ENG1300 Chapter 2/3 Flashcards

1
Q

Total Omniscience

A

PoV in which the narrator knows everything about all of the characters and events in a story.

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2
Q

Limited or Selective Omniscience

A

PoV in which the narrator sees into the minds of some, but not all characters.

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3
Q

Impartial Omniscience

A

PoV employed to present thoughts and actions of a character, but doesn’t judge or comment on them.

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4
Q

Editorial Omniscience

A

PoV when an omniscient narrator goes beyond reporting thoughts, but also makes commentary on them.

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5
Q

Objective Point of View

A

PoV in which the third-person narrator merely reports dialogue/action with no interpretation or access to thoughts.

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6
Q

Omniscient or All-knowing Narrator

A

Narrator who can move freely through the consciousness of any character. Has complete knowledge of all events.

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7
Q

Participant or First-person Narrator

A

Narrator who is participant in the action. Narrator refers themselves as “I”.

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8
Q

Observer

A

First person narrator who is relatively detached from, or plays only minor role in the events described.

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9
Q

Nonparticipant or Third Person Narrator

A

Narrator who doesn’t appear in the story as a character, but capable of revealing thoughts/motives of characters.

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10
Q

Innocent or Naïve Narrator

A

Character who fails to understand all the implications of the story they’re telling-can generate irony, sympathy, or pity

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11
Q

Unreliable Narrator

A

Narrator who relates events in a subjective or distorted manner, usually becomes apparent early on in the story.

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12
Q

Interior Monologue

A

Extended presentation of character’s thoughts, usually present tense and without quotation marks, usually reads as if a character were speaking aloud to themselves, for the reader to overhear.

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13
Q

Stream of Consciousness

A

Modern narrative technique, uses various literary devices to duplicate the subjective/associative nature of human consciousness.

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14
Q

Characterization

A

The technique a writer uses to create, reveal, or develop the characters in a narrative.

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15
Q

Character Description

A

Author overly relates physical or mental traits of a character, almost invariably depicts what lies beneath the surface of the character.

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16
Q

Character Development

A

The process by which a character is introduced, advanced, and possibly transformed in a story.

17
Q

Character Motivation

A

What a character in a narrative wants, the reasons for a character’s actions. Can be explicit or implicit.

18
Q

Flat Character

A

A character with only one outstanding trait, rarely the central character, and stays the same throughout the narrative.

19
Q

Round Character

A

A complex character who is presented in depth in a narrative and changes significantly during the course of the narrative.

20
Q

Stock Character

A

A common or stereotypical character, such as the ‘mad scientist’ or the ‘battle-scarred veteran’.