English Vocabulary Flashcards

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1
Q

Allegory

A ——- or ———- with two meanings; the ———- or ——— meaning that is immediately clear, and a second, usually —— meaning.

A

A story or narrative with two meanings; the obvious or literal meaning that is immediately clear, and a second, usually hidden meaning.

Example: Many people claim Lord of the Rings is an allegory for the World War I because it portrays war (and especially industrialisation for war production) negatively.

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2
Q

Alliteration

Repetition of ————- at the beginning of successive words or within sentences/——— to create a sense of ———, though they can be overdone (as in ———- ————).

A

Repetition of consonants at the beginning of successive words or within sentences/phrases to create a sense of rhythm, though they can be overdone (as in tongue twisters).

Example: “Peter piper picked a peck of pickled peppers.”

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3
Q

Allusion

A subtle or passing ————- to an event, ———, place, other —–, etc. that is intended to be noticed by ———- (though isn’t always picked up on).

A

A subtle or passing reference to an event, person, place, other text, etc. that is intended to be noticed by readers (though isn’t always picked up on).

Example: Remus Lupin in Harry Potter is named for Remus of ‘Remus and Romulus’, twins in Greek mythology who were raised by a wolf. This is a mythological allusion that ties into his being a werewolf.

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4
Q

Ambiguity

When something is left to the reader’s —————. Often this involves the ——– not stating explicitly what is ————-, what has been —–, etc.

A

When something is left to the reader’s imagination. Often this involves the author not stating explicitly what is happening, what has been said, etc.

Example: The ending of Inception (Christopher Nolan) is incredibly ambiguous. In the
film audiences are shown that the main character’s spinning top will continue to spin if he’s in a dream and topple if he’s in reality – however the final shot cuts just as the spinner begins to wobble, leaving audiences to wonder if he’s in reality or still dreaming.

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5
Q

Analogy

Uses two similar ———– or ideas to create a ———— or draw comp

A

Uses two similar concepts or ideas to create a relationship or draw comparisons between the two.

Example: “A sword is to a warrior as a pen is to a writer.”

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6
Q

Anaphora

A ———— device that involves the ———— of a word or phrase at the beginning of successive clauses, ————, or phrases.

A

A rhetorical device that involves the repetition of a word or phrase at the beginning of successive clauses, sentences, or phrases.

Example: “In every cry of every man, In every infant’s cry of fear, In every voice, in every ban, The mind-forged manacles I hear.” In this excerpt from William Blake’s poem
“London,” the phrase “In every” is repeated at the beginning of successive lines, emphasising the difficulties of life in the city.

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7
Q

Antithesis

Using —- sentences with ————– or contrasting meanings close to one another, sometimes even in immediate ————-.

A

Using two sentences with contradictory or contrasting meanings close to one another, sometimes even in immediate succession.

Example: “It was the best of times, it was the worst of times.” (Charles Dickens, A Tale of Two Cities).

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8
Q

Archetype

An archetype is an immediately recognisable ———–, concept or ——– that makes it easy for audiences to ————- them based on what they resemble in ————-.

A

An archetype is an immediately recognisable character, concept or object that makes it easy for audiences to categorise them based on what they resemble in literature.

Example: Hagrid (Harry Potter) and Hodor (Game of Thrones) fit the ‘gentle giant’ archetype, while Batman is the ultimate ‘lone vigilante’ archetype.

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9
Q

Assonance

Similar to ————, however in this case it is ——– sounds that are repeated.

A

Similar to alliteration, however in this case it is vowel sounds that are repeated.

Example: “A long song.” has a repeated long ‘o’ sound in the last two words that creates assonance, however the name “Rita Skeeter” from Harry Potter also features assonance, as the ‘i’ and ‘ee’ create the same sound.

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10
Q

Atmosphere

Atmosphere and —– are often used interchangeably, as they are similar but used in different —– and have different ——–.

A

Atmosphere and mood are often used interchangeably, as they are similar but used in different ways and have different results.

Example: “The floorboards creaked in time with the wind whistling around the houses’ jagged edges, and waves crashed angrily against the rocky cliffs below. She clutched her
coat tighter around her and stepped into the flickering light of the fire.”

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11
Q

Characterisation

The process by which characters are ————-, described and then fully ——– through their ——–, interactions, etc.

A

The process by which characters are introduced, described and then fully formed through their choices, interactions, etc.

Example: Katniss Everdeen (The Hunger Games) is characterised as being independent,
resourceful, focused on survival and having poor social skills. These traits determine how she interacts with people and makes choices, as seen in her initially being vocal in her hatred for the Capitol, but then doing as the Capitol tells her if it means protecting her family and surviving.

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12
Q

Cliché

A ———- and/or ———— expression, often found in similes and ———–.

A

A common and/or overused expression, often found in similes and metaphors.

Example: “He ran like the wind.”

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13
Q

Connotations

The ——, feelings or ———- associated with specific words, ——— or situations that go beyond their literal ———-.

A

The ideas, feelings or concepts associated with specific words, phrases or situations that go beyond their literal meaning.

xample: ‘Beautiful’ and ‘cute’, while both describing how something is visually appealing, have different connotations. ‘Beautiful’ creates a sense of grace, elegance
and maturity, while ‘cute’ is more associated with youth, pettiness and the colour pink.

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14
Q

Consonance

The repetition of the same ———— in words that use different ——– -sounds.

A

The repetition of the same consonants in words that use different vowel-sounds.

Example: “Mike likes his bike” repeats the “k” sound, while the phrase “Blank and think” repeats the “nk” sound.

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15
Q

Context

The —–, place and ——- setting within which a text was created, including the values of the —–, the world events, major topics of ————-, key figures, etc.

A

The time, place and social setting within which a text was created, including the values of the time, the world events, major topics of discussion, key figures, etc.

Example: Frankenstein by Mary Shelley explores the idea of science being used to create life, reflecting Shelley’s own interest in science and the actual reanimation
experiments of the time period.

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16
Q

Double Entendre

Where a phrase has —- meanings, one of which is usually ———– or risqué in some way.

A

Where a phrase has two meanings, one of which is usually humorous or risqué in some way.

Example: “Time flies like an arrow; fruit flies like a banana.” On the surface, this seems
like a straightforward statement about how time and fruit flies behave differently. However, it cleverly plays on the multiple meanings of “flies” as a verb (to move swiftly) and as a noun (the insect). This ambiguity creates a humorous effect.

17
Q

Dramatic Irony

Any situation wherein the ——— is privy to some sort of ————- that the characters do not know, building audience ———, suspense, etc.

A

Any situation wherein the audience is privy to some sort of information that the characters do not know, building audience tension, suspense, etc.

Example: Romeo and Juliet uses dramatic irony to create audience tension and emotional reactions when Romeo believes Juliet to be dead and kills himself, as audiences know she’s actually alive and will wake up any moment.

18
Q

Emotive Language

Words chosen to create a specific ———— response in the reader, often linked to the word’s —————- and commonly used in highly ———— or descriptive ——–/situations.

A

Words chosen to create a specific emotional response in the reader, often linked to the word’s connotations and commonly used in highly emotional or descriptive scenes/situations.

Example: “[…] which is what you/ didn’t do,/ because you’re weak and hollow and it doesn’t matter anymore.” (Richard Siken, Crush)

19
Q

Euphemism

A mild or ‘proper’ ———— used to replace one that is harsh, blunt or otherwise ————- in order to not cause trouble or appear ——-.

A

A mild or ‘proper’ expression used to replace one that is harsh, blunt or otherwise offensive in order to not cause trouble or appear vulgar.

Example: “I have to see a man about a dog.” is often said euphemistically when leaving a room or conversation to go to the toilet.

20
Q

Exclamation

A sentence ending with an ————— mark or said with a tone of —–/excitement is used to express —– emotion

A

A sentence ending with an exclamation mark or said with a tone of shock/excitement is used to express high emotion

Example: “I can’t believe you!” may be said when someone has done something shocking or betrayed a character in some way and elicited a strong emotional response.

21
Q

Frame Narrative

This is essentially a ‘—— within a ——’, wherein the main ————- is being told, remembered

A

This is essentially a ‘story within a story’, wherein the main narrative is being told, remembered

Example: Titanic (James Cameron) is a frame narrative, as the story is being told by ‘Old Rose’ and cuts back to her several times throughout the film. Forrest Gump (Robert
Zemeckis) is another well-known frame narrative film.

22
Q

Foil

A foil is another ———— in a story that specifically contrasts the —– character in order to emphasise the main character’s ———– and values or compare the values of the —- characters.

A

A foil is another character in a story that specifically contrasts the main character in order to emphasise the main character’s attributes and values or compare the values of the two characters.

Example: Draco Malfoy is a foil to Harry Potter, as he represents the opposites of Harry’s values and experiences, though the two are tied together by their positions on opposite sides of the battle against Voldemort.

23
Q

Foreshadowing

The act of ——— at or setting up a situation, —— or action that will later be extremely ————- in the narrative but doesn’t seem important at the —–.

A

The act of hinting at or setting up a situation, event or action that will later be extremely important in the narrative but doesn’t seem important at the time.

Example [Spoilers]: Fight Club (David Fincher) features several single-frame images of
‘Tyler Durden’ spliced into the film before we ever meet his character, foreshadowing his introduction and the fact that he is actually the manifestation of the Narrator’s Multiple Personality Disorder.

24
Q

Form

The ————— and structure of a —– based on the text —–, the context and the ———’s personal stylistic ——–.

A

The construction and structure of a text based on the text type, the context and the author’s personal stylistic choices.

Example: Lord of the Rings (J. R. R. Tolkien) and Game of Thrones (George R. R. Martin) are both epic novels with similar genre, subject matter and concept, however their forms
are incredibly different due to the time in which they were written and the authors’ stylistic choices.

25
Q

Figurative Language

Language, words and/or ————- that have meaning beyond their literal —————–, often used to express links between ——, characters and concepts or subtly tie into overall ———.

A

Language, words and/or expressions that have meaning beyond their literal interpretation, often used to express links between ideas, characters and concepts or subtly tie into overall themes.

Example: “A handsome manor house grew out of the darkness at the end of the straight drive.” (J. K. Rowling, Harry Potter and the Deathly Hallows)

26
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