English semester two - lord of the flies Flashcards

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1
Q
CH1   
“’ Let’s have a vote.’
‘Yes!’
‘Vote for a chief!’
‘Let’s vote – ‘
This toy of voting was almost as pleasing as the conch.”
A

T; Repetition

PP; Ralph represents democracy

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2
Q

CH1

“I ought to be chief , because I’m chapter chorister and head boy. I can sing C sharp”

A

T: characterisation

pp; Jack represents communism

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3
Q

CH1

“he shouted an order and they halted.”

A

T ; characterisation , high modality

pp: Fear creates power

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4
Q

CH2
“Startled, Ralph realized that the boys were falling still and silent, feeling the beginnings of awe at the power set free below them. The knowledge and awe made him savage.”

A

T; Metaphor

PP; Everyone at their deepest roots are inherently evil

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5
Q

CH2

“ but if there was a snake we’d hunt it and kill it.”

A

T; Inclusive language

PP; Fear unifies people together

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6
Q

CH2

“him with the mark on his face, I don’t see him. where is he now?”

A

t ; Rhetorical question

pp ; Powerful people have power over others

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7
Q

CH3

‘compulsion to track down and kill that was swallowing him up’

A

t; Metaphor

PP; Everyone at their deepest roots are evil

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8
Q

CH3

‘the mask was a thing on its own, behind which Jack hid, liberated from shame and self-consciousness’

A

t ; Metaphor

pp ; People remain ignorant about the true nature of human beings when they live in civilized society, but they give up more easily to their animalistic instincts.

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9
Q

CH3
‘He made one cheek and eye-socket white,he rubbed red over the other half of his face and slashed a black bar of charcoal across from right eat to left jaw’

A

t ; Religious allegory

PP ; When people feel detached from themselves their true instincts kick in

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10
Q

CH4

“For hunting. Like in the war. You know- dazzle paint.”

A

t ; Irony

PP; Hunting is a primal instinct inherent in all people

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11
Q

CH4

[Jack] began to dance and his laughter became a bloodthirsty snarling.

A

t ; Metaphor , zoomorphism

pp ; Often times, when individuals get a taste for power they will fight to prevent losing that power and strive to get more, which can lead to significant consequences as the balance of power shifts.

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12
Q

CH4
The hunters’ thoughts were crowded with memories […] of the knowledge […] that they had outwitted a living thing, imposed their will upon it, taken away its life like a long satisfying drink.

A

t; Metaphor

pp ; Fear of the unknown leads people to act illogically and even to abandon their ethics and principles.

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13
Q

CH4
“I was chief, and you were going to do what I said. You talk. But you can’t even build huts—then you go off hunting and let out the fire.”

A

t ; Divisive language

pp; Making the other person look weak makes you look stronger

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14
Q

CH5

“Bollocks to the rules! We’re strong- we hunt! If theres a beast, well hunt it down!”

A

t ; Inclusive language, Strong language

pp ; Fear of the unknown

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15
Q

CH5

“Maybe there is a beast… maybe it’s only us.”

A

t; Weak language

pp; Everyone at their deepest roots are evil

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16
Q

CH5

“What are we? Humans? Or animals? Or savages?”

A

t ; Rhetorical question

pp; Everyone at their deepest roots are evil

17
Q

CH6
“Conch! Conch!….We don’t need the conch anymore. We know who ought to say things. What good did Simon do speaking, or Bill, or Walter? It’s time some people knew they’ve got to keep quiet and leave deciding things to the rest of us.”

A

t ; Symbolism

pp; Tyrannical leaders hate rules

18
Q

CH6
“Simon, walking in front of Ralph, felt a flicker of incredulity—a beast with claws that scratched, that sat on a mountain-top, that left no tracks and yet was not fast enough to catch Samneric. However Simon thought of the beast, there rose before his inward sight the picture of a human at once heroic and sick.”

A

t ; Third person

pp ; Evil lies innately within the heart of every man

19
Q

CH6
“Even the sounds of nightmare from the other shelters no longer reached him, for he was back to where came from, feeding the ponies with sugar over the garden wall.”

A

t ; dramtic irony , metaphor

pp; darkness within

20
Q

CH7

“Kill the pig! Cut his throat! Kill the pig! Bash him in!” Yelled the boys.

A

t ; “Kill the pig! Cut his throat! Kill the pig! Bash him in!” Yelled the boys.

pp; Jack allows his hunters to satisfy their primitive desires to kill gaining him popularity and power

21
Q

CH10

“No! How could we–kill–it?”

A

t ; hyperbole , pauses , truncated sentenses

pp ; control of the news / news , fake news approach

22
Q

CH8
“jack went on blowing till the shelters were astir and the hunters crept to the platform …… ralph rose obediently, and piggy”

A

t ; visual imagery

pp ; Jack uses the power of the conch to challenge ralphs authority and undermine his leadership.

23
Q

CH8
“ive called an assembly said jack … first you know now we have seen the beast. We crawled up. We were only a few feet away. The beast sat up and looked at us. I don’t know what it does “

A

t; Sensationalism, hyperbole and truncated sentences

pp; Fear as a device of power play

24
Q

CH8

“ralph thinks your cowards, running away from the boar and the beast. And that’s not all”

A

t ; Divisive language

pp; Manipulation through the creation of speculative and allusive statements as a form of power play

25
Q

CH8

“hands up” said jack strongly “whoever wants ralph to not be chief “

A

t; High modality and assertive language , hyperbole

pp ; The with or against me attitude to undermine / threaten ralphs power

26
Q

CH8
“im not going to play any longer. Not with you” … “I’m going off by myself. He catches his own pigs. Anyone who wants to hunt when I do can come too” - jack

A

t ; Self-emasculation, low modality language, pathos

pp; Playing to victim to gain power through sympathy

27
Q

CH9

“she squealed and bucked and the air was full of sweat and noise and blood and terror”

A

t ; Graphic accumulative listing, pathos

pp ; Unnecessary violence and inhumanity to represent the leaders power structure (fascism)

28
Q

CH9
“listen all of you. Me and my hunters, were living along the beach down by the flat rock. We hunt and feast and have fun. If you want to join my tribe come and see us. Perhaps I’ll let you join, perhaps not.

A

t ; High modality language, persuasive and divisive language.

pp ; Exclusivity as a form of persuasion to gain power

29
Q

CH9
“jack , painted and garlanded , sat there like an idol , there were piles of meat on green leaves near him , and fruit , and. Coconut shells full of drink.”

A

t ; Accumulative listing, simile

pp ; Jacks self likening of himself to a god to hold complete power

30
Q

CH9

“take some meat”…. “has everyone eaten as much as they want ? “

A

t; Imperative language

pp; Food as a persuasive technique to gain power and loyalty

31
Q

CH10
“the chief was sitting there , naked to the waist , his face blocked out in red and white. The tribe lay in a semi circle before him .the newly beaten and untied Wilfred was sniffing noisily in the background.”

A

t ; the use of anonymity

pp; Violence as an assertion of power to bring about unity

32
Q

CH10

“the beast might try to come in. you remember how he crawled -“

A

t ; Sensationalism , hyperbole

pp ; - Sensationalism as a fear tactic

  • Fear as powerplay
  • Fear to control children
33
Q

CH10
“we shall take the fire from the others. Listen. Tomorrow we will hunt and get meat. Tonight ill go along with two hunters”

A

t ; Assertive , commanding and high modality language

pp; ‘beat them when their down’ approach to powerplay

34
Q

CH11
The booing rose and died again as Piggy lifted the white, magic shell.

“Which is better –to be a pack of painted Indians like you are, or to be sensible like Ralph is?”

A great clamor rose among the savages. Piggy shouted again.

“Which is better –to have rules and agree, or to hunt and kill?”

Again the clamor and again – “Zup!”

Ralph shouted against the noise.

“Which is better, law and rescue, or hunting and breaking things up?”

Now Jack was yelling too and Ralph could no longer make himself heard. Jack had backed right against the tribe and they were a solid mass of menace that bristled with spears.

A

t ; Rhetorical question

pp; The conch as a device of powerplay

35
Q

CH11
The rock struck Piggy a glancing blow from chin to knee; the conch exploded into a thousand white fragments and ceased to exist. Piggy, saying nothing, with no time for even a grunt, traveled through the air sideways from the rock, turning over as he went […]. Piggy fell forty feet and landed on his back across the square red rock in the sea. His head opened and stuff came out and turned red. Piggy’s arms and legs twitched a bit, like a pig’s after it has been killed.

A

t; zoomorphism , graphic imagery , symbolism

pp; The murder of law , order and rationality a device of powerplay

36
Q

CH11
You can see who I am!” [Ralph] shouted. “Stop being silly!”
He put the conch to his lips and began to blow. Savages appeared, painted out of recognition, edging round the ledge toward the neck. They carried spears and disposed themselves to defend the entrance.

A

t; High modality , assertive language , zoomorphism , hyperbole

pp ; Assertion of identity among anonymity as a form of powerplay

37
Q

CH11
There was silence, except for the multitudinous murmur of the bees. At last Piggy spoke, kindly.

“’Course we have. ’Cos the smoke’s a signal and we can’t be rescued if we don’t have smoke.”

A

t ; truncated sentences , high modality language

pp ; Smoke as a device of powerplay as a symbol of rebellion against jacks tribe

38
Q

CH12
“Her bows [were] hauled up and held by two ratings. In the stern-sheets another rating held a sub-machine gun.”

the marines had been attracted by the fire of the forest.

A

t ; visual imagery

pp ; The symbol fire as the boys avenue of rescue representing the final powerplay