English 3150 Critical Theory Today Ch. 7 Flashcards

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1
Q

Structuralist Criticism

A

A method of systematizing human experience that is used in many different fields of study; for example, linguistics, anthropology, psychology, and literary studies. Consists of two fundamental levels -one visible, the other invisible.

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2
Q

Surface Phenomena

A

All the countless objects, activities, and behaviors we observe, participate in, and interact with every day.

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3
Q

Structure

A

A structure is any conceptual system that has the following three properties: (1) wholeness, (2) transformation, and (3) self-reg- ulation. Wholeness simply means that the system functions as a unit. Transformation means that the system is not static; it’s dynamic, capable of change.
Self-regulation means that the transformations of which a structure is capable never lead beyond its own structural system.

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4
Q

Structuralism

A

It looks for the rules that underlie language and govern how it functions: it looks for the structure.

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5
Q

Langue

A

Structure of language

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6
Q

Parole

A

Speech

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7
Q

Signifier

A

A “sound-image” (a mental imprint of a linguistic sound)

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8
Q

Signified

A

Concept to which the signifier refers.

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9
Q

Structural Anthropology

A

Created by Claude Lévi-Strauss in the late 1950s, seeks the underlying common denominators, the structures, that link all human beings regardless of the differences among the surface phenomena of the cul- tures to which they belong.

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10
Q

Mytheme

A

The fundamental units of myths. A mytheme is analogous to a sentence in that it represents a relationship between two or more concepts, often in the form of a subject-verb relationship.

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11
Q

Semiotics

A

Applies structuralist insights to the study of what it calls sign systems.
semiotics examines the ways linguistic and nonlinguistic objects and behaviors operate symbolically to “tell” us something.

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12
Q

Sign System

A

A linguistic or nonlinguistic object or behavior (or collection of objects or behaviors).

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13
Q

Mythoi

A

Term Frye uses to refer to the four narrative patterns that, he argues, structure myth. These mythoi, he claims, reveal the structural principles underlying liter- ary genres: specifically, comedy, romance, tragedy, and irony/satire.

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14
Q

Mythos of Summer

A

World of Innocence, Plentitude & Fulfillment. Related to Romance.

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15
Q

Mythos of Autumn

A

Movement from the Ideal to the real world, farm innocence to experience. Related to tragedy.

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16
Q

Mythos of Winter

A

World of experience, uncertainty, & failure. Related to Irony and Satire.

17
Q

Mythos of Spring

A

Movement from the real world to the ideal, from experience to the innocence. Related to comedy.

18
Q

Contractual Structure

A

Involve the making/breaking of agreements or the establishment/violation of prohibitions and the alienation or reconciliation that follows.

19
Q

Performative Structures

A

Involve the Performance of tasks, trials, struggles, and the like.

20
Q

Disjunctive Structures

A

Involve travel, movement, arrivals and departures.