
slender western towers with open belfries and
crocketed steeples
(HIGH VICTORIAN)

A

The Votivkirche, Vienna (1856-1879)

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12
Q

designed by Benjamin Woodward (1815-1861), of Deane and Woodward
THIS STRUCTURE showed how the Gothic Revival could be seriously employed for public buildings
(HIGH VICTORIAN)

A

The University Museum, Oxford (1854-1860)

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13
Q

designed by William Butterfield

marks a turning point in the Gothic Revival
(HIGH VICTORIAN)

A

All Saints, Margaret Street, London (1849-1859)

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14
Q

was one of the first examples of Norman Shaw’s
‘Old English’ style

adapting vernacular features to the requirements of
a large house
(HIGH VICTORIAN)

A

Glen Andred, Groombridge, Sussex (1866-1868)

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15
Q

corresponding with the German Second Reich and the late
Victorian/Edwardian phases in Britain.

A

LATE VICTORIAN (1870-1914)

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16
Q

ARCHITECTURAL STYLES OF LATE VICTORIAN

A

Baroque
Gothic revival
Queen Anne Style
Shingle Style
Art Nouveau

17
Q
  • is derived from the villas of Andrea Palladio, the greatest
    architect of the Late Renaissance.
A

Palladian Architecture

18
Q

WHAT ARE THE 3 NEOCLASSICAL BUILDING TYPES

A

1.Temple Style
2. Palladian Architecture
3. Classical Block or Beaux

19
Q
  • features a design based on an ancient
    temple. Many temple style buildings feature a peristyle
    (a continuous line of columns around a building).
A

1.Temple Style

20
Q

CHARACTERIZED BY ORDER, SYMMETRY,
FORMAL DESIGN, GRANDIOSITY &
ELABORATE ORNAMENTATION

A

Classical Block or Beaux ARTS

21
Q

e style, emblematic of Victorian architecture, is characterized by its
distinctive features such as a steep roof with cross gables, asymmetrical front
facade, and an expansive porch adorned with decorative wood trim.

A

Queen Anne Style

22
Q

England is the birthplace, the forefront of building and
sculpture.

It is a style principally derived from the architectural
antiquity, following the Vitruvian principles
Utilitas, Firmitas, Venustas
Commodity, firmness, delight

A

NEOCLASSICAL ARCHITECTURE

23
Q

e style of architecture is known for its use of shingles on roofs and walls,
creating a monochrome look.

A

Shingle Style

24
Q

a style
not based on any architecture of the past, but characterised by irregular, organic
curves and generally tendril- or flame like lines.

“THE NEW STYLE”

A

Art Nouveau

25
Designed by Paul Wallot (1841-1912) ● Was built on a scale suitable for its role as a symbol of the Second Reich. (LATE VICTORIAN)
Berlin Reichstag, Berlin (1884-94)
26
● by J. L. Pearson, was incomplete at his death and was continued by his son. ● It exemplifies the architect's refined Early Gothic style, with lancet windows and sharp spires rising from square towers to give a powerful vertical emphasis (LATE VICTORIAN)
Truro Cathedral, Cornwall (1879-191O)
27
It is notable for its ornamental brick features, including thin pilasters, cornices and fancy gables, but its syncopated composition is more Mannerist than anything known to the English Renaissance (LATE VICTORIAN)
Lowther Lodge, Kensington Gore, London (1873- 5)
28
by Edward Schroeder Prior ● Is one of the most thoroughgoing examples of the architecture of the Arts and crafts movement. The plan, consisting of two diagonal arms linked by a central two-storey hall, is unusual but practical. (LATE VICTORIAN)
The Barn, Exmouth, Devon (1896-7)
29
designed in 1894 ● By Joseph-Eugene-Anatole de Baudot (1834-1915) a follower of Viollet -Ie-Due, whose preference for Gothic and advocacy of new materials both influenced de Baudot's design (LATE VICTORIAN)
S. Jean de Montmartre, Paris
30
– FOUNDED BY WALTER GROPIUS – EMPHASIZED GEOMETRIC FORMS, FLAT ROOF, LITTLE ORNAMENTATION, MODERN MATERIALS & SIMPLE COLOR SCHEMES
BAUHAUS
31
ALSO CALLED “STYLE MODERNE” – STYLE OF DECORATIVE ARCHITECTURE CHARACTERIZED BY GEOMETRIC MOTIFS, CURVILINEAR FORMS & BOLD COLORS
ART DECO