English Finals Vocabulary Flashcards

1
Q

Tragedy

A

A drama in which the central character, who is of noble stature, meets with great disaster or misfortune. The tragic hero’s downfall is usually the result of some combination of
· fate, or the idea of a predetermined destiny
· a character flaw

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2
Q

Soliloquy

A

A lengthy speech in which a character, usually alone on stage, expresses his or her true thoughts or feelings
Soliloquies are not heard by other characters.

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3
Q

Aside

A

A character briefly reveals his or her thoughts or feelings, sometimes actually addressing the audience, in a remark that is not heard by other characters

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4
Q

Monologue

A

A lengthy speech by one person addressed to other characters

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5
Q

Blank Verse

A

Unrhymed poetry written in iambic pentameter

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6
Q

Meter

A

Poem’s rhythmical pattern

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7
Q

Feet

A

Divisions of stressed/unstressed syllables

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8
Q

Iamb

A

A foot with one unstressed syllable followed by a stressed syllable: again

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9
Q

Iambic Pentameter

A

Ten syllables, unstressed/stressed pattern

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10
Q

Couplet

A

Two successive rhyming lines

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11
Q

sonnet

A

14 line poem with a rhyme scheme

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12
Q

allusion

A

An allusion is a passing reference to a familiar person, place, or thing drawn from history, the Bible, mythology, or literature.

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13
Q

Simile

A

A figure of speech in which an explicit comparison is made between dissimilar things using “like” or “as.” Ex.“The fighter’s hands were like stone.”

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14
Q

Metaphor

A

An implicit comparison in which one thing is spoken of as though it were something else; one thing is compared to or identified with another, dissimilar thing in order to suggest something about it. Ex. All the world’s a stage.

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15
Q

Personification

A

A figure of speech in which ideas or objects are described as having human qualities or personalities. Ex. “The engine coughed and then stopped.”

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16
Q

foreshadowing

A

Foreshadowing is a purposeful hint placed in a work of literature to suggest what may occur later in the narrative.

17
Q

hyperbole

A

A figure of speech using deliberate exaggeration or overstatement. (The literal Greek meaning is “overshoot.”) Hyperboles often have a comic effect; however, a serious effect is also possible. Often, hyperbole produces irony. The opposite of hyperbole is understatement.

18
Q

imagery

A

The sensory details or figurative language used to describe, arouse emotion, or represent abstractions. On a physical level, imagery uses terms related to the five senses: visual, auditory, tactile, gustatory, and olfactory. On a broader and deeper level, however, one image can represent more than one thing. For example, a rose may present visual imagery while also representing the color in a woman’s cheeks and/or symbolizing some degree of perfection.

19
Q

irony

A

The incongruity or difference between reality and appearance or expectation and result.
Situational irony is the contrast between what is expected or intended and what actually occurs.
Dramatic irony occurs when the author makes the readers or audience aware of something that the character(s) are not.
Verbal irony is the contrast between what is said and what is meant.

20
Q

juxtaposition

A

When two contrasting things - ideas, words, or sentence elements - are placed next to each other for comparison, a juxtaposition occurs.

21
Q

motif

A

A motif is a repetition that tends to unify a work, such as a recurring image, word, phrase, action, idea, object, or image that appears throughout the piece.

22
Q

oxymoron

A

An oxymoron combines two contradictory words in one expression. The results of this combination are often unusual or thought provoking. For instance, if you praise a child for her “wild docility,” in essence you change the separate meanings of the words “wild” and “docility” and create a new, hybrid image.

23
Q

paradox

A

A statement that appears to be self-contradictory or opposed to common sense but upon closer inspection contains some degree of truth or validity. Ex: “It was the best of times, it was the worst of times….”.

24
Q

parallelism

A

Also referred to as parallel construction or parallel structure, this term comes from Greek roots meaning “beside one another.” It refers to the grammatical or rhetorical framing of words, phrases, sentences, or paragraphs to give structural similarity. This can involve, but is not limited to, repetition of a grammatical element such as a preposition or verbal phrase. The effects of parallelism are numerous, but frequently they act as an organizing force to attract the reader’s attention, add emphasis and organization, or simply provide a musical rhythm.
The opening of Dickens’ Tale of Two Cities is an excellent example: “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of believe, it was the epoch of incredulity….”)

25
Q

anaphora

A

A sub-type of parallelism, in which the exact repetition of words or phrases begins successive phrases or clauses. Ex: “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of believe, it was the epoch of incredulity….”

26
Q

pun

A

A pun is a play on words. A pun is created by using a word that has two different meanings, or using two different words with similar meanings, for a playful effect.

27
Q

repetition

A

The duplication, either exact or approximate, of any element of language, such as a sound, word, phrase, clause, sentence, or grammatical pattern.

28
Q

symbol

A

Generally, anything that represents itself and stands for something else. Usually a symbol is something concrete – such as an object, action, character, or scene – that represents something more abstract. However, symbols and symbolism can be much more complex. One system classifies symbols into three categories:

(1) natural symbols are objects and occurrences from nature to symbolize ideas commonly associated with them (dawn symbolizing hope or a new beginning, a rose symbolizing love, a tree symbolizing knowledge).
(2) conventional symbols are those that have been invested with meaning by a group (religious symbols such as a cross or Star of David; national symbols, such as a flag or an eagle; or group symbols, such as a skull and crossbones for pirates or the scale of justice for lawyers).
(3) literary symbols are sometimes also conventional in the sense that they are found in a variety of works and are more generally recognized.

29
Q

antithesis

A

juxtaposition, or contrast of ideas or words in a balanced or parallel construction
“Not that I loved Caesar less, but that I loved Rome more.” (Julius Caesar, III, ii)

30
Q

chiasmus

A

two corresponding pairs arranged in a parallel inverse order

“Fair is foul, and foul is fair” (Macbeth, I, i)

31
Q

parallelism

A

similarity of structure in a pair or series of related words, phrases, or clauses3
“And therefore, since I cannot prove a lover
To entertain these fair well-spoken days,
I am determinèd to prove a villain
And hate the idle pleasures of these days.” (Richard III, I, i)

32
Q

CRAAP

A

currency, relevance, authority, accuracy, purpose

REMEMBER: .org isn’t more credible than .com automatically

33
Q

links

A

get rid of https://

34
Q

annotation for pages; paragraphs

A

p./pp.; par./pars.

35
Q

order of stuff in citation:

A
Author.
Title of source.
Title of container,
Other contributors,
Version,
Number,
Publisher,
Publication date,
Location.
Date Accessed.
36
Q

spacing rules

A

double space citations,

indent second line and subsequent by 0.5

37
Q

containers are always in

A

italics

38
Q

pseudonyms citations

A

real last name, real first name [ published as/see also/blank space here pseudonym]
examples:
Christie, Agatha [Mary Westmacott].
Irving, Washington [published as Knickerbocker, Diedrich].